"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together... until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips. Then the Palladium Ballroom issued a bold challenge to segregation and threw open its doors to all. Illustrated with verve and told through real-life characters who feature in an afterword, ¡Mambo Mucho Mambo! portrays the power of music and dance to transcend racial, religious, and ethnic boundaries."--

Born into a travelling gypsy family, young Django Reinhardt taught himself guitar at an early age. He was soon acclaimed as the "Gypsy Genius" and "Prodigy Boy," but one day his world changed completely when a fire claimed the use of his fretting hand. Folks said Django would never play again, but with passion and perseverance he was soon setting the world's concert stages ablaze.

"Sonny Rollins is one of the most prolific sax players in the history of jazz, but in 1959, at the height of his career, he vanished from the scene. His return to music was an interesting journey - with a long detour on the Williamsburg Bridge. Too loud to practice in his apartment, Rollins played on the New York City landmark for two years among the cacophony of the traffic and the stares of bystanders. Then in 1962, Rollins went back to the studio and recorded arguably his best album to date: The Bridge. Told with a jazz edge to the rhyming text, young readers will be inspired by the genius of this jazz legend." --

"This is the true story of Lil Hardin Armstrong: pianist, composer, and bandleader in the early days of jazz. Ahead of her time, Lil made a career for herself--and for Louis Armstrong, her modest, unassuming husband ... Scat-inspired verse celebrates how Lil overcame race and gender barriers to become the first lady of the Chicago jazz scene"--Publisher marketing.

With evocative black-and-white illustrations and moving prose, readers are introduced to Nina Simone, jazz-music legend and civil-rights activist. Shared as a lullaby to her daughter, a soulful song recounts Simone's career, the trials she faced as an African American woman, and the stand she took during the Civil Rights Movement. This poignant picture book offers a melodic tale that is both a historic account of an iconic figure and an extraordinary look at how far we've come and how far we still need to go for social justice and equality. A timeless and timely message aptly appropriate for today's social and political climates.

When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn't own a good camera, didn't know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians' mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer's day. Francis Vallejo's vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author's note, sources, a bibliography, and a foldout of Art Kane's famous photograph.

Brought together by the love of playing jazz music, Teddy Wilson And Benny Goodman broke the color barrier in entertainment when they formed the Benny Goodman Trio with Gene Krupa. This tells the story of how two people were brought together by their love of music, and helped create the jazz style known as swing.

"Though a disability stunted his growth and left him with a hunched back, William Henry "Chick" Webb did not let that get in the way of his musical pursuits. Even as a young child, Chick saw the world as one big drum, pounding out rhythms on everything from stair railings to pots and pans. His love of percussion brought him to the big time as an influential big band leader. This picture-book biography details the life of black American jazz drummer Chick Webb, who in the 1930s led one of the big bands of the swing era, earning him the nickname the "King of the Savoy."" --

"A pivotal fixture of the Harlem Renaissance, Duke Ellington was the bandleader of the historic Cotton Club and a master composer -- writing close to 3,000 songs in his lifetime and capturing the spirit of the Black experience in the Unites States. Over a 50-year career, Ellington became one of the biggest names in jazz as we know it"--

Silence. That was the response at Cafe Society the first time Billie Holiday performed a song called "Strange Fruit." In the 1930s, Billie was known as a performer of jazz and blues music, but her song wasn't either of those things. It was a song about injustice, and it would change her life forever. Discover how two outsiders -- Billie Holiday, a young black woman raised in poverty, and Abel Meeropol, the son of Jewish immigrants -- combined their talents to create a song that challenged racism and paved the way for the civil rights movement.

"Hailing from the Tremé neighborhood in New Orleans, Troy "Trombone Shorty" Andrews got his nickname by wielding a trombone twice as long as he was high. A prodigy, he was leading his own band by age six, and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest"--

This joyful tribute to Louis Armstrong tells the story of the virtuoso musician and buoyant personality who introduced much of the world to jazz. From his youth in New Orleans, the influence and cornet blowing of Joe "King" Oliver, his time at the Colored Waif's Home for Boys, where he learned his discipline in the school's famous marching band, and his move to Chicago, where the "King" himself became his mentor.

"Louis Armstrong has been called the most important improviser in the history of jazz. Although his New Orleans neighborhood was poor in nearly everything else, it was rich in superb music. Young Louis took it all in, especially the cornet blowing of Joe "King" Oliver. But after a run in with the police, 11-year-old Louis was sent away to the Colored Waif's Home for Boys where he became a disciplined musician in the school's revered marching band. By the time he returned to his neighborhood, the "King" himself became his mentor and invited Armstrong to play with him in Chicago. Here is a joyful tribute to the virtuoso musician and buoyant personality who introduced much of the world to jazz." -- Amazon.

"Long before Oscar became a virtuoso jazz pianist, he was a boy who loved to play the trumpet. When a bout of childhood tuberculosis weakened his lungs, Oscar could no longer play his beloved instrument. He took up piano and the rest is history: Oscar went on to become an international jazz piano sensation."--Publisher.

Hailing from the Tremé neighborhood in New Orleans, Troy "Trombone Shorty" Andrews got his nickname by wielding a trombone twice as long as he was high. A prodigy, he was leading his own band by age six, and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest.

Rhyming text celebrates the Harlem neighborhood that successful African Americans first called home during the 1920s. Includes brief biographies of jazz greats Duke Ellington, Count Basie, Sonny Rollins, and Miles Davis; artists Aaron Douglas and Faith Ringgold; entertainers Lena Horne and the Nicholas Brothers; writer Zora Neale Hurston; civil rights leader W. E. B. DuBois; and lawyer Thurgood Marshall.

"What happened when a former slave took beat-up old instruments and gave them to a bunch of orphans? Thousands of futures got a little brighter and a great American art form was born. In 1891, Reverend Daniel Joseph Jenkins opened his orphanage in Charleston, South Carolina. He soon had hundreds of children and needed a way to support them. Jenkins asked townspeople to donate old band instruments - some of which had last played in the hands of Confederate soldiers in the Civil War. He found teachers to show the kids how to play. Soon the orphanage had a band. And what a band it was. The Jenkins Orphanage Band caused a sensation on the streets of Charleston. People called the band's style of music "rag" - a rhythm inspired by the African-American people who lived on the South Carolina and Georgia coast. The children performed as far away as Paris and London, and they earned enough money to support the orphanage that still exists today. They also helped launch the music we now know as jazz. Hey, Charleston! is the story of the kind man who gave America "some rag" and so much more."--Jacket flap.