After a wonderful seven weeks at Ainsley International School, twelve-year-old Caprice has been offered a full scholarship and she should be delighted, but instead she is full of doubts because what happened at the last night dance has brought back the memory of being sexually abused by her uncle as a four-year-old; worse, her maternal grandmother is ill, and that means going back to the house in Baltimore where it all happened--Caprice has never told anybody but now, as she realizes that her grandmother knew, she tries to find the words to tell someone, and the strength to finally confront her abuser.

"In this empowering deconstruction of the so-called American Dream, a twelve-year-old Japanese American girl grapples with, and ultimately rises above, the racism and trials of middle school she experiences while chasing her dreams. As the daughter of immigrants who came to America for a better life, Annie Inoue was raised to dream big. And at the start of seventh grade, she's channeling that irrepressible hope into becoming the lead in her school play. So when Annie lands an impressive role in the production of The King and I, she's thrilled ... until she starts to hear grumbles from her mostly white classmates that she only got the part because it's an Asian play with Asian characters. Is this all people see when they see her? Is this the only kind of success they'll let her have -- one that they can tear down or use race to belittle? Disheartened but determined, Annie channels her hurt into a new dream: showing everyone what she's made of. Waka T. Brown, author of While I Was Away, delivers an uplifting coming-of-age story about a Japanese American girl's fight to make space for herself in a world that claims to celebrate everyone's differences but doesn't always follow through."--

"Bree can't wait for her first day at her new middle school, Enith Brigitha, home to the Mighty Manatees--until she's stuck with the only elective that fits her schedule, the dreaded Swim 101. The thought of swimming makes Bree more than a little queasy, yet she's forced to dive headfirst into one of her greatest fears. Lucky for her, Etta, an elderly occupant of her apartment building and former swim team captain, is willing to help"--

Middle school student Sam is comfortable with their nonbinary identity, and their family has accepted it too (as long as they do their homework and chores), so when their history teacher assigns as a project coming up with a proposal for the new statue honoring a historical Staten Islander (there is a contest involved) they and their friend TJ decide to focus on Alice Austen, a lesbian photographer, whose house on Staten Island is a museum--but they have to overcome the presumption on the part of their teacher that only straight males are eligible.

Starting a new school in the fall with her friend Shirley, everything is going well for Jamila until Shirley pulls her into a new assignment: stop Chuck Milton, a school bully who is using blackmail and intimidation to become school president--an assignment that will involve a bit of breaking and entering.

"The year is 1991. Mona Hasan is a young Muslim girl growing up in Dubai, the United Arab Emirates. The first Gulf War has broken out close by, but it isn't what she expects -- "We didn't even get any days off school! Just my luck." However, the event sparks major change in her life, as her family moves from big-city Dubai in the UAE to small-town Dartmouth on the east coast of Canada."--Book jacket flap

"Ever since Ms. Murphy told us about the witch trials that happened centuries ago right here in Juniper, I can't stop thinking about them. Those people weren't magic. They were like me. Different like me. I'm autistic. I see things that others do not. I hear sounds that they can ignore. And sometimes I feel things all at once. I think about the witches, with no one to speak for them. Not everyone in our small town understands. But if I keep trying, maybe someone will. I won't let the witches be forgotten. Because there is more to their story. Just like there is more to mine."--

Cline Alden's grandmother says that music is in the family's blood, but Cline's mother is dead-set against her daughter's dreams of becoming a country music singer; Cline is determined to find the money to attend a Young Singer-Songwriter Workshop in Lexington (not too far from her Paris, Kentucky home), so now she has a lot on her mind--she is hiding things from her mother, she is losing her beloved grandmother to Alzheimer's, and she has begun to acknowledge, to herself at least, that she is more attracted to girls then boys.

Marlene loves three things: books, Her cool Tía Ruby and hanging out with her best friend Camila. But according to her mother, Paola, the only thing she needs to focus on is school and "growing up." That means straightening her hair every weekend so she could have "presentable good hair." But Marlene hates being in the salon and doesn't understand why her curls are not considered pretty by those around her. With a few hiccups, a dash of embarrassment, and the much-needed help of Camila and Tía Ruby--she slowly starts a journey to learn to appreciate and proudly wear her curly hair.

Before she decides whether to accept her stepfather's proposal of adoption, twelve-year-old Adela Ramírez reaches out to her estranged biological father--who is in the midst of a career comeback as a luchador--and the eccentric extended family of wrestlers she has never met, bringing Adela closer to understanding the expansive definition of family.

Lula Viramontes dreams of one day becoming someone whom no one can ignore: a daring ringleader in a Mexican traveling carpa, despite her father's traditional views of what girls should be. When her family arrives for the grape harvest in Delano, California, Lula meets activist Dolores Huerta and el Teatro Campesino (the official theater company of the United Farm Workers). She discovers an even more pressing reason to raise her voice: the upcoming farm workers' strike, an event that will determine her family's future--for better or worse.