Lists and Suggestions

The story of two men's obsessions with the Chicago World's Fair, one its architect, the other a murderer. "The Devil in the White City" draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others.

Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling southern city is certain to become a modern classic.

The true story of the murderesses who became media sensations and inspired the musical Chicago. There was nothing surprising about men turning up dead in Jazz Age Chicago. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special, or so believed Maurine Watkins, a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins zeroed in on murderers instead. She made "Stylish Belva" Gaertner and "Beautiful Beulah" Annan--both of whom had brazenly shot down their lovers--the talk of the town. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites.--From publisher description.

The most pivotal and yet least understood event of Frank Lloyd Wright's celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright's legion of biographers--a historical and cultural gap that is finally addressed in William Drennan's exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright's prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright's architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs.

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence. With the publication of this book, Capote permanently ripped through the barrier separating crime reportage from serious literature. As he reconstructs the 1959 murder of a Kansas farm family and the investigation that led to the capture, trial, and execution of the killers, Capote generates suspense and empathy.

April, 1967: a prison escape. James Earl Ray, nondescript thief and con man, drifts through the South, into Mexico, and then Los Angeles, where he is galvanized by George Wallace's racist presidential campaign. February, 1968: a Memphis garbage strike. Martin Luther King joins the sanitation workers' cause, but their march turns violent. King vows to return to Memphis in April. Historian Sides follows Ray and King as they crisscross the country, one stalking the other, until the drifter catches up with his prey. Against the backdrop of the resulting nationwide riots and the pathos of King's funeral, Sides gives us a cross-cut narrative of the assassin's flight and the 65-day search that led investigators to Canada, Portugal, and England--a massive manhunt ironically led by Hoover's FBI. Drawing on previously unpublished material, this nonfiction thriller illuminates how history is so often a matter of the petty bringing down the great.--From publisher description.

The prosecutor of the Tate-LaBianca trials presents the inside story behind the Manson killings, explaining how Charles Manson was able to make his "family" murder for him, chronicling the investigation, and describing the court trial that brought him and his accomplices to justice.

In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land, Jonathan Whicher of Scotland Yard. Whicher quickly believed the unbelievable--that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today ... from the cryptic Sgt. Cuff in Wilkie Collins's The Moonstone to Dashiell Hammett's Sam Spade.--From publisher description.

Killing Pablo is the story of the fifteen-month manhunt for Colombian cocaine cartel kingpin Pablo Escobar, whose escape from his lavish, mansionlike jail drove a nation to the brink of chaos. In a gripping, up-close account, acclaimed journalist Mark Bowden exposes the never-before-revealed details of how U.S. military and intelligence operatives covertly led the mission to find and kill the world's most dangerous outlaw. Drawing on unprecedented access to the soldiers, field agents, and officials involved in the chase, as well as hundreds of pages of top-secret documents and transcripts of Escobar's intercepted phone conversations, Bowden creates a narrative that reads as if it were torn from the pages of a Tom Clancy technothriller.

The definitive account of this serial murderer, based on sixty hours of personal interviews with Ramirez himself. New edition includes interviews with women who have asked to contact Ramirez since the book was first published, and a "death row interview".--From publisher description.

The gripping, true story of a brutal serial killer who unleashed his own reign of terror in Nazi-Occupied Paris. As decapitated heads and dismembered body parts surfaced in the Seine, Commissaire Georges-Victor Massu, head of the Brigade Criminelle, was tasked with tracking down the elusive murderer in a twilight world of Gestapo, gangsters, resistance fighters, pimps, prostitutes, spies, and other shadowy figures of the Parisian underworld. But while trying to solve the many mysteries of the case, Massu would unravel a plot of unspeakable deviousness. The main suspect, Dr. Marcel Petiot, was a handsome, charming physician with remarkable charisma. He was the "People's Doctor," known for his many acts of kindness and generosity, not least in providing free medical care for the poor. Petiot, however, would soon be charged with twenty-seven murders, though authorities suspected the total was considerably higher, perhaps even as many as 150. Petiot's trial quickly became a circus. Attempting to try all twenty-seven cases at once, the prosecution stumbled in its marathon cross-examinations, and Petiot, enjoying the spotlight, responded with astonishing ease. Soon, despite a team of prosecuting attorneys, dozens of witnesses, and over one ton of evidence, Petiot's brilliance and wit threatened to win the day. Drawing extensively on many new sources, including the massive, classified French police file on Dr. Petiot, Death in the City of Light is a brilliant evocation of Nazi-Occupied Paris and a harrowing exploration of murder, betrayal, and evil of staggering proportions.

"On July 23, 1991, Milwaukee chemist Lionel Dahmer discovered - along with the rest of the world - that his son Jeffrey was a murderer who, over a period of many years, had carried out some of the most ghastly crimes ever committed in the United States. These crimes were so grisly that for a time Dahmer entered a world of complete denial - first convinced that Jeff was innocent, then later that he had been no more than the tool of some other, far more evil human being. But as the evidence accumulated, it became clear that Jeffrey Dahmer had acted alone and that the "evil" that had compelled him was far more disturbing than any Lionel Dahmer might have imagined. As the trial progressed, and the crimes of his son were graphically detailed, Lionel Dahmer began to place himself in the dock beside his son. In the torturous weeks following Jeff's conviction, he continued descent toward that harrowing point at which the line of his own life inevitably intersected with his son's. In doing so, he completed the darkest journey ever made by a stricken father - one that ultimately led one painful step at a time from his initial denial to a final admission of shattering intensity. A Father's Story cannot claim to have discovered the ultimate solution to the enigma of either the criminal or his deeds. It is, in fact, not the story of Jeffrey Dahmer at all, but of a father who, by slow, incremental degrees, came to realize the saddest truth that any parent may ever know: that following some unknowable process, his child had somewhere crossed the line that divides the human from the monstrous. This memoir is not a refutation of charges, an attempt to change the record. It is both a touching family memoir and a haunting confession - the searing account of a man who never relented in his effort to fathom the deepest quarters of his son's affliction, even as they pointed to his own. It is an important document on the nature of fatherhood, the origins of madness, and the role of kinsh