Judith Potts is seventy-seven years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there's no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don't believe her story, so she decides to investigate for herself, and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local vicar. Together, they are the Marlow Murder Club. When another body turns up, they realize they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape...

For their romantic getaway to New York City, Breanna's new boyfriend, Ty, took care of everything--the train tickets, the dinner reservations, the luxury row house where they stayed. But on the final morning, when Breanna came downstairs, she found a dead white woman in the foyer, and Ty was gone. The woman is Janelle Beckett, a missing person with a social media following, #Justice4Janelle. Breanna's only hope for staying out of jail is her ex-best friend, a lawyer with whom she shares a complicated past. Bree realizes that the only way she can help Ty--or herself--is to figure out what really happened that last night. But when people only see what they want to see, can she uncover the truth hiding in plain sight?

From T. Kingfisher, the award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all

A charmingly eccentric hotel maid discovers a guest murdered in his bed, turning her once orderly world upside down--and inspiring a motley crew of unexpected allies to band together to solve the mystery--in this utterly original debut. Molly Dunn is not like everyone else. She struggles with social skills and interprets people literally. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by. Since Gran died a few months ago, twenty-five-year-old Molly has had to navigate life's complexities all by herself. No matter--she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection. But Molly's orderly life is turned on its head the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself very dead in his bed. Before she knows what's happening, Molly's odd demeanor has the police targeting her as their lead suspect and she finds herself in a web of subtext and nuance she has no idea how to untangle. Fortunately for Molly, a medley of friends she didn't realize she had refuses to let her be charged with murder--but will they be able to discover the real killer before it's too late?

"We didn't call the police right away." Those are the first words of this extraordinary novel about a biracial Korean-American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything--which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance.

Once a thriving working class neighborhood on Chicago's south side, the 'Bottomyards' is now the definition of urban blight. When an aspiring fashion designer named Darla and her image-obsessed friend, Cynthia, descend upon the neighborhood in search of cheap rent, they soon discover something far more seductive and sinister lurking behind the walls of their new home.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home to sort through years of Verity's notes and outlines, hoping to find enough material to get started. Lowen uncovers an unfinished autobiography Verity never intended anyone to read, with pages of bone-chilling admissions, including Verity's recollection of the night their family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents would devastate him. But as Lowen's feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit, if he were to read his wife's words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue to love her.

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I'm not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I'm Ernest Cunningham. Call me Ern or Ernie. I wish I'd killed whoever decided our family reunion should be at a ski resort, but it's a little more complicated than that. Have I killed someone? Yes. I have. Who was it? Let's get started.

In a ruined and hostile landscape, in a future few have been unlucky enough to survive, a community exists in a giant underground silo. Inside, men and women live an enclosed life full of rules and regulations, of secrets and lies. To live, you must follow the rules. But some don't. These are the dangerous ones; these are the people who dare to hope and dream, and who infect others with their optimism. Their punishment is simple and deadly. They are allowed outside. Jules is one of these people. She may well be the last.

Nothing brings an estranged family together like a murder next door. High-powered businesswoman Lana Rubicon has a lot to be proud of: her keen intelligence, impeccable taste, and the L.A. real estate empire she's built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy coastal town with her adult daughter Beth and teenage granddaughter Jack, Lana is stuck counting otters instead of square footage -- and hoping that boredom won't kill her before the cancer does. Then Jack -- tiny in stature but fiercely independent -- stumbles upon a dead body while kayaking near their bungalow. Jack quickly becomes a suspect in the homicide investigation, and the Rubicon women are thrown into chaos. Beth thinks Lana should focus on recovery, but Lana has a better idea. She'll pull on her wig, find the true murderer, protect her family, and prove she still has power. With Jack and Beth's help, Lana uncovers a web of lies, family vendettas, and land disputes lurking beneath the surface of a community populated by folksy conservationists and wealthy ranchers. But as their amateur snooping advances into ever-more dangerous territory, the headstrong Rubicon women must learn do the one thing they've always resisted: depend on each other.

When the children of Archer's Peak -- a sleepy town in the heart of America -- begin to go missing, everything seems hopeless. Most children never return, but the ones that do have terrible stories -- impossible details of terrifying creatures that live in the shadows. Their only hope of finding and eliminating the threat is the arrival of a mysterious stranger, one who believes the children and claims to be the only one who sees what they can see. Her name is Erica Slaughter. She kills monsters. That is all she does, and she bears the cost because it must be done.

When the body of disgraced reality TV star Desiree Pierce is found on a playground in the Bronx the morning after her 25th birthday party, the police and the media are quick to declare her death an overdose. It's a tragedy, certainly, but not a crime. But Desiree's half-sister Lena Scott knows that can't be the case. A graduate student at Columbia, Lena has spent the past decade forging her own path far from the spotlight, but some facts about Desiree just couldn't have changed since their childhood. And Desiree would never travel above 125th Street. So why is no one listening to her? Despite the bitter truth that the two haven't spoken in two years, torn apart by Desiree's partying and by their father, Mel, a wealthy and influential hip-hop mogul, Lena becomes determined to find justice for her sister, even if it means untangling her family's darkest secrets--or ending up dead herself.

Florrie Butterfield--eighty-seven, one-legged, and of cheerful disposition--believes there can't be any more surprises in life. Yet one evening, there's an accident at Babbington Hall--the adult residence where she lives--so shocking and strange that Florrie is suspicious; is this really an accident? Or is she being lied to? Is she living alongside a potential murderer? In her efforts to learn the truth, Florrie is forced to look back on her own life, with all its passions and regrets; she must confront her own bloody secret--and, at last, confess. Above all, she learns, through the help of her new friend, Stanhope, that when it comes to love, it's never too late.

Our narrator is the youngest student at the Conservatory. She produces a sound from the piano no one else does, employing a special technique she learned from her parents--also stunningly talented musicians--who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future as a pianist and accepts a job at a high-end beauty and wellness store in New York City. Holistik is known for its remarkable products and outrageous procedures: remoras that suck cheap Botox from the body, eyelash extensions made of spider silk, emotional support ducklings bred to imprint on their owners. Every product is ethically sourced and made with nothing but the highest quality ingredients. Our narrator's new job is a coveted one among New York's beauty-obsessed, and it affords her entry into a new world of privilege. She becomes transfixed by Helen--a model, and the niece of Holistik's charismatic owner--and the two strike up a close friendship that hazily veers into more. All the while, Holistik plies our narrator with products that slim her thighs, smooth her skin, lighten her hair, and change her eye color. But beneath these fancy creams and tinctures lies a terrible truth that threatens to consume her. After all, beauty is nothing without ugliness.

Twenty-five-year-old Kat Bennett has never felt at home anywhere, and especially not in crumbling Shelley House. According to her neighbors, she's prickly and unapproachable, but beneath her tough exterior, Kat is plagued by guilt from her past. Seventy-seven-year-old Dorothy Darling is Shelley House's longest resident, and if you believe the other tenants, she's as cantankerous and vindictive as they come. Except there's a good reason Dorothy spends her days spying on her neighbors--a closely guarded secret that no else knows and the reason Dorothy barely leaves her beloved home. When their building faces demolition, sworn enemies Kat and Dorothy become unlikely allies in their quest to save their historic home. But when someone starts to play dirty and viciously targets one of the residents, Dorothy and Kat suspect foul play in their community. After the police close the investigation, it's up to this improbable pair to bring a criminal to justice.

One night Mary Pat's teenage daughter Jules stays out late and doesn't come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. The two events seem unconnected. But Mary Pat, propelled by a desperate search for her missing daughter, begins turning over stones best left untouched--asking questions that bother Marty Butler, chieftain of the Irish mob, and the men who work for him, men who don't take kindly to any threat to their business.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn't a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied 'droid -- a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as "Murderbot." Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

Nearly 10 years after 16-year-old Joan Wilson was set on fire by three other schoolgirls, tabloid journalist Alec Z. Carelli has written the definitive account of the crime, drawn from interviews with witnesses and family members, historical research and correspondence with the killers themselves, but wonders how much of the story is true.