"From the bestselling author of A Mind Spread Out on the Ground, a fierce, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences. On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl, Dawn; her ever-charming husband Steve--a white academic whose area of study is conveniently her own Mohawk culture--is nothing but supportive; and they've just moved into a new home in a wealthy neighbourhood in Toronto, a generous gift from her in-laws. But Alice could not feel like more of an imposter. She isn't connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their picture-perfect neighbours, amongst whom she's the sole Indigenous resident. Even when she does have a moment to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story. At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can't explain, and speaking with things that should not be talking back to her, all while her neighbours' passive aggression begins to morph into something far more threatening. Though Steve urges her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her, and Dawn's, survival. . . . She just has to finish it before it's too late. Told in Alice's raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial and false allyship, that speeds to an unpredictable--and unforgettable--climax"--

"Cassandra Khaw's Nothing But Blackened Teeth is a gorgeously creepy haunted house tale, steeped in Japanese folklore and full of devastating twists. A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company. It's the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding. A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested. But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart. And she gets lonely down there in the dirt. Effortlessly taking the classic haunted house story and turning it on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions"--

"A young woman in need of a transformation finds herself in touch with the animal inside in this gripping, incisive novel from the author of Cackle and The Return. Rory Morris isn't thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby's father, and needs support, so Rory returns to the place she thought she'd put in her rearview. After a night out at a bar where she runs into an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she's attacked. Rory survives, miraculously, but life begins to look and feel different. She's unnaturally strong, with an aversion to silver-and suddenly the moon has her in its thrall. She's changing into someone else-something else, maybe even a monster. But does that mean she's putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance? This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability"--

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming , Jordan Peele's anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and--like his spine-chilling films--its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

From the bestselling author of Mexican Gothic and Velvet Was the Night comes a dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico. Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor's labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau's patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite. The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

"Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It's locked at all times. Because when the trunk is opened, people around her start to disappear... The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the 'lone women' taking advantage of the government's offer of free land for those who can cultivate it--except that Adelaide isn't alone. And the secret she's tried so desperately to lock away might be the only thing keeping her alive"--

"WANTED: Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery--and at the center of it all is her. Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home-and fast--or its halls will soon become her grave"--

"Three ordinary people risk everything for a chance at redemption in this audacious, utterly gripping novel of catastrophe and survival at the end of the world, from the acclaimed author of The Chalk Man. Hannah awakens to carnage, all mangled metal and shattered glass. Evacuated from a secluded boarding school during a snowstorm, her coach careered off the road, trapping her with a handful of survivors. They'll need to work together to escape -- with their sanity and secrets intact. Meg awakens to a gentle rocking. She's in a cable car stranded high above snowy mountains, with five strangers and no memory of how they got on board. They are heading to a place known only as "The Retreat," but as the temperature drops and tensions mount, Meg realizes they may not all make it there alive. Carter is gazing out of the window of an isolated ski chalet that he and his companions call home. As their generator begins to waver in the storm, the threat of something lurking in the chalet's depths looms larger, and their fragile bonds will be tested when the power finally fails--for good. The imminent dangers faced by Hannah, Meg, and Carter are each one part of the puzzle. Lurking in their shadows is an even greater threat--one that threatens to consume all of humanity"--

"White Horse is a gritty, vibrant debut from Erika T. Wurth about an Indigenous woman who must face her past when she discovers a bracelet haunted by her mother's spirit. Some people are haunted in more ways than one. Old denim jackets, ripped jeans, Stephen King novels, and the occasional beer at the White Horse Lounge have defined urban Indian Kari James's life so far. But when her cousin Debby finds an old family bracelet that once belonged to Kari's mother, it inadvertently calls up both her mother's ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable... Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can't help her. Her Auntie Squeaker seems to know something, but isn't eager to give it all up at once. Debby's anxious to help, but her controlling husband keeps getting in the way. Kari's journey towards a truth long-denied by both her family and law enforcement forces her to confront her dysfunctional relationships, her spiritual beliefs, and her desire for the one thing she's always wanted but could never have"--

Edgar-nominated author of The Impossible Fortress, comes a wildly inventive spin on the classic horror story in Hidden Pictures, a creepy and warm-hearted mystery about a woman working as a nanny for a young boy with strange and disturbing secrets. Fresh out of rehab, Mallory Quinn takes a job in the affluent suburb of Spring Brook, New Jersey as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves this new job. She lives in the Maxwell's pool house, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman's lifeless body. As the days pass, Teddy's artwork becomes more and more sinister, and his stick figures steadily evolve into more detailed, complex, and lifelike sketches well beyond the ability of any five-year-old. Mallory begins to suspect these are glimpses of an unsolved murder from long ago, perhaps relayed by a supernatural force lingering in the forest behind the Maxwell's house. With help from a handsome landscaper and an eccentric neighbor, Mallory sets out to decipher the images and save Teddy--while coming to terms with a tragedy in her own past--before it's too late"--

Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates. Carrie White may be picked on by her classmates, but she has a gift. She can move things with her mind. Doors lock. Candles fall. This is her power and her problem. Then, an act of kindness, as spontaneous as the vicious taunts of her classmates, offers Carrie a chance to be a normal...until an unexpected cruelty turns her gift into a weapon of horror and destruction that no one will ever forget.

"Leah is changed. Months earlier, she left for a routine expedition, only this time her submarine sank to the sea floor. When she finally surfaces and returns home, her wife Miri knows that something is wrong. Barely eating and lost in her thoughts, Leah rotates between rooms in their apartment, running the taps morning and night. As Miri searches for answers, desperate to understand what happened below the water, she must face the possibility that the woman she loves is slipping from her grasp. By turns elegiac and furious, wry and heartbreaking, Our Wives Under the Sea is a genre-bending exploration of the depths of love and grief at the heart of a marriage"--

"In a lonely cottage overlooking the windswept Maine coast, Wilder Harlow begins the last book he will ever write. It is the story of a sun-drenched summer of his youth, and of the killer that stalked the small New England town. And of the terrible tragedy that forever bonded him with his friends Nat and Harper in unknowable ways. Decades later, Wilder returns to the town in an attempt to recount that summer's events in his memoirs. But as he writes, Wilder begins to fear his grip on the truth is fading...and that the book may be writing itself"--

"The highly anticipated second novel from Sarai Walker, following her "slyly subversive" (EW) cult-hit Dietland--a feminist gothic about the lone survivor of a cursed family of sisters, whose time may finally be up. New Mexico, 2017: Sylvia Wren is one of the most important American artists of the past century. Known as a recluse, she avoids all public appearances. There's a reason: she's living under an assumed identity, having outrun a tragic past. But when a hungry journalist starts chasing her story, she's confronted with whom she once was: Iris Chapel. Connecticut, 1950: Iris Chapel is the second youngest of six sisters, all heiresses to a firearms fortune. They've grown up cloistered in a palatial Victorian house, mostly neglected by their distant father and troubled mother, who believes that their house is haunted by the victims of Chapel weapons. The girls long to escape, and for most of them, the only way out is marriage. But not long after the first Chapel sister walks down the aisle, she dies of mysterious causes, a tragedy that repeats with the second, leaving the rest to navigate the wreckage, to heart-wrenching consequences. Ultimately, Iris flees the devastation of her family, and so begins the story of Sylvia Wren. But can she outrun the family curse forever?"--

"As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters--her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead. Something that once attacked Nena nine years ago. Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind. When the United States attacks Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion--and Nena's rage at Néstor for seemingly abandoning her long ago--is quickly overshadowed by the appearance of a nightmare made flesh. And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn" --

"Anisa Ellahi dreams of being a translator of "great works of literature," but mostly spends her days subtitling Bollywood movies and living off her parents' generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret. Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she's always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre's strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it's made possible, she soon realizes the hidden cost of its services"--

"A spine-tingling and boldly original gothic horror novel. It's 2010, and the recently promoted Corporal Loyette and his unit are finishing up their deployment at a new base in Kajaki, Afghanistan. Their duties here are straightforward--loading and unloading cargo into and out of helicopters--and their days are a mix of boredom and dread. The Brits they're replacing delight in telling them the history of the old barracks just off base, a Soviet-era militia house they claim is haunted, and Loyette and his men don't need much convincing to make a clandestine trip outside the wire to explore it. It's a short, middle-of-the-day adventure, but the men experience a mounting agitation after their visit to the militia house. In the days that follow they try to forget about the strange, unsettling sights and sounds from the house, but things are increasingly . . . not right. Loyette becomes determined to ignore his and his marines' growing unease, convinced that it's just the strain of war playing tricks on them. But something about the militia house will not let them go. Meticulously plotted and viscerally immediate in its telling, The Militia House is a gripping and brilliant exploration of the unceasing horrors of war that's no more easily shaken than the militia house itself"--

"A thrilling psychological horror debut about a woman who is determined to stay in her dream home even after it becomes haunted, no matter the cost ... You can survive anything. That's what Margaret tells herself when the walls of her house start to drip blood every September. She's learned how to live with it ... and the other terrifying apparitions that have made the sprawling Victorian house she and her husband bought four years ago turn from a dream home into a living nightmare. But she can outlast all of it. Hal felt differently, though. Her husband couldn't take the hauntings anymore, and he left. But now he's not returning calls, and their daughter Katherine arrives, intent on looking for her missing father, convinced something grim has happened to him. With every desperate attempt Katherine makes at finding Hal, the hauntings at the September House grow more harrowing, because there are some secrets the house needs to keep" --

The story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers -- and soon it will choose one of them to make its own.

"By day, Maeve Fly works at the happiest place in the world as every child's favorite ice princess. By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes. But when Gideon Green -- her best friend's brother -- moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet. Untethered, Maeve ditches her discontented act and tries on a new persona. A bolder, bloodier one, inspired by the pages of American Psycho. Step aside Patrick Bateman, it's Maeve's turn with the knife."--Dust jacket flap.

"In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization. In addition to previously published work, this collection contains brand-new stories, including "Rumpus Room," a supernatural horror novelette set in Florida about a woman's struggle against both outer and inner demons"--

"A terrifying Gothic thriller about grief and death and the depths of a father's love, Johnny Compton's The Spite House is a stunning debut by a horror master in the making--The Babadook meets A Headful of Ghosts in Texas Hill Country. Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money--it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you. When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house's horrors don't drive them all mad, like the caretakers before them. The job calls to Eric, not just because there's a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it'll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running"--