1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist, Dr. Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when's she home with her cherished grandchildren, Vi and Eric, she's just Gran. Then one day Gran brings home a child to stay with the family. Iris--silent, hollow-eyed, skittish, and feral-does not behave like a normal girl. Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they catalogue all kinds of monsters and dream up ways to defeat them. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere. 2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She's determined to hunt it down, because Lizzy knows better than anyone that monsters are real--and one of them is her very own sister.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money--it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you. When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house's horrors don't drive them all mad, like the caretakers before them. The job calls to Eric, not just because there's a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it'll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running.

Newly-minted child psychologist Mina has little experience. In a field where the first people called are experts, she's been unable to get her feet wet. Instead she aimlessly spends her days stuck in the stifling heat wave sweeping across Britain, and anxiously contemplating her upcoming marriage to careful, precise researcher Oscar. The only reprieve from her small, close world is attending the local bereavement group to mourn her brother's death from years ago. That is, until she meets journalist Sam Hunter at the grief group one day. And he has a proposition for her. Alice Webber is a thirteen year old girl who claims she's being haunted by a witch. Living with her family in their crowded home in the remote village of Banathel, Alice's symptoms are increasingly disturbing, and money is tight. Taking this job will give Mina some experience; Sam will get the scoop of a lifetime; and Alice will get better, Mina is sure of it. But instead of improving, Alice's behavior becomes increasingly inexplicable and intense. The town of Banathel has a deep history of superstition and witchcraft. They believe there is evil in the world. They believe there are ways of...dealing with it. And they don't expect outsiders to understand. As Mina races to uncover the truth behind Alice's condition, the dark cracks of Banathel begin to show. Mina is desperate to understand how deep their sinister traditions go-and how her own past may be the biggest threat of all.

Montserrat has always been overlooked. She's a talented sound editor, but she's left out of the boys' club running the film industry in '90s Mexico City. And she's all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she's been in love with him since childhood. Then Tristán discovers that his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives--even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse--but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

Sloane Parker is dreading her birthday. She doesn't need a reminder she's getting older, or that she's feeling indifferent about her own life. Her husband surprises her with a birthday-weekend getaway--not with him, but with Sloane's longtime best friend, troublemaker extraordinaire Naomi. Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she'd rather not confront, such as her husband's repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane's and Naomi's lives literally forever. The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it's never too late to find satisfaction, even though it might taste different than expected.

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz's Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone--or something--seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed-all those birds were once women. Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the watertank on the roof, a riverbank populated by birds that used to be women-these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists. Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez's stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, Enriquez's latest collection showcases her unique blend of the literary and the horrific, and show why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her, "the most exciting discovery I've made in fiction for some time."

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets in the captivating new horror novel from the national bestselling author of Good Girls Don't Die and Horseman. Harry Adams has always loved horror movies, so it's not totally a coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making horror films that thrilled audiences-until family tragedy and scandal forced him to vanish from the industry. Javier values discretion, and Harry has always tried to clean the house immaculately, keep her head down, and keep her job safe-she needs the money to support her son. But then she starts hearing noises from behind a locked door. Noises that sound remarkably like a human voice calling for help, even though Javier lives alone and never has visitors. Harry knows that not asking questions is a vital part of keeping her job, but she soon finds that the forbidding house may be home to secrets she can't ignore.

WANTED: Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power in this dark and enthralling gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery--and at the center of it all is her. Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home--and fast--or its halls will soon become her grave.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. "Estamos rodeados de fantasmas" was Gabe's grandmother's refrain: "We are surrounded by ghosts." But this time is different. Bimbo's mom has been shot dead. Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived.

In Grim Wolds, England, Winifred Notty takes on the role of governess at Ensor House, where she must navigate the twisted dynamics of the dysfunctional Pounds family while suppressing her own violent past; as Christmas approaches, she plans sinister gifts for her charges, revealing her true nature.

As a young, queer couple who flip houses, Charlie and Eve can't believe the killer deal they've just got on an old house in a picturesque neighborhood. As they're working on renovations one day, there's a knock on the door. A man stands there with his family, claiming to have lived here years before and asking if it would be all right if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter the home, uncanny and inexplicable things start happening, including the family's youngest child going missing and a ghostly presence materializing in the basement. Even weirder: the family can't seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family--or is Eve just imagining things?

Fresh out of rehab, Mallory Quinn takes a job in the affluent suburb of Spring Brook, New Jersey as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves this new job. She lives in the Maxwell's pool house, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman's lifeless body. As the days pass, Teddy's artwork becomes more and more sinister, and his stick figures steadily evolve into more detailed, complex, and lifelike sketches well beyond the ability of any five-year-old. Mallory begins to suspect these are glimpses of an unsolved murder from long ago, perhaps relayed by a supernatural force lingering in the forest behind the Maxwell's house. With help from a handsome landscaper and an eccentric neighbor, Mallory sets out to decipher the images and save Teddy--while coming to terms with a tragedy in her own past--before it's too late.

Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man-one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to.

Open the door... Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It's enormous, old, and ever-so eerie--the perfect place to develop and rehearse her play. Despite her own hesitations, Holly's girlfriend, Nisa, agrees to join Holly in renting the house for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house's peculiarities are made known: strange creatures stalk the grounds, disturbing sounds echo throughout the halls, and time itself seems to shift. All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone ...

In June 1993, a group of young guerrilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played "The Thin Kid" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present, start to blur. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions--demons of the past be damned. But at what cost?

You can survive anything. That's what Margaret tells herself when the walls of her house start to drip blood every September. She's learned how to live with it... and the other terrifying apparitions that have made the sprawling Victorian house she and her husband bought four years ago turn from a dream home into a living nightmare. But she can outlast all of it. Hal felt differently, though. Her husband couldn't take the hauntings anymore, and he left. But now he's not returning calls, and their daughter Katherine arrives, intent on looking for her missing father, convinced something grim has happened to him. With every desperate attempt Katherine makes at finding Hal, the hauntings at the September House grow more harrowing, because there are some secrets the house needs to keep.

Louise's parents have passed away, and she's returning to the small Southern town where she grew up to get their house ready to sell. It means she'll have to spend time with her younger brother--and their old grudges make that a terrifying prospect. But childhood hurts pale in comparison to the dangers posed by what still lives inside the house.

Looking to lead a more peaceful life, former Marine Harry and his wife, Sasha, move to rural Idaho and buy an idyllic, remote ranch. Their nearest neighbors, Dan and Lucy Steiner, live over a mile away. But Dan and Lucy warn Harry and Sasha of a malevolent spirit that lives in the valley. Every season, the spirit haunts residents of that part of the Teton Valley in different and diabolical ways. Harry and Sasha are convinced isolation has driven their neighbors mad. That is, until the first of the manifestations appears, challenging everything Harry and Sasha thought they knew about the world we live in. As each season passes, the spirit grows stronger, and each encounter with it becomes more dangerous. Harry and Sasha must figure out how to make peace with the spirit... or be killed by it.

Misha knows that chasing success in Hollywood can be hell. But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, 'for the algorithm,' in the upcoming season finale. He refuses but soon realizes that he's just put a target on his back. And what's worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles. Haunted by his past, Misha must risk his entire future--before the silver screen horrors find a way to bury him for good.

A bold, clever, and sublimely sinister collection that dares to ask the question: Are you ready to be unsettled? Many Indigenous people believe that one should never whistle at night: it can cause evil spirits to appear--and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples' survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

Ji-won's life tumbles into disarray in the wake of her appa's extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshmen grades, failing. Her dreams, horrifying... yet enticing. In them, Ji-won walks through bloody rooms full of eyes ... Eyes the same shape and shade as George's, who is Umma's obnoxious new boyfriend. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescendingly toward Ji-won and her sister, as if he deserves all of Umma's fawning adoration. George doesn't deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won's hunger and her rage deserve to be sated.

Something evil is buried deep in the desert. It wants your body. It wears your skin. In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived--but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.

Stephen King's HOLLY marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly's gradual transformation from a shy and reclusive (but also brave and ethical) homebody in Mr. Mercedes to Bill Hodges's partner in Finders Keepers and End of Watch to a full-fledged, smart and occasionally tough private detective on her own in The Outsider and If It Bleeds. In this new novel, Holly once again claims the spotlight, and must face some of her most depraved adversaries yet. When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her own mother has just died, and Holly is supposed to be taking time off. But something in Penny Dahl's desperate voice makes it impossible for Holly to turn her down. Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, semi-retired lifelong academics. But they are harboring an unholy secret in their well-kept, book-lined home, one that may be related to Bonnie's disappearance. And it will prove nearly impossible to discover what they are up to: they are smart, they are patient, and they are ruthless. Holly must summon all her formidable talents to outthink and outmaneuver this brilliant and twisted pair...

As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters-her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead. Something that once attacked Nena nine years ago. Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind. When the United States invades Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion-and Nena's rage at Néstor for seemingly abandoning her long ago-is quickly overshadowed by the appearance of a nightmare made flesh. And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.

1983: Three students from a small college embark on a week-long road trip to film a documentary on roadside memorials for their American Studies class. The project starts out as a fun adventure with long stretches of empty road and nightly campfires where they begin to open up with one another. But as they venture deeper into the Appalachian backwoods, the atmosphere begins to darken. They notice more and more of the memorials feature a strange, unsettling symbol hinting at a sinister secret. Paranoia sets in when it appears they are being followed. Their vehicle is tampered with overnight and some of the locals appear to be anything but welcoming. Before long, the students can't help but wonder if these roadside deaths were really random accidents... or is something terrifying at work here?

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton--and a place where everyone knows everyone else's business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn't been trapped there accidentally, and among the shadows and concrete, he comes to realize that he almost certainly is not alone.

1938. Gillian Larking, lonely and away at boarding school, is used to going unnoticed. But then she meets Violet Claybourne, her vibrant roommate who takes Gilly under her wing. Violet is unlike anyone Gilly has ever met, and she regales Gilly with tales of her grand family estate and her two elegant sisters. Gilly is soon entranced by stories of the Claybournes, so when Violet invites Gilly to meet her family at Thornleigh Hall, she can't believe her luck. But Gilly soon finds that behind the grand facade of Thornleigh Hall, darkness lurks. Dazzled by the crumbling manor and Violet's enigmatic sisters, Gilly settles into the estate. But when a horrible accident strikes on the grounds, she is ensnared in a web of the sisters' making, forced to make a choice that will change the course of her life forever. Because the Claybourne girls know how to keep secrets, even at the cost of one of their own.

Clara Woods is a killer--and perfectly fine with it, too. So what if she takes a couple of lives to make her own a little bit better? At the bottom of her garden is a flowerbed, long overgrown, where her late husband rests in peace--or so she always thought. Then the girls arrive. Lily and Violet are her nieces, recently orphaned after their affluent parents died on an ill-fated anniversary trip. In accordance with their parents' will, the sisters are to go to their closest relative--who just so happens to be Clara. Despite having no interest in children, Clara agrees to take them, hoping to get her hands on some of the girls' assets--not just to bolster her dwindling fortune, but also to establish what she hopes will be her legacy: a line of diamond jewelry. There's only one problem. Violet can see the dead man at the bottom of the garden. She can see all of Clara's ghosts...and call them back into existence. Soon Clara is plagued by her victims and at war with the gifted girls in her care. Lily and Violet have become a liability--and know far more than they should...

Bata, a young girl tormented by nightmares, wakes up one night to find herself standing sentinel before her cousin's door. Her cousin is to get married the next morning, but only if she can escape the murderous attack of a ghost-bride, who used to be engaged to her groom. A supernatural possession helps Bata battle and vanquish the vengeful ghost-bride, and following a botched exorcism, she is transported to Ibaja-La, the realm of dead brides. There, she receives secret powers to fight malevolent ghost-brides before being sent back to the human realm, where she must learn to harness her new abilities as she strives to protect those whom she loves.