"From the New York Times bestselling author of Mexican Gothic comes a riveting noir about a daydreaming secretary, a lonesome thug, and the mystery of the missing woman that brings them together. 1970s Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger. Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman--and journeying deeper into Leonora's secret life of student radicals and dissidents. Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric thug who longs to escape his own life: He loathes violence and loves old movies and rock 'n' roll. But as Elvis searches for the missing woman, he comes to observe Maite from a distance--and grows more and more obsessed with this woman who shares his love of music, and the unspoken loneliness of his heart. Now as Maite and Elvis come closer to discovering the secrets behind Leonora's disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies aiming to protect Leonora's secrets--at gunpoint"--

"Gina Morales wants to win. It's her fifth season on The Dance Off, a top-rated network TV celebrity dance competition, and she's never even made it to the finals. When she meets her latest partner, she sees her chance. He's handsome, rippling with muscles, and he stars on the popular Alaskan wilderness reality show Living Wild. With his sexy physique and name recognition, she thinks he's her ticket to the finals-until she realizes they're being set up. Stone Nielson hates Los Angeles, he hates reality TV, and he hates the fact that he had to join the cast of The Dance Off because of family obligations. He can't wait to get back to Alaska, but he also can't deny his growing attraction to his bubbly Puerto Rican dance partner. Neither of them are looking for romantic entanglements, and Stone can't risk revealing his secrets, but as they heat up the dance floor, it's only a matter of time until he feels an overwhelming urge to take the lead. When the tabloids catch on to their developing romance, the spotlight threatens to ruin not just their relationship, but their careers and their shot at the trophy. Gina and Stone will have to decide if their priorities lie with fame, fortune, or the chance at a future together. The second Dance Off novel, Dance With Me, is available now!"--

"Fall festivities are underway in Coral Shores, Miami. Cuban-American cooking show star Miriam Quiñones-Smith wakes up to find a corpse in her front yard. The body by the fake tombstone is the woman that was kicked out of the school's Fall Festival the day before. Miriam's luck does not improve. Her passive-aggressive mother-in-law puts her in charge of the Women's Club annual gala. But this year, it's not canapes and waltzes. Miriam and her girlfriends-squad opt for fun and flavor. They want to spice it up with Caribbean food trucks and a calypso band. While making plans at the country club, they hear a volatile argument between the new head chef and the club's manager. Not long after, the chef swan dives to his death at the bottom of the grand staircase. Was it an accident? Or was it Beverly, the sous chef, who is furious after being passed over for the job? Or maybe it was his ex-girlfriend, Anastasia? Add two possible poisonings to the mix and Miriam is worried the food truck fun is going to be amajor crash. As the clock ticks down and the body count goes up, Miriam's life is put in jeopardy. Will she connect the dots or die in the deep freeze? Foodies and mystery lovers alike will savor the denouement as the truth is laid bare in this simmeringstew of rage, retribution, and murder"--

"Sisters Matilde, Pastora, Camila, and Flor thought they knew each other well, until Flor-inspired by a documentary her daughter Ona made her watch-decides she wants a living wake, a party to bring her family and community together and celebrate the long life she's led, while she's still around to enjoy it. She's not ill, as far as anybody knows, but Flor does have a gift: she can predict, to the day, when someone will die. Has she foreseen her own death, or someone else's, or does she have other motives? She refuses to say. But Flor isn't the only person with secrets. Matilde has tried for decades to cover the extent of her husband's infidelity, but she now must confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor's wake motivates this driven woman to attempt to solve her sibling's problems. And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi, reuniting with her first love, who was imprisoned when they were both still kids; and Ona, married for years and attempting to conceive. Ona must decide whether it's worth it to keep trying-in having a child, and in the anthropology research that's begun to feel lackluster. Spanning the three days prior to the wake, FAMILY LORE traces the lives of each of the Marte women, weaving together past and present, the Dominican Republic and New York City. Told with Elizabeth Acevedo's inimitable voice, this is an indelible portrait of sisters and cousins, aunts and nieces - one family's journey through their history helping them better navigate all that is to come"--

"1890: When Desiderya Lopez, The Sleepy Prophet, finds an abandoned infant on the banks of an arroyo, she recognizes something in his spirit and brings him home. Pidre will go on to become a famous showman in the Anglo West whose main act, Simodecea, is Pidre's fearless, sharpshooting wife, who wrangles bears as part of his show. 1935: Luz "Little Light" Lopez and her brother Diego work the carnival circuit in downtown Denver. Luz, is a tea leaf reader, and Diego is a snake charmer. One day, a pale-faced woman in white fur asks Luz for a reading, calling her by a name that only her brother knows. Later that night at a party downtown, Luz sees Diego dancing with this pale-faced woman, which results in a brawl with the local white supremacist group. Diego leaves town for cover and Luz is left trying to get justice for her brother and family. Merging two multi-generational storylines in Colorado, this is a novel of family love, secrets, and survival. With Fajardo-Anstine's immense capacity to render characters and paint vivid life, set against the Sange de Cristo mountians, Woman of Light is full of the weight, richness, and complexities of mixed blood and mica clay. It delights like an Old Western, and inspires the hope embedded in histories yet-told"--

"The year is 1846. After the controversial annexation of Texas, the US Army marches south to provoke war with México over the disputed Río Grande boundary. Ximena Salomé is a gifted Mexican healer who dreams of building a family with the man she loves on the coveted land she calls home. But when Texas Rangers storm her ranch and shoot her husband dead, her dreams are burned to ashes. Vowing to honor her husband’s memory and defend her country, Ximena uses her healing skills as an army nurse on the frontlines of the ravaging war. Meanwhile, John Riley, an Irish immigrant in the Yankee army desperate to help his family escape the famine devastating his homeland, is sickened by the unjust war and the unspeakable atrocities against his countrymen by nativist officers. In a bold act of defiance, he swims across the Río Grande and joins the Mexican Army—a desertion punishable by execution. He forms the St. Patrick’s Battalion, a band of Irish soldiers willing to fight to the death for México’s freedom. When Ximena and John meet, a dangerous attraction blooms between them. As the war intensifies, so does their passion. Swept up by forces with the power to change history, they fight not only for the fate of a nation but for their future together. Will Ximena and John survive the chaos of this bitter war, or will their love be devoured along with the land they strive to defend?"--

"From the beloved author of Dominicana, a GMA Book Club Pick and Women's Prize Finalist, an electrifying and indelible new novel about a woman who has lost everything but the chance to finally tell her story. Write this down: Cara Romero wants to work. Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight. Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz's most ambitious and moving novel yet, and Cara is a heroine for the ages"--

"A marriage of convenience between a Mexican heiress and a shrewd London politician makes for a scandalous Victorian bargain--and a love that will eclipse the burdens of ambition and duty. Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna familia. So, when Ana María is secretly sent to London with her sisters to seek refuge during the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox. Gideon Fox elevated himself from the London gutters with a burning desire for more: more opportunities, more choices. Now as a member of Parliament, Gideon's on the cusp of securing the votes he needs to put forth a vote on the abolishment of the Atlantic slave trade--a cause that is close to his heart as the grandson of a formerly enslaved woman. A proper English bride would certainly aide his task but it's the sweetly vexing Ana María who inflames him. But when Ana María finds herself in the crosshairs of a nefarious nobleman with his own political agenda, Gideon sacrifices his goal to offer his hand as protection...but will this Mexican heiress take his heart as well?"--

"Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown. When Alejandra visits a therapist, she begins exploring her family's history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors. Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness. But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers--and she will have to summon everything they have given her to banish La Llorona forever."--Jacket flap.

"When Reina arrives at Aguila Manor, her heart stolen from her chest, she's on the verge of death--until her estranged grandmother, a dark sorceress in the Don's employ, intervenes. Indebted to a woman she never knew, and smitten with the upper-caste daughter of the house, Celeste, Reina will do anything to earn-and keep-the family's favor. Even the bidding of the ancient god who speaks to her from the Manor's foundations. To save the woman she loves, Reina will have to defy the gods themselves, and become something she never could have imagined"--

"In John Manuel Arias's lush and lyrical debut, a Costa Rican family wrestles with the aftermath of neocolonialism, a deadly secret, and an all-consuming fire. Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company's most lucrative banana plantation burning all evidence of a massive cover-up, the future of Teresa Cepeda Valverde's family is changed forever. Now, twenty-seven years later, Teresa and her daughter Lyra are still picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past. What unfolds is a story of a mother and daughter trying to forgive what they do not yet understand, and the mystery at the heart of one family's rupture, steeped in machismo, jealousy, labor uprisings, and the havoc wreaked by banana plantations in Central America. Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, John Manuel Arias weaves a brilliant tapestry of love, loss, secrets, and redemption. Set in Costa Rica between 1968 and the mid-1990s, Where There Was Fire paints a vivid portrait of the ways in which agribusiness and international exploitation are intertwined with one family's fate" --

"A captivating psychological suspense debut about a young woman still haunted by her teenage best friend's death who learns of an eerily similar death and must find her way back to a cabin in the New England woods, armed only with hazy memories, to finally find out the truth that has eluded her. Maya was a high school senior when her best friend Aubrey mysteriously dropped dead in front of the enigmatic man, Frank, they'd been hanging around with all summer. Seven years later, Maya is just managing to move on; she lives in Boston with a loving boyfriend and is finally kicking the secret Klonopin habit that's allowed her to cope with what happened all those years ago. But her past comes back to haunt her when she discovers a recent YouTube video in which a young woman suddenly keels over in a diner sitting across from none other than Frank. Plunged back into the trauma that has defined her life, Maya heads to her small Berkshires hometown to finally figure out the truth about what happened. With guidance from the half-written book by the father in Guatemala she never knew, Maya's quest for answers forces her to relive that fateful summer-the influence Frank once had on her and the jealousy that nearly destroyed her friendship with Aubrey-finally leading her back to Frank's cabin in the woods. The House in the Pines is an utterly unique and surprising thriller about the subtlety of memory and manipulation, confronting the past, and the powerful and lasting bonds of family and friendship"--

"The Ramirez women of Staten Island orbit around absence. When thirteen year old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time? The years since Ruthy's disappearance haven't been easy on the Ramirez family. It's 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store. After seeing maybe Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future--with or without Ruthy in it. What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love"--

"Carmen and Grace have been inseparable since they were little girls--more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen's upbringing too. Durka is more than a beneficent force in their Bronx neighborhood, though. She's also the leader of an underground drug empire, a larger-than-life matriarch who understands the vital importance of taking what power she can in a world too often ruled by violent men. So, when Durka dies suddenly under mysterious circumstances, Carmen and Grace's lives are thrown into chaos. Grace has been primed to take over and has grand plans to expand the business. While Carmen is ready to move on--from the shadow of Durka and her high expectations and, most of all, from always looking over her shoulder in fear. She's also harboring a secret: she's pregnant and starting to show, and desperate to build a new life before the baby arrives. But how can Carmen leave the only family she's ever known--this tight sisterhood of women known as the D. O. D., a group of lost girls turned skilled professionals under Durka's guiding hand, all bonded in their spirituality and merciless support for one another--especially now, when outside threats are circling, and Grace's plans are speeding recklessly forward? As tough and tender as its main characters, Carmen and Grace will grab readers from the first page with its raw beauty, depth of feeling, and heart-pounding plot. A moving meditation on the choices of women and the legacy of violence, it's a devastatingly wise and intimate story about the bonds of female friendship, ambition, and found family." --

"When a county initiative in the Piedmont of North Carolina forces the students at a mostly black public school on the east side to move across town to a nearly all-white high school on the west, the community rises in outrage. For two students, quiet and aloof Gee and headstrong Noelle, these divisions will extend far beyond their schooling. As their paths collide and overlap over the course of thirty years, their two seemingly disconnected families begin to form deeply knotted, messy ties that shape the trajectory of their lives. On one side of the school integration debate is Jade, Gee's steely, single, black mother, grieving for her murdered partner, and determined for her son to have the best chance at a better life. On the other, is Noelle's enterprising mother, Lacey May, who refuses to see her half-Latina daughters as anything but white. The choices these mothers make will resound for years to come. And twenty years later, when Lacey's daughters return home to visit her in hospital, they're forced to confront the ways their parents' decisions continue to affect the life they live and the people they love. WHAT'S MINE AND YOURS is a sweeping, rich tapestry of familial bond and identity, and a sharp, poignant look at the ways race affects even the closest of relationships. This is not just one love story, but many: It's the all-consuming volatile passion of young lovers and the quieter comfort of steady companionship; it's the often tenuous but unbreakable bond between siblings; and it's the unconditional love that runs between parent and child and encompasses adoration, contempt and forgiveness. With gorgeous prose, Naima Coster explores the unique organism that is every family: what breaks them apart and how they come back together"--

"From the two-time NBCC Finalist, a fiercely imaginative novel about a family's summer road trip across America--a journey that, with breathtaking imagery, spare lyricism, and profound humanity, probes the nature of justice and equality in America today. A mother and father set out with their kids from New York to Arizona. In their used Volvo--and with their ten-year-old son trying out his new Polaroid camera--the family is heading for the Apacheria: the region the Apaches once called home, and where the ghosts of Geronimo and Cochise might still linger. The father, a sound documentarist, hopes to gather an "inventory of echoes" from this historic, mythic place. The mother, a radio journalist, becomes consumed by the news she hears on the car radio, about the thousands of children trying to reach America but getting stranded at the southern border, held in detention centers, or being sent back to their homelands, to an unknown fate. But as the family drives farther west--through Virginia to Tennessee, across Oklahoma and Texas--we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can feel beneath their feet. They are led, inexorably, to a grand, unforgettable adventure--both in the harsh desert landscape and within the chambers of their own imaginations. Told through the voices of the mother and her son, as well as through a stunning tapestry of collected texts and images--including prior stories of migration and displacement--Lost Children Archive is a story of how we document our experiences, and how we remember the things that matter to us the most. Blending the personal and the political with astonishing empathy, it is a powerful, wholly original work of fiction: exquisite, provocative, and deeply moving"--

"A music critic pining for her ex-girlfriend targets her high school crush for a career comeback and a chance at revenge in this fresh and original enemies to lovers romance debut. What could possibly go wrong? Sammy Espinoza is known for her smart and hilariously cynical music criticism, and she has a successful column to prove how notoriously hard to please she is in the music biz. But when her singer ex-girlfriend breaks up with her via song on stage, Sammy is willing to do anything, even jeopardize her career, to win her back. But her grand gesture, a fawning review on her column, doesn't accomplish much--she's still single and now her reputation is in the gutter. She has one last chance before her editor cuts her column. Luckily, Sammy has the perfect plan to get her edge back. Rumor has it that Max Ryan, home-grown rock star and Sammy's former high school crush, is back home in Ridley Falls, Washington, recording his highly anticipated but hugely secretive solo album. This is enough to get Sammy our of Seattle and on a Greyhound headed to Ridley Falls, the tiny town she swore she'd never come back to. Exclusive access to Max's new music would guarantee Sammy's professional redemption and, even better, give her the opportunity to serve some long-awaited revenge to the first person who broke her heart. When Sammy does run into Max... he doesn't even remember who she is. Sammy pretends this is all for the best. If she can play the part of tourist from the big city, she can gain his trust, let him "show her around," listen to the album, eviscerate it in her column, and be done with this whole mess in a week."---

Abandoning her abusive fiancé in New York in 1943 to enlist with the Red Cross and head to Europe, Irene Woodward befriends Dorothy Dunford as they join the Allied soldiers streaming into France after D-Day where they are embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald, and where Irene learns to trust again through their friendship.

"A groundbreaking historical novel from a heralded author that explores the seldom discussed Puerto Rican Atlantic Slave Trade. At a time when importing humans from Africa had been prohibited by the Spanish Crown, Pola and other slave women provide their master with babies who are immediately taken away and sold on the auction block. Her serial rapes by a number of men are routine and often provided entertainment for the master and his friends. Understandably she grows into an angry, distrustful and combative woman who lives life in survival mode at all times. After repeated attempts at escape and having been beaten almost to death, she is sent to a new plantation owner as payment of a gambling debt. Pola's life in the second plantation is much more bearable than her past experience. In this new hacienda, she is taken in by a supportive group of other enslaved black women. Within the confines of this enslaved community, she encounters a wide variety of people and situations that are new to her. Cautious and still hostile, she begins to find her way in this new environment and the people in it, leading to conflicting feelings and much soul-searching. Among the people she meets is a Chachita, a young woman who becomes a surrogate daughter to her, and Simón, a man who, amazingly, takes nothing from her and offers her a hand in friendship. Her physical and emotional wounds begin to heal as she finds more freedom of movement and emotional support than she has known since captivity. Ultimately, she begins to reconcile her brutal past with a more nurturing present in which she allows herself to trust and love again"--

"An award-winning writer of absorbing, sophisticated fiction delivers a stylish and propulsive novel rooted in early 20th century New York, about wealth and talent, trust and intimacy, truth and perception. In glamorous 1920s New York City, two characters of sophisticated taste come together. One is a legendary Wall Street tycoon; the other, the brilliant daughter of penniless aristocrats. Steeped in affluence and grandeur, their marriage excites gossip and allows a continued ascent -- all at a moment when the country is undergoing a great transformation. This is the story at the center of Harold Vanner's novel Bonds, which everyone in 1938 New York seems to have read. But it isn't the only version. Provocative, propulsive, and repeatedly surprising, Hernan Diaz's TRUST puts the story of these characters into conversation with the "the truth"--and in tension with the life and perspective of an outsider immersed in the mystery of a competing account. The result is an overarching novel that becomes more exhilarating and profound with each new layer and revelation, engaging the reader in a treasure hunt for the truth that confronts the reality-warping gravitational pull of money, and how power often manipulates facts"--

"In 1934, the ultimate vacation becomes a fight for survival as the secrets of two women's pasts collide aboard a luxury cruise liner on a round-trip voyage from New York to Havana in New York Times bestselling author Chanel Cleeton's page-turning new novel inspired by the true story of the tragedy of the SS Morro Castle. New York heiress Catherine Dohan seemingly has it all. There's only one problem. It's a lie. As soon as the Morro Castle leaves port, Catherine's past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead-and why. Elena Palacio is a dead woman. Or so everyone thinks. After a devastating betrayal left her penniless and on the run, Elena's journey on the Morro Castle is her last hope. Steeped in secrecy and a burning desire for revenge, her return to Havana is a chance to right the wrong that has been done to her-and her prey is on the ship. As danger swirls aboard the Morro Castle and their fates intertwine, Elena and Catherine must risk everything to see justice served once and for all"--

"No one expects to meet their father at their mother's funeral. But for Gabby Medina, that's exactly what happens. Her dad abandoned her when she was a baby, and now he's back. And he wants to give her a house. Gabby doesn't want the house--or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn't mean she accepts him. After they strike a deal, Gabby hires a contractor in preparation for a quick sale. But as she gets to know the town and these two new men in her life, she learns more about herself than she ever dared to think possible. But is she ready to open herself up to the truth of what happened--and the promise of what could be?"--

Madi Ramirez has it all-a thriving career she loves, a successful boyfriend, and a wedding to plan-when he finally proposes. So why does she feel like there is something missing? Jayden even has the right initials-the JR that appeared to Madi years ago, in a dream visitation from her beloved, wise abuela. Madi's friends think her expectations are too high-but she can't help wishing for that dreamy feeling in real-life. Wishing that Jayden would show her a little more affection. That she could really believe they were meant to be . . . When a business trip to Puerto Rico presents itself, Madi is quick to take it. She can finally scatter her abuela's ashes on the beach, as she wished. And maybe time apart will remind Jayden how much Madi means to him-and maybe he'll begin to show it. But in Puerto Rico, Madi finds something-well, someone -else. A man who makes her heart beat triple-time-and who feels as right as someone Fated-except for those nagging initials . . .

Years ago, Saint walked away from the girl he loved to fulfill his duty. Now he's struggling to build bridges between his drifting family, take on more responsibilities at his uncle's construction company, figure out why his daughter refuses to talk at school and curtail his mischievous abuelo's escalating pranks. Then she walks back into his life. Social justice advocate Lola León has returned to Humboldt Park for two reasons: to help care for her dear abuelo and to serve the community center she loved, particularly the shelter for unhoused LGBTQIA+ youths. When she finds out that the Vegas are responsible for endangering both, she is more than ready to go to war--even if the boy she never forgot is standing at the front of the battlefield. Neither of them expects to become allies in saving the shelter, helping Saint's daughter or ending the decades-long feud between their grandfathers. They definitely don't expect all of their old feelings to come rushing back. As Saint and Lola enter combat, they can't help but wonder where the other's true allegiance lies, and whether they'll win these battles only to lose each other.