After nearly eighteen months at Basgiath War College, Violet Sorrengail knows there's no more time for lessons. No more time for uncertainty. Because the battle has truly begun, and with enemies closing in from outside their walls and within their ranks, it's impossible to know who to trust. Now Violet must journey beyond the failing Aretian wards to seek allies from unfamiliar lands to stand with Navarre. The trip will test every bit of her wit, luck, and strength, but she will do anything to save what she loves--her dragons, her family, her home, and him. Even if it means keeping a secret so big, it could destroy everything. They need an army. They need power. They need magic. And they need the one thing only Violet can find--the truth. But a storm is coming...and not everyone can survive its wrath.

1950s Hollywood: Every actress wants to be Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times. So when the film's mercurial director casts an unknown Mexican ingenue in the lead role, Vera Larios quickly becomes the talk of the town. She's also the object of envy of Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves. Two actresses, both determined to make it in Golden Age Hollywood, a city overflowing with gossip, scandal and intrigue, make for a sizzling combination. But this is the tale of three women, for it is also the story of princess Salome, consumed with desire for the fiery prophet who foretold her stepfather Herod's doom: a woman torn between what duty decrees and the yearning of her heart. Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she's actually the only guest at the Cornwall who isn't here for the big event. Phoebe is here because she's dreamed of coming for years--she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him, at rock bottom, and determined to have one last decadent splurge on herself. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan--which makes it that much more surprising when the two women can't stop confiding in each other ... Alison Espach's The Wedding People is ultimately an incredibly nuanced and resonant look at the winding paths we can take to places we never imagined--and the chance encounters it sometimes takes to reroute us.

As an undergraduate, Melina Green had a rare opportunity to have one of her first plays judged by famous theater critic Jasper Tolle, only to be publicly humiliated by a harsh and biased critique. Ten years later, her confidence as a playwright has never recovered, although she has just completed a work that she thinks is her best yet. It is based on the life of her ancestor Emilia Bassano, the first published female poet in England--and rumored to be the "Dark Lady" of Shakespeare's sonnets--but whom some scholars suspect may be the real author of a number of his plays. Melina wonders if she dares risk failure again, and then her best friend takes the decision out of her hands and submits it to a festival under a male pseudonym. In 1581, the young orphan Emilia Bassano is being raised in the ways of English aristocracy by the Baron Willoughby and his sister. Her lessons on languages, reading, and writing have endowed her with a sharp wit and a gift for storytelling. But like most women of her day, she has no control over her fate, and is ripped from her old life and forced to become a courtesan to Lord Hunsdon, a man knighted by Queen Elizabeth as the Lord Chamberlain in charge of all theater in London. Though she has no other freedoms, and inspired by the work of the most brilliant playwrights of the time, she pseudonymously sets her own pen to paper to tell a story. Told in dual intertwining timelines, this sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. As Emilia alters the course of her life and therefore the course of the world, she blazes a trail. Centuries later, will Melina face the same terrible fate--to have her work celebrated, but only at the price of letting another take credit?

Women can be heroes. When twenty-year-old nursing student Frances 'Frankie' McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is overwhelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets--and becomes one of--the lucky, the brave, the broken, and the lost. But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town--until it isn't. By 1998 Anita's name has been all but forgotten, and certainly by the time Raquel, a third-year art history student, is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

When celebrated writer Alma Cruz inherits a small plot of land in the Dominican Republic, she turns it into a place to bury her untold stories--literally. She creates a graveyard for manuscript drafts and revisions and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace, but they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives.

Tegan is eight months pregnant, alone, and desperately wants to put her crumbling life in the rearview mirror. So she hits the road, not realizing she's heading straight into a blizzard. Hours later, when Tegan is stranded in rural Maine with a dead car and broken ankle, she worries she's made a terrible mistake. Then a miracle occurs: she is rescued by a couple who offers her a room in their warm cabin until the snow clears. But something isn't right. Staying here may have been her most deadly mistake yet.

A competitive diver and an ace swimmer jump into forbidden waters in this steamy college romance from the New York Times bestselling author of The Love Hypothesis. Scarlett Vandermeer is swimming upstream. A junior at Stanford and a student-athlete who specializes in platform diving, Scarlett prefers to keep her head down, concentrating on getting into med school and on recovering from the injury that almost ended her career. She has no time for relationships--at least, that's what she tells herself. Swim captain, world champion, all-around aquatics golden boy, Lukas Blomqvist thrives on discipline. It's how he wins gold medals and breaks records: complete focus, with every stroke. On the surface, Lukas and Scarlett have nothing in common. Until a well-guarded secret slips out, and everything changes. So they start an arrangement. And as the pressure leading to the Olympics heats up, so does their relationship. It was supposed to be just a temporary, mutually satisfying fling. But when staying away from Lukas becomes impossible, Scarlett realizes that her heart might be treading into dangerous water...

Lila Kennedy juggles a broken marriage, rebellious daughters, a crumbling house, and an elderly stepfather when her estranged father unexpectedly shows up after thirty-five years, forcing her to confront unresolved feelings and discover unexpected lessons about love and family amidst her chaotic life.

After months of maternity leave, today Camilla will drop her infant daughter off at daycare for the first time and return to her job as a literary agent. But, when she wakes, her husband Luke isn’t there, and in his place is a cryptic note. Then it starts. Breaking news: there's a hostage situation developing in London. The police arrive, and tell her Luke is involved. But he isn't a hostage. Her husband - doting father, eternal optimist - is the gunman. What she does next is crucial. Because only she knows what the note he left behind that morning says. Famous Last Words is the story of a crime, a marriage, and more secrets than Camilla ever could have imagined.

Vienna, 1938. Samuel Adler was six years old when his father disappeared during Kristallnacht--the night their family lost everything. Samuel's mother secured a spot for him on the last Kindertransport train out of Nazi-occupied Austria to the United Kingdom, which he boarded alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Diaz, a blind seven-year-old girl, and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. However, their arrival coincides with the new family separation policy, and Anita finds herself alone at a camp in Nogales. She escapes through her trips to Azabahar, a magical world of the imagination she created with her sister back home. Anita's case is assigned to Selena Duran, a young social worker who enlists the help of a promising lawyer from one of San Francisco's top law firms. Together they discover that Anita has another family member in the United States: Leticia Cordero, who is employed at the home of now eighty-six-year-old Samuel Adler, linking these two lives.

London, 1953. Louise is still adjusting to her postwar role as a housewife when she discovers a necklace in a box at a secondhand shop. The box is marked with the name of a department store in Paris, and she is certain she has seen the necklace before, when she worked with the Red Cross in Nazi-occupied Europe--and that it holds the key to the mysterious death of her friend Franny during the war. Following the trail of clues to Paris, Louise seeks help from her former boss Ian, with whom she shares a romantic history. The necklace leads them to discover the dark history of Lévitan--a once-glamorous department store that served as a Nazi prison, and Helaine, a woman who was imprisoned there, torn apart from her husband when the Germans invaded France. Louise races to find the connection between the necklace, the department store and Franny's death. But nothing is as it seems, and there are forces determined to keep the truth buried forever. Inspired by the true story of Lévitan, Last Twilight in Paris is both a gripping mystery and an unforgettable story about sacrifice, resistance and the power of love to transcend in even the darkest hours.

Washington, D.C., 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation's capital, where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss whose facade of perfect wife and mother covers gaping inner wounds; police officer's daughter Nora, who is entangled with a shadowy gangster; frustrated baseball star Bea, whose career has ended along with the women's baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy's Red Scare. Grace's weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears apart the house, the Briar Club women must decide once and for all: Who is the true enemy in their midst?

She might not have a famous name, funding, or her family's support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating--and each other--to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and rollercoaster relationship. Until a shocking incident at the Olympic Games brings their partnership to a sudden end. As the ten-year anniversary of their final skate approaches, an unauthorized documentary reignites the public obsession with Shaw and Rocha, claiming to uncover the "real story" through interviews with their closest friends and fiercest rivals. Kat wants nothing to do with the documentary. But she can't stand the thought of someone else defining her legacy either. So, after a decade of silence, she's telling her story: from the childhood tragedies that created her all-consuming bond with Heath to the clash of desires that tore them apart. Sensational rumors have haunted their every step for years, but the truth may be even more shocking than the headlines.

One of the most anticipated books of the year, from #1 New York Times bestselling author Jennifer Weiner, a glimmering novel set in the world of pop music about sisters, motherhood, young love, and the dreams we chase. Sisters Cassie and Zoe Grossberg were born just a year apart but could not have been more different. Zoe, blessed with charm and beauty, yearned for fame from the moment she could sing into a hairbrush. Cassie was a musical prodigy who never felt at home in her own skin and preferred the safety of the shadows. On the brink of adulthood in the early 2000s, destiny intervened, catapulting the sisters into the spotlight as the pop sensation the Griffin Sisters, hitting all the touchstones of early aughts fame—SNL, MTV, Rolling Stone magazine—along the way. But after a whirlwind year in the public eye, the band abruptly broke up. Two decades later, Zoe’s a housewife; Cassie’s off the grid. The sisters aren’t speaking, and the real reason for the Griffin Sisters’ breakup is still a mystery. Zoe’s teenage daughter, Cherry, who’s determined to be a star in spite of Zoe’s warnings, is on a quest to learn the truth about what happened to the band all those years ago. As secrets emerge, all three women must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other—and themselves? And will the Griffin Sisters ever make music again?

When Annie Brown, a fun-loving woman, suddenly dies, her husband, best friend, and her children all struggle to find ways to go on after the loss of the woman who was the center of their lives, and who made life happy, fun, and secure. Her husband is overwhelmed with four children to raise, and turns to his teenage daughter for help, and to an old girlfriend for solace. Annie's best friend struggles again with opioid addiction, having depended on Annie for support through addiction and recovery. Annie's daughter discovers disturbing truths about life in a small town, including at her new best friend's house, where she stumbles upon a dangerous secret. These and other characters reconfigure their lives and learn how to go on, after Annie.

In 1919, as civil and social unrest grips the country, there is a little corner of America, a place called Harlem where something special is stirring. Here, the New Negro is rising and Black pride is evident everywhere... in music, theatre, fashion and the arts. And there on stage in the center of this renaissance is Jessie Redmon Fauset, the new literary editor of the preeminent Negro magazine The Crisis. W.E.B. Du Bois, the founder and editor of The Crisis, has charged her with discovering young writers whose words will change the world. Jessie attacks the challenge with fervor, quickly finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie's leadership, The Crisis thrives, the writers become notable and magazine subscriptions soar. Every Negro writer in the country wants their work published in the magazine now known for its groundbreaking poetry and short stories. Jessie's rising star is shining bright... but her relationship with W.E.B. could jeopardize all that she's built. The man, considered by most to be the leader of Black America, is not only Jessie's boss, he's her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Their torrid and tumultuous affair is complicated by a secret desire that Jessie harbors--to someday, herself, become the editor of the magazine, a position that only W.E.B. Du Bois has held. In the face of overwhelming sexism and racism, Jessie must balance her drive with her desires. However, as she strives to preserve her legacy, she'll discover the high cost of her unparalleled success.

Haiwen is buying bananas at a 99 Ranch Market in Los Angeles when he looks up and sees Suchi, his Suchi, for the first time in sixty years. To recently widowed Haiwen it feels like a second chance, but Suchi has only survived by refusing to look back. Suchi was seven when she first met Haiwen in their Shanghai neighborhood, drawn by the sound of his violin. Their childhood friendship blossomed into soul-deep love, but when Haiwen secretly enlisted in the Nationalist army in 1947 to save his brother from the draft, she was left with just his violin and a note: Forgive me. Homeseeking follows the separated lovers through six decades of tumultuous Chinese history as war, famine, and opportunity take them separately to the song halls of Hong Kong, the military encampments of Taiwan, the bustling streets of New York, and sunny California, telling Haiwen's story from the present to the past while tracing Suchi's from her childhood to the present, meeting in the crucible of their lives. Throughout, Haiwen holds his memories close while Suchi forces herself to look only forward, neither losing sight of the home they hold in their hearts.

In 1950s Philadelphia, fifteen-year-old Ruby Pearsall is on track to become the first in her family to attend college, in spite of having a mother more interested in keeping a man than raising a daughter. But a taboo love affair threatens to pull Ruby back down into the poverty and desperation that has been passed on to her like a birthright. Eleanor Quarles arrives in Washington, DC, with ambition and secrets. When she meets the handsome William Pride at Howard University, they fall madly in love. But William hails from one of DC's elite wealthy Black families, and his parents don't let just anyone into their fold. Eleanor hopes that a baby will make her finally feel at home in William's family and grant her the life she's been searching for ... With their stories colliding in the most unexpected of ways, Ruby and Eleanor will both make decisions that shape the trajectory of their lives.

After witnessing the murder of the chief of staff for a powerful New York senator, FBI agent and former military codebreaker Daniela Vega goes deep undercover to unravel a bizarre conspiracy where she must play a killer's game alongside an assassin-turned-informant and there can only be one winner.

According to Confucius, 'an educated woman is a worthless woman,' but Tan Yunxian--born into an elite family, haunted by death, separations, and loneliness--is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine--the Four Examinations, Six Pernicious Influences, Seven Emotions--and that the body is a reflection of the cosmos. From a young age, Yunxian learns about women's illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling. The two girls find fast friendship and a mutual purpose--despite the prohibition that a doctor should never touch blood while a midwife comes in frequent contact with it--and they vow to be forever friends, sharing in each other's joys and struggles. No mud, no lotus, they tell themselves: from adversity beauty can bloom. But when Yunxian is sent into an arranged marriage, her mother-in-law forbids her from seeing Meiling and from helping the women and girls in the household. Yunxian is to act like a proper wife--embroider bound-foot slippers, pluck instruments, recite poetry, give birth to sons, and stay within the walls of the family compound, the Garden of Fragrant Delights. How might a woman like Yunxian break free of these traditions, go on to treat women and girls from every level of society, and lead a life of such importance that many of her remedies are still used five centuries later? How might the power of friendship support or complicate these efforts?

Paris, 1939: Young mothers Elise and Juliette become fast friends the day they meet in the beautiful Bois de Boulogne. Though the shadow of war creeps across Europe, neither woman suspects that their lives are about to change irrevocably. When Elise becomes a target of the German occupation, she entrusts Juliette with the most precious thing in her life--her young daughter, Mathilde, playmate to Juliette's own little girl. But nowhere is safe in war, not even a quiet little bookshop like Juliette's Librairie des Rêves, and when a bomb falls on their neighborhood, Juliette's world is destroyed along with it. More than a year later, with the war finally ending, Elise returns to reunite with her daughter, only to find her friend's bookstore reduced to rubble--and Juliette nowhere to be found. She has seemingly vanished without a trace, taking all the answers with her. Elise's desperate search leads her to New York--and to Juliette--one final, fateful time.

She's an icon. She's fun and aspirational. She's stirring controversy and outrage. Her name is Barbie. In 1956, Ruth Handler, cofounder of a budding toy company, embarks on a mission to upend the marketplace by creating a controversial doll: one that looks like a grown woman. Unlike the current trend of baby dolls that reinforces traditional roles of motherhood, this doll will empower little girls to be and do anything. And Barbie is born. Not everyone sees Barbie as a positive influence, but Ruth knows this doll is destined for greatness. With the help of head engineer Jack Ryan and fashion designer Stevie Klein, they forge ahead, their own identities becoming entwined with the persona of the doll. For Ruth, Barbie fills a void left by the mother who abandoned her and the daughter who resents her ambition. Jack, Mattel's unlikely Casanova, hides his deepest secrets behind the genius of his engineering, and Stevie pins her professional future and sense of self on Barbie's fashion designs. In the decades that follow, the Barbie team spins the doll into a cultural phenomenon. But with every great success comes the fall, and the problems at Mattel are just getting started. In the cutthroat world of toy-making, greed and public scandals threaten to tear down everything Ruth has built. But Barbie is more than just a doll for her--she's a legacy, one Ruth will do anything to protect.

She's rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She's spent her life studying, obsessing over, and writing romantic comedies--good ones! That win contests! But she's also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates--The Charlie Yates! Her personal writing god!--it's a break too big to pass up. Emma's younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don't meet your heroes? Charlie Yates doesn't want to write with anyone--much less "a failed, nobody screenwriter." Worse, the romantic comedy he's written is so terrible it might actually bring on the apocalypse. Plus! He doesn't even care about the script--it's just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma's not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter--even if she has to kiss him senseless to do it. But... what if that kiss is accidentally amazing? What if real life turns out to be so much more real than fiction? What if the love story they're writing breaks all Emma's rules--and comes true?

Egypt, 1936: When Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt's Valley of the Kings, she leaps at the opportunity. That is until an until an unbearable tragedy strikes. New York City, 1978: Nineteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for former Vogue fashion editor Diana Vreeland, who's in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the 'Party of the Year.' Meanwhile, Charlotte is now leading a quiet life as the associate curator of the Met's celebrated Department of Egyptian Art. She's consumed by her research on Hathorkare--a rare female pharaoh dismissed by most other Egyptologists as unimportant. The night of the gala, one of the Egyptian Art collection's most valuable artifacts goes missing, and there are signs Hathorkare's legendary curse might be reawakening. Annie and Charlotte team up to search for the missing antiquity, and a desperate hunch leads the unlikely duo to one place Charlotte swore she'd never return: Egypt. But if they have any hope of finding the artifact, Charlotte will need to confront the demons of her past--which may mean leading them both directly into danger.

Gail Baines is long divorced from her husband, Max, and not especially close to her grown daughter, Debbie. Today is the day before Debbie's wedding. To start, Gail loses her job-or quits, depending who you ask. Then, Max arrives unannounced on Gail's doorstep, carrying a cat, without a place to stay and without even a suit in which to walk their daughter down the aisle. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband-to-be. It will not only throw the wedding itself into question but also send Gail back into her past and how her own relationship fell apart. Told with deep sensitivity and a tart sense of humor, full of the joys and heartbreaks of love and marriage and family life, Three Days in June is a triumph, and gives us the perennially bestselling, Pulitzer Prize-winning writer at the height of her powers.