Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn't one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she's the opposite of her famous socialite sisters. Where they're long-stemmed roses, she's a dandelion: an adorable bloom that's actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmer. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.

It's the summer of 1999, and Felicia "Fe Fe" Stevens is living with her mother and older teenage brother in building 4950 of Chicago's Robert Taylor Homes, the next high-rise to be torn down by the Chicago Housing Authority. She, along with the devout Precious Brown and Stacia Buchanan, daughter of a Gangster Disciples queenpin, form a tentative trio. But when Fe Fe welcomes a mysterious new friend, Tonya into their fold, the dynamics shift, upending the lives of all four girls.

The explosive, hotly-anticipated debut novel from the New York Times-bestselling author of Friday Black, about two top women gladiators fighting for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe's theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe. As these characters' stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town's white establishment played in it, McBride shows us that even in dark times, it is love and community--heaven and earth--that sustain us.

On Jess's first day at Goldman Sachs, she's less than thrilled to learn she'll be on the same team as Josh, her white, conservative sparring partner from college. Josh loves playing the devil's advocate and is just ... the worst. But when Jess finds herself the sole Black woman on the floor, overlooked and underestimated, it's Josh who shows up for her in surprising--if imperfect--ways. Before long, an unlikely friendship--one tinged with undeniable chemistry--forms between the two. A friendship that gradually, and then suddenly, turns into an electrifying romance that shocks them both. Despite their differences, the force of their attraction propels the relationship forward, and Jess begins to question whether it's more important to be happy than right. But then it's 2016, and the cultural and political landscape shifts underneath them. And Jess, who is just beginning to discover who she is and who she has the right to be, is forced to ask herself what she's willing to compromise for love and whether, in fact, everything's fine.

For Ta-Nehisi Coates, history has always been personal. At every stage of his life, he's sought in his explorations of history answers to the mysteries that surrounded him -- most urgently, why he, and other black people he knew, seemed to live in fear. What were they afraid of? In Between the world and me, Coates takes readers along on his journey through America's history of race and its contemporary resonances through a series of awakenings -- moments when he discovered some new truth about our long, tangled history of race, whether through his myth-busting professors at Howard University, a trip to a Civil War battlefield with a rogue historian, a journey to Chicago's South Side to visit aging survivors of 20th century America's 'long war on black people,' or a visit with the mother of a beloved friend who was shot down by the police. In his trademark style -- a mix of lyrical personal narrative, reimagined history, essayistic argument, and reportage -- Coates provides readers a thrillingly illuminating new framework for understanding race: its history, our contemporary dilemma, and where we go from here.

To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably-priced furniture, making a life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger and bigger all the time. See, cash is tight, especially with all those installment plan sofas, so if his cousin Freddie occasionally drops off the odd ring or necklace at the furniture store, Ray doesn't see the need to ask where it comes from. He knows a discreet jeweler downtown who also doesn't ask questions. Then Freddie falls in with a crew who plan to rob the Hotel Theresa -- the "Waldorf of Harlem" -- and volunteers Ray's services as the fence. The heist doesn't go as planned; they rarely do, after all. Now Ray has to cater to a new clientéle, one made up of shady cops on the take, vicious minions of the local crime lord, and numerous other Harlem lowlifes. Thus begins the internal tussle between Ray the striver and Ray the crook. As Ray navigates this double life, he starts to see the truth about who actually pulls the strings in Harlem. Can Ray avoid getting killed, save his cousin, and grab his share of the big score, all while maintaining his reputation as the go-to source for all your quality home furniture needs? Harlem Shuffle is driven by an ingeniously intricate plot that plays out in a beautifully recreated Harlem of the early 1960s. It's a family saga masquerading as a crime novel, a hilarious morality play, a social novel about race and power, and ultimately a love letter to Harlem. But mostly, it's a joy to read, another dazzling novel from the Pulitzer Prize and National Book Award-winning Colson Whitehead.

Gracetown, Florida. June 1950. Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie's journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it's too late.

After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved." Sethe and Denver take her in and then strange things begin to happen. Set in rural Ohio several years after the Civil War, this profoundly affecting chronicle of slavery and its aftermath is Toni Morrison's greatest novel, a dazzling achievement, and the most spellbinding reading experience of the decade. A brutally powerful, mesmerizing story ... read it and tremble. At the center of Toni Morrison's fifth novel, which earned her the 1988 Pulitzer Prize for fiction, is an almost unspeakable act of horror and heroism: a woman brutally kills her infant daughter rather than allow her to be enslaved. The woman is Sethe, and the novel traces her journey from slavery to freedom during and immediately following the Civil War. Woven into this circular, mesmerizing narrative are the horrible truths of Sethe's past: the incredible cruelties she endured as a slave, and the hardships she suffered in her journey north to freedom. Just as Sethe finds the past too painful to remember, and the future just "a matter of keeping the past at bay," her story is almost too painful to read. Yet Morrison manages to imbue the wreckage of her characters' lives with compassion, humanity, and humor. Part ghost story, part history lesson, part folk tale, Beloved finds beauty in the unbearable, and lets us all see the enduring promise of hope that lies in anyones future.

In the waning days of the Civil War, brothers Prentiss and Landry, freed by the Emancipation Proclamation, seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox.

A Black father. A white father. Two murdered sons. A quest for vengeance. Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah's white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek's father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy. Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys. Provocative and fast-paced, S. A. Cosby's Razorblade Tears is a story of bloody retribution, heartfelt change - and maybe even redemption.

When it comes to law and order, East Texas plays by its own rules--a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the Lone Star State, he was the first in his family to get as far away from Texas as he could. Until duty called him home. When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders--a black lawyer from Chicago and a local white woman--have stirred up a hornet's nest of resentment. Darren must solve the crimes--and save himself in the process--before Lark's long-simmering racial fault lines erupt. A rural noir suffused with the unique music, color, and nuance of East Texas, Bluebird, Bluebird is an exhilarating, timely novel about the collision of race and justice in America.

R. Eric Thomas didn't know he was different until the world told him so. Everywhere he went--whether it was his rich, mostly white, suburban high school, his conservative black church, or his Ivy League college in a big city--he found himself on the outside looking in. In essays by turns hysterical and heartfelt, Eric redefines what it means to be an "other" through the lens of his own life experience. He explores the two worlds of his childhood: the barren urban landscape where his parents' house was an anomalous bright spot, and the verdant school they sent him to in white suburbia. He writes about struggling to reconcile his Christian identity with his sexuality, about the exhaustion of code-switching in college, accidentally getting famous on the internet (for the wrong reason), and the surreal experience of covering the 2016 election as well as the seismic change that came thereafter. Ultimately, Eric seeks the answer to the ever more relevant question: Is the future worth it? Why do we bother when everything seems to be getting worse? As the world continues to shift in unpredictable ways, Eric finds the answers to these questions by re-envisioning what "normal" means, and in the powerful alchemy that occurs when you at last place yourself at the center of your own story.

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the reader's guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago, and moved into a house with a garden that requires repairs and know-how with her wife in a Blue town in the middle of a Red state where she now hosts book clubs and makes mason jar salads. This is the bourgeois life of a Hallmark Channel dream. She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "tv executives slash amateur astrologers" while being a "cheese fry-eating slightly damp Midwest person," "with neck pain and no cartilage in [her] knees," who still hides past due bills under her pillow. The essays in this collection draw on the raw, hilarious particulars of Irby's new life. Wow, No Thank You is Irby at her most unflinching, riotous, and relatable.

Two half sisters, Effia and Esi, unknown to each other, are born into two different tribal villages in 18th century Ghana. Effia will be married off to an English colonial, and will live in comfort in the sprawling, palatial rooms of Cape Coast Castle, raising half-caste children who will be sent abroad to be educated in England before returning to the Gold Coast to serve as administrators of the Empire. Her sister, Esi, will be imprisoned beneath Effia in the Castle's women's dungeon, and then shipped off on a boat bound for America, where she will be sold into slavery. Stretching from the tribal wars of Ghana to slavery and Civil War in America, from the coal mines in the north to the Great Migration to the streets of 20th century Harlem, Yaa Gyasi's has written a modern masterpiece, a novel that moves through histories and geographies and--with outstanding economy and force--captures the troubled spirit of our own nation.

The great scholar, W. E. B. Du Bois, once wrote about what he called "Double Consciousness," a sensitivity that every African American possesses in order to survive. From an early age, Ailey fights a battle for belonging that's made all the more difficult by a hovering trauma. To come to terms with her own identity, Ailey embarks on a journey through her family's past. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story -- and the song -- of America itself.

"Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition-the Olympics of classical music-fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins. As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

Dimple Pennington knows of her half siblings, but she doesn't really KNOW them. Five people who don't have anything in common except for faint memories of being driven through Brixton in their dad's gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She's thirty, and her life isn't really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple's life has shrunk to the size of a phone screen. And despite a small but loyal following, she's never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie, and Prynce crashing back into her life. And when they're all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated.

Banned from selling anything written this century, bookstore manager Maggie Banks, to keep the business afloat, starts an underground book club that unexpectedly unearths a town secret that could upend everything, forcing her to choose between the books that formed a small town's history or the stories poised to change it all.

A Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and urgent: since Mott's novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour. As these characters' stories build and converge, they astonish. For while this heartbreaking and magical book entertains and is at once about family, love of parents and children, art and money, it's also about the nation's reckoning with a tragic police shooting playing over and over again on the news. And with what it can mean to be Black in America. Who has been killed? Who is The Kid? Will the author finish his book tour, and what kind of world will he leave behind? Unforgettably told, with characters who burn into your mind and an electrifying plot ideal for book club discussion, Hell of a Book is the novel Mott has been writing in his head for the last ten years. And in its final twists it truly becomes its title.

Mrs. Obama offers readers a series of fresh stories and insightful reflections on change, challenge, and power, including her belief that when we light up for others, we can illuminate the richness and potential of the world around us, discovering deeper truths and new pathways for progress. Drawing from her experiences as a mother, daughter, spouse, friend, and First Lady, she shares the habits and principles she has developed to successfully adapt to change and overcome various obstacles--the earned wisdom that helps her continue to "become." She details her most valuable practices, like "starting kind," "going high," and assembling a "kitchen table" of trusted friends and mentors. With trademark humor, candor, and compassion, she also explores issues connected to race, gender, and visibility, encouraging readers to work through fear, find strength in community, and live with boldness.

When a county initiative in the Piedmont of North Carolina forces the students at a mostly black public school on the east side to move across town to a nearly all-white high school on the west, the community rises in outrage. For two students, quiet and aloof Gee and headstrong Noelle, these divisions will extend far beyond their schooling. As their paths collide and overlap over the course of thirty years, their two seemingly disconnected families begin to form deeply knotted, messy ties that shape the trajectory of their lives. On one side of the school integration debate is Jade, Gee's steely, single, black mother, grieving for her murdered partner, and determined for her son to have the best chance at a better life. On the other, is Noelle's enterprising mother, Lacey May, who refuses to see her half-Latina daughters as anything but white. The choices these mothers make will resound for years to come. And twenty years later, when Lacey's daughters return home to visit her in hospital, they're forced to confront the ways their parents' decisions continue to affect the life they live and the people they love. WHAT'S MINE AND YOURS is a sweeping, rich tapestry of familial bond and identity, and a sharp, poignant look at the ways race affects even the closest of relationships. This is not just one love story, but many: It's the all-consuming volatile passion of young lovers and the quieter comfort of steady companionship; it's the often tenuous but unbreakable bond between siblings; and it's the unconditional love that runs between parent and child and encompasses adoration, contempt and forgiveness. With gorgeous prose, Naima Coster explores the unique organism that is every family: what breaks them apart and how they come back together.

Inspired by true events that rocked the nation, a profoundly moving novel about a Black nurse in post-segregation Alabama who blows the whistle on a terrible wrong done to her patients, from the New York Times bestselling author of Wench. Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend has big plans to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she intends to help women make their own choices for their lives and bodies. But when her first week on the job takes her down a dusty country road to a worn-down one-room cabin, she's shocked to learn that her new patients, India and Erica, are children--just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family's welfare benefits, that's reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at the door to learn the unthinkable has happened, and nothing will ever be the same for any of them. Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten. Because history repeats what we don't remember.

A gorgeous collection of stories about community, family and love and about the forces that pull us together or drive us apart. With vividly imagined characters, hard-won wisdom, and humanity, these eight stories include a romance that unexpectedly sparks between two wounded friends; a marriage ending for what seems like noble reasons, but leads to irreparable consequences; and a young woman holding onto an impossible dream, even as she fights for her life. Vividly set in places from Miami to Port-au-Prince to a small unnamed country in the Caribbean and beyond, these beautiful and moving stories showcase one of the world's most renowned voices at her absolute best.

They were three Black girls. Dawn, tall and studious; her sister, Kim, younger by three years and headstrong as they come; and Dawn's best friend, Debra, already prom-queen pretty by third grade. These third-generation daughters of the Great Migration come of age in 1970s Chicago, in the warm glow of the recent civil rights movement. Then they arrive at the precipice of adolescence, a fraught rite of passage for all girls, when the dangers of the world suddenly crash into view. There is a small margin of error--especially for brown girls--and the choices Dawn, Debra, and Kim make will have lasting consequences, some of them devastating. Dawn struggles to understand the shocking turns that consume her sister and her best friend, all the while asking herself a simple but profound question: Why? Three girls from Bronzeville is a piercing memoir that chronicles Dawn's attempt to find ansswers. It's at once a celebration of sisterhood and friendship and a tour de force about the complex interplay of race, class, and opportunity.

After a sudden change of plans, a remarkable woman and her loyal group of friends try to figure out what she's going to do with the rest of her life. Curry's life is full. A little crowded sometimes, but full indeed. On the eve of her sixty-eighth birthday, she has a booming beauty supply empire, a gaggle of lifelong friends, and a husband who's still got moves that surprise. True, she's carrying a few more pounds than she should be, but she's not one of those women who thinks her best days are behind her, and she's determined to prove her mother, her twin sister, and everyone else with that outdated view of aging wrong--it's not all downhill from here. But when an unexpected loss turns her world upside down, Loretha will have to summon all her strength, resourcefulness, and determination to keep on thriving, pursue joy, heal old wounds, and chart new paths. With a little help from her friends, of course.

Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard. As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?

From stand-up comedian and actress Tiffany Haddish, a hilarious, edgy, and heart-wrenching collection of autobiographical essays that will leave you laughing through tears. Haddish grew up in one of the poorest parts of South Central Los Angeles. Her mother wound up with a debilitating brain injury after surviving a car accident. Tiffany never fit in anywhere: not in the households she rotated through in the foster care system, and certainly not the nearly all white high school she had to ride the bus an hour to attend. As an illiterate ninth grader, Tiffany did everything she could to survive. After a multitude of jobs, she finally realized that she had talent in an area she never would have suspected: comedy. Tiffany faced the 'routine' hindrances of climbing the entertainment business ladder--but had the added obstacles of sex, race, and class in her way. But she got there. She's humble, grateful, down to earth, and funny as hell. She still cleans the toilet the way she was shown by a foster mom who worked as a maid, and she still rolls her joints the way one of her foster dads taught her. Tiffany can't avoid being funny: it's just who she is. But The Last Black Unicorn is so much more than a side-splittingly hilarious collection of essays--it's a memoir of the struggles of one woman who came from nothing and nowhere. A woman who was able to achieve her dreams by reveling in her pain and awkwardness, showing the world who she really is, and inspiring others through the power of laughter.

TV writer Yara Gibson's hometown of Palmdale, California, isn't her first choice for a vacation. But she's back to host her parents' twentieth-anniversary party and find the perfect family mementos for the celebration. Everything is going to plan until Yara receives a disturbing text: I have information that will change your life. The message is from Felicia Campbell, who claims to be a childhood friend of Yara's mother. But they've been estranged for years--drama best ignored and forgotten. But Yara can't forget Felicia, who keeps texting, insisting that Yara talk to her 'before it's too late.' But the next day is already too late for Felicia, whose body is found floating in Lake Palmdale. Before she died, Felicia left Yara a key to a remote lakeside cabin. In the basement are files related to a mysterious tragedy, unsolved since 1998. What secrets was Felicia hiding? How much of what Yara knows about her family has been true? The deeper Yara digs for answers, the more she fears that Felicia was right. Uncovering the truth about what happened at the cabin all those years ago will change Yara's life--or end it.

In a fresh and seductive novel about a young woman seeking joy while healing from loss, Feyi Adekola wants to learn how to be alive again. It's been five years since the accident that killed the love of her life and she's almost a new person now-an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it's time for Feyi to ease back into the dating scene. Feyi isn't ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career. She's even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there's the biggest question of all-how far is she willing to go for a second chance at love? Akwaeke Emezi's vivid and passionate writing takes us deep into a world of possibility and healing, and the constant bravery of choosing love against all odds.