In 1981, a young father and son set out on a road trip across Argentina, devastated by the mysterious death of the wife and mother they both loved. United in grief, the pair travels to her family home near Iguazú Falls, where they must confront the horrific legacy she has bequeathed. For the woman they are grieving came from a family like no other--a centuries-old secret society called the Order that pursues eternal life through ghastly rituals. For Gaspar, the son, this cult is his destiny. As Gaspar grows up he must learn to harness his developing supernatural powers, while struggling to understand what kind of man his mother wanted him to be. Meanwhile Gaspar's father tries to protect his son from his wife's violent family while still honoring the woman he loved so desperately

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn't allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

Gracetown, Florida. June 1950. Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie's journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory. Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it's too late.

A social media influencer buys a murder house to renovate, but finds more than she bargained for behind the peeling wallpaper in this deeply psychological gothic debut thriller. Sarah Slade is starting over. She and her husband just bought a beautiful though crumbling Victorian house in a charming and lush community. The fixer-upper is a perfect opportunity to reach a new audience on her highly successful lifestyle blog, and it also serves as a distraction from her failing marriage. But Black Wood House has a grisly history--one involving a gruesome murder-suicide. And even as Sarah wallpapers over the house's horrifying past, she knows better than anyone that a new façade can't conceal every secret. The renovations are a challenge: The workers coming by to inspect and fix the house are acting erratically and experiencing strange accidents--and there's only so long she can continue to sleep in the bedroom with the bloodstained floor and suffer the mysterious footsteps she hears from the attic. When menacing notes start appearing everywhere, Sarah becomes convinced that someone or something is out to kill her--her husband, her neighbors, maybe even the house itself. The more she remodels Black Wood House, the angrier it seems to become. With every passing moment, Sarah's life spirals further out of control--and with it, her sense of reality. Though she desperately clings to the lies she's crafted to conceal her own secrets, Sarah Slade must wonder... was it all worth it? Or will this house be her unraveling?

A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company. It's the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding. A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested. But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart. And she gets lonely down there in the dirt. Effortlessly taking the classic haunted house story and turning it on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.

We didn't call the police right away." Those are the first words of this extraordinary novel about a biracial Korean-American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything--which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance.

The eerie story of a young couple haunted by their new home. Julie and James settle into a house in a small town outside the city where they met. The move--prompted by James's penchant for gambling, his inability to keep his impulses in check--is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between lake and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture--claustrophobic, riddled with hidden rooms within room--becomes unrecognizable, decaying before their eyes. Stains are animated on the wall--contracting, expanding--and map themselves onto Julie's body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julie and James. Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, inhabiting the bodies and the relationships we cherish.

A young woman discovers a strange portal in her uncle's house, leading to madness and terror in this gripping new novel from the author of the "innovative, unexpected, and absolutely chilling" (Mira Grant, Nebula Award-winning author) The Twisted Ones. Pray they are hungry. Kara finds the words in the mysterious bunker that she's discovered behind a hole in the wall of her uncle's house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring this peculiar area-only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts...and the more one fears them, the stronger they become. With her distinctive "delightfully fresh and subversive" (SF Bluestocking) prose and the strange, sinister wonder found in Guillermo del Toro's Pan's Labyrinth, The Hollow Places is another compelling and white-knuckled horror novel that you won't be able to put down.

Since her mother's death, Kit Crockett has lived alone with her grief-stricken father, spending lonely days far out in the country tending the garden, fishing in a local stream, and reading Nancy Drew mysteries from the library bookmobile. One day when Kit discovers a mysterious and beautiful woman has moved in just down the road, she is intrigued. Kit and her new neighbor Bella become fast friends. Both outsiders, they take comfort in each other's company. But malice lurks near their quiet bayou and Kit suddenly finds herself at the center of tragic, fatal crime. Soon, Kit is ripped from her home and Cherokee family and sent to Ashley Lordard, a religious boarding school. Along with the other Native students, Kit is stripped of her heritage, force-fed Christian indoctrination, and is sexually abused by the director. But Kit, as strong-willed and shrewd as ever, secretly keeps a journal recounting what she remembers--and revealing just what she has forgotten. Over the course of Stealing, she slowly unravels the truth of how she ended up at the school--and plots a way out.

In 1873 the people of Labette County in Kansas made a grisly discovery. Buried on a homestead seven miles south of the town of Cherryvale, in a bloodied cellar and under frost-covered soil, were countless bodies in varying states of decay. The discovery sent the local community and national newspapers into a frenzy that continued for over two decades, and the land on which the crimes took place became known as 'Hells Half-Acre.' When it emerged that a family of four known as the Benders had been accused of the slayings, the case was catapulted to infamy. The idea that a family of seemingly respectable homesteaders--one among thousands who were relocating further west looking for land and opportunity after the Civil War--were capable of operating 'a human slaughter pen' appalled and fascinated the nation. But who the Benders really were, why they committed such a vicious killing spree, and what became of them when they fled from the law is a mystery that has remains unsolved to this day--not that there aren't some convincing theories. Part gothic western, part literary whodunnit, and part immersive study of postbellum America, Hell's Half-Acre sheds new light on one of the most notorious cases in our nation's history while holding a torch to a society under the strain of rapid change and moral disarray. Susan Jonasus draws on extensive original archival material, and introduces us to a fascinating cast of characters, including the despairing families of the victims as well as the fugitives that helped the murderers escape. Hell's Half-Acre is not simply a book about a mass murder. It is a journey into the turbulent heart of nineteenth century America, a place where modernity stalks across the landscape, violently displacing existing populations and wearily building new ones. It is a world where folklore can quickly become fact, and an entire family of criminals can slip right through a community's fingers, only to reappear at the most unexpected of times.

As a child, Miranda Silver developed pica, a rare eating disorder that causes its victims to consume nonedible substances. The death of her mother when Miranda is sixteen exacerbates her condition; nothing, however, satisfies a strange hunger passed down through the women in her family. And then there's the family house in Dover, England, converted to a bed-and-breakfast by Miranda's father. Dover has long been known for its hostility toward outsiders. But The Silver House manifests a more conscious malice toward strangers, dispatching those visitors it despises. Enraged by the constant stream of foreign staff and guests, the house finally unleashes its most destructive power.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed "The Lost Village," since she was a little girl. In 1959, her grandmother's entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left-a woman stoned to death in the town center and an abandoned newborn-have plagued her. She's gathered a small crew of friends in the remote village to make a film about what really happened. But there will be no turning back. Not long after they've set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice: They are not alone. They're looking for the truth... But what if it finds them first?

On a two-mile stretch of land in New York's East River, a 19th-century horror story was unfolding ... Today we call it Roosevelt Island. Then, it was Blackwell's, site of a lunatic asylum, two prisons, an almshouse, and a number of hospitals. Conceived as the most modern, humane incarceration facility the world had ever seen, Blackwell's Island quickly became, in the words of a visiting Charles Dickens, 'a lounging, listless madhouse.' In the first contemporary investigative account of Blackwell's, Stacy Horn tells this chilling narrative through the gripping voices of the island's inhabitants, as well as the period's officials, reformers, and journalists, including the celebrated Nellie Bly. Digging through city records, newspaper articles, and archival reports, Horn brings this forgotten history alive: there was terrible overcrowding; prisoners were enlisted to care for the insane; punishment was harsh and unfair; and treatment was nonexistent. Throughout the book, we return to the extraordinary Reverend William Glenney French as he ministers to Blackwell's residents, battles the bureaucratic mazes of the Department of Correction and a corrupt City Hall, testifies at salacious trials, and in his diary wonders about man's inhumanity to man. In Damnation Island, Stacy Horn shows us how far we've come in caring for the least fortunate among us--and reminds us how much work still remains.

Sentry Dance Pickett has watched, helpless, for months as conditions at Andersonville Prison worsen by the day; any mercy will be seen as treason. Southern belle Violet Stiles cannot believe the good folk of Americus would knowingly condone such barbarism, but her goodwill campaign stirs up accusations of Union sympathies and endangers her family. Confederate corporal Emery Jones didn't expect to find camaraderie with the Union prisoner he escorted to Andersonville. But the soldier's wit and integrity strike a chord in Emery. As these three young Rebels cross paths they must decide, once and for all, Who is my neighbor?

It's Jack's birthday and he's excited about turning five. Jack lives with his Ma in Room, which has a locked door and a skylight, and measures 11 feet by 11 feet. He loves watching TV but he knows that nothing he sees on screen is truly real. Until the day Ma admits that there's a world outside.

The story of two boys sentenced to a hellish reform school in Jim Crow-era Florida. As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is "as good as anyone." Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides "physical, intellectual and moral training" so the delinquent boys in their charge can become "honorable and honest men." In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear "out back." Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King's ringing assertion "Throw us in jail and we will still love you." His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. The tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys' fates will be determined by what they endured at the Nickel Academy.

You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it's attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul's friends. Paul has slowly put his life back together. But now his mother, old and senile, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Reading the news, Paul learns another copycat has struck. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again.

Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother--and then his home itself. Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to practice alone, Saul proves determined and undeniably gifted. His intuition and vision are unmatched. His speed is remarkable. Together they open doors for him: away from the school, into an all-Ojibway amateur circuit, and finally within grasp of a professional career. Yet as Saul's victories mount, so do the indignities and the taunts, the racism and the hatred--the harshness of a world that will never welcome him.

Twenty-two years ago, Naomi Shaw believed in magic. She and her two best friends, Cassidy and Olivia, spent that summer roaming the woods, imagining a world of ceremony and wonder-the Goddess Game. The summer ended suddenly when Naomi was attacked. Miraculously, she survived her seventeen stab wounds and lived to identify the man who had hurt her. The girls' testimony put away a serial killer, wanted for murdering six women. They were heroes. And they were liars. For decades, the friends have kept a secret worth killing for. But now Olivia wants to tell, and Naomi sets out to find out what really happened in the woods-no matter how dangerous the truth turns out to be.

Salma Khatun is hopeful about Blenheim, the suburban development into which she, her husband, and their son have just moved. The Bangladeshi family needs a fresh start, and Blenheim feels like just the place. Soon after they move in, Salma spots her white neighbor, Tom Hutton, ripping out the anti-racist banner her son put in the front garden. Avoiding confrontation, Salma takes the banner inside and puts it in her window. But the next morning, she wakes up to find her window smeared with paint. When she does speak to Tom, battle lines are drawn between the two families. As racial and social tensions escalate and the stakes rise, it's clear that a reckoning is coming ... And someone is going to get hurt...

Britain. The near-future. A right-wing government believes it has the answer to society's ills--the Sanctity of Marriage Act, which actively encourages marriage as the norm, punishing those who choose to remain single. But four couples are about to discover just how impossible relationships can be when the government is monitoring every aspect of our personal lives--monitoring every word, every minor disagreement...and will use every tool in its arsenal to ensure everyone will love, honor and obey.

Jane is unhappy. A struggling midlist writer whose novels barely command four figures, she feels trapped in an underwhelming marriage, just scraping by to pay a crippling Bay Area mortgage for a house--a life--she's never really wanted. There's only ever been one person she cared about, one person who truly understood her: Thalia. Jane's best and only friend nearly a decade ago during their Creative Writing days at Oxford. It was the only good year of Jane's life--cobblestones and books and damp English air, heady wine and sweet cider and Thalia, endless Thalia. But then one night ruined everything. The blood-soaked night that should have bound Thalia to Jane forever but instead made her lose her completely. Thalia disappeared without a trace, and Jane has been unable to find her since. Until now. Because there she is, her name at the top of the New York Times bestseller list: A Most Pleasant Death by Thalia Ashcroft. When she discovers a post from Thalia on her website about attending a book convention in New York City in a week--"Can't wait to see you there!"--Jane can't wait either. She'll go to New York City, too, credit card bill be damned. And this time, she will do things right. Jane won't lose Thalia again.

The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including sorority president and key witness, Pamela Schumacher, are forever changed. Across the country, Tina Cannon is convinced her missing friend was targeted by the man papers refer to as the All-American Sex Killer--and that he's struck again. Determined to find justice, the two join forces as their search for answers leads to a final, shocking confrontation.

1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Threatened by Elizabeth's intellect, independence, and outspokenness, her husband of twenty-one years is plotting against her and makes a plan to put her back in her place. One summer morning, he has her committed to an insane asylum. The horrific conditions inside the Illinois State Hospital in Jacksonville, Illinois, are overseen by Dr. Andrew McFarland, a man who will prove to be even more dangerous to Elizabeth than her traitorous husband. But most disturbing is that Elizabeth is not the only sane woman confined to the institution. There are many rational women on her ward who tell the same story: they've been committed not because they need medical treatment, but to keep them in line-conveniently labeled "crazy" so their voices are ignored. No one is willing to fight for their freedom, and disenfranchised both by gender and the stigma of their supposed madness, they cannot possibly fight for themselves. But Elizabeth is about to discover that the merit of losing everything is that you then have nothing to lose...

New Delhi, 3 a.m. A speeding Mercedes jumps the curb, and in the blink of an eye, five people are dead. It's a rich man's car, but when the dust settles there is no rich man at all, just a shell-shocked servant who cannot explain the strange series of events that led to this crime. Nor can he foresee the dark drama that is about to unfold. Deftly shifting through time and perspective in contemporary India, Age of Vice is an epic action-packed story propelled by the seductive wealth, startling corruption, and bloodthirsty violence of the Wadia family--loved by some, loathed by others, feared by all. In the shadow of lavish estates, extravagant parties, predatory business deals, and calculated political influence, three lives become dangerously intertwined: Ajay is the watchful servant, born into poverty, who rises through the family's ranks. Sunny is the playboy heir who dreams of outshining his father, whatever the cost. And Neda is the curious journalist caught between morality and desire. Against a sweeping plot fueled by loss, pleasure, greed, yearning, violence, and revenge, will these characters' connections become a path to escape, or a trigger of further destruction? Equal parts crime thriller and family sage, transporting readers from the dusty villages of Uttar Pradesh to the urban energy of New Delhi, Age of Vice is an intoxicating novel of gangsters and lovers, false friendships, forbidden romance, and the consequences of corruption. -- Dust jacket.

Kurôzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: "uzumaki," the spiral, the hypnotic secret shape of the world which causes the inhabitants to go mad.