None of them would claim to be a particularly good person. But who among them is actually capable of murder? Jen Weinstein and Lauren Parker rule the town of Salcombe, Fire Island every summer. They hold sway on the beach and the tennis court, and are adept at manipulating people to get what they want. Their husbands, Sam and Jason, have summered together on the island since childhood, despite lifelong grudges and numerous secrets. Their one single friend, Rachel Woolf, is looking to meet her match, whether he's the tennis pro-or someone else's husband. But even with plenty to gossip about, this season starts out as quietly as any other. Until a body is discovered, face down, off the side of the boardwalk. Stylish, subversive, and darkly comedic, this is a story of what's lurking under the surface of picture-perfect lives in a place where everyone has something to hide.

On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn't heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won't protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

"A hilarious debut novel about a wealthy but fractured Chinese immigrant family that had it all, only to lose every last cent--and about the road trip they take across America that binds them back together. Charles Wang is mad at America. A brash, lovable immigrant businessman who built a cosmetics empire and made a fortune, he's just been ruined by the financial crisis. Now all Charles wants is to get his kids safely stowed away so that he can go to China and attempt to reclaim his family's ancestral lands--and his pride. Charles pulls Andrew, his aspiring comedian son, and Grace, his style-obsessed daughter, out of schools he can no longer afford. Together with their stepmother, Barbra, they embark on a cross-country road trip from their foreclosed Bel-Air home to the upstate New York hideout of the eldest daughter, disgraced art world it-girl Saina. But with his son waylaid by a temptress in New Orleans, his wife ready to defect for a set of 1,000-thread-count sheets, and an epic smash-up in North Carolina, Charles may have to choose between the old world and the new, between keeping his family intact and finally fulfilling his dream of starting anew in China. Outrageously funny and full of charm, The Wangs vs. the World is an entirely fresh look at what it means to belong in America--and how going from glorious riches to (still name-brand) rags brings one family together in a way money never could"--

At the school gates, Faiza fits in. It took a few years, but now the snobbish mothers who mistook her for the nanny treat her as one of their own. She's learned to crack their subtle codes, speak their language of handbags and haircuts and discreet silver watches. You'd never guess, at the glamorous kids' parties and the leisurely coffee mornings, that Faiza's childhood was spent following her parents round the Tooting Cash'n'Carry. When her husband Tom loses his job in finance, he stays calm. Something will come along, and in the meantime, they can live off their savings. But Faiza starts to unravel. Raising the perfect family comes at a cost -- and the money Tom put aside has gone. When Tom's redundancy package ends, Faiza will have to tell him she's spent it all. Unless she doesn't... It only takes a second to lie to Tom. Now Faiza has six weeks to find $75,000 before her lie spirals out of control. If anyone can do it, Faiza can: she's had to fight for what she has, and she'll fight to keep it. But as the clock ticks down, and Faiza desperately tries to put things right, she has to ask herself: how much more should she sacrifice to protect her family?

It's fair to say that Maddie's life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson's. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting. When her mum returns from her latest trip to Ghana, Maddie leaps at the chance to get out of the family home and finally start living. A self-acknowledged late bloomer, she's ready to experience some important "firsts": She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But it's not long before tragedy strikes, forcing Maddie to face the true nature of her unconventional family, and the perils--and rewards--of putting her heart on the line.

A young woman has agreed with her faithless husband: it's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, she gets word that Christopher has gone missing in a remote region in the rugged south of Greece; she reluctantly agrees to go and search for him, still keeping their split to herself. In her heart, she's not even sure if she wants to find him. Adrift in the wild landscape, she traces the disintegration of their relationship, and discovers she understands less than she thought about the man she used to love.

The world has watched Prince William and Prince Harry since they were born. Raised by Princess Diana to be the closest of brothers, how have the boy princes grown into very different, now distanced men? From royal insider, biographer and historian Robert Lacey, this book reveals the untold details of William and Harry's closeness and estrangement, asking what happens when two sons are raised for vastly different futures ? one burdened with the responsibility of one day becoming king, the other with the knowledge that he will always remain spare. How have William and Harry both agreed and diverged in their views of what a modern royal owes to their country? Were the seeds of damage sowed by Prince Charles and Princess Diana as their marriage unraveled for all the world to see? In the previous generation, how have Prince Charles and Prince Andrew's own relations strained under the Crown? What role has Queen Elizabeth II played in marshalling her feuding heirs? What parts have Kate Middleton and Meghan Markle played in helping their husbands to choose their differing paths? And what is the real, unvarnished story behind Harry and Meghan's dramatic departure? In the most intimate vision yet of life behind closed doors, with its highs, lows and discretions all laid out, this is a journey into royal life as never offered before.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athenas a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athenas death in a freak accident, she acts on impulse: she steals Athenas just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athenas novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athenas shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young black woman out late with a white child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right. But Emira herself is aimless, broke, and wary of Alix's desire to help. At twenty-five, she is about to lose her health insurance and has no idea what to do with her life. When the video of Emira unearths someone from Alix's past, both women find themselves on a crash course that will upend everything they think they know about themselves, and each other. With empathy and piercing social commentary, Such a Fun Age explores the stickiness of transactional relationships, what it means to make someone "family," the complicated reality of being a grown up, and the consequences of doing the right thing for the wrong reason.

Jennette McCurdy was six years old when she had her first acting audition. Her mother's dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called "calorie restriction," eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, "Your eyelashes are invisible, okay? You think Dakota Fanning doesn't tint hers?" She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income. In I'm Glad My Mom Died, Jennette recounts all this in unflinching detail--just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi ("Hi Gale!"), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.

We can't choose what we inherit. But can we choose who we become? In present-day California, Eleanor Bennett's death leaves behind a puzzling inheritance for her two children, Byron and Benny: a black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child challenge everything the siblings thought they knew about their lineage and themselves. Can Byron and Benny reclaim their once-close relationship, piece together Eleanor's true history, and fulfill her final request to "share the black cake when the time is right"? Will their mother's revelations bring them back together or leave them feeling more lost than ever? Charmaine Wilkerson's debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

Christopher and Hannah are a happily married surgeon and nurse with picture-perfect lives. All that's missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own. But Janie is no ordinary child, and her damaged psyche proves to be more than her new parents were expecting. Janie is fiercely devoted to Christopher, but she acts out in increasingly disturbing ways, directing all her rage at Hannah. Unable to bond with Janie, Hannah is drowning under the pressure, and Christopher refuses to see Janie's true nature. Hannah knows that Janie is manipulating Christopher and isolating him from her, despite Hannah's attempts to bring them all together. But as Janie's behavior threatens to tear Christopher and Hannah apart, the truth behind Janie's past may be enough to push them all over the edge.

"When a prominent Manhattan lawyer is murdered, two estranged sisters--one the dead man's widow, the other his ex--must set aside mistrust and old resentments. but can they escape their past? Though Chloe was the younger of the two Taylor sisters, she always seemed to be in charge. She was the honor roll student with big dreams and an even bigger work ethic. Nicky was always restless. and more than a little reckless--the opposite of her ambitious little sister. She floated from job to job and man to man, and stayed close to home in Cleveland. For a while, it seemed like both sisters had found happiness. Chloe earned a scholarship to an Ivy League school and moved to New York City, where she landed a coveted publishing job. Nicky married promising young attorney Adam Macintosh, and gave birth to a baby boy they named Ethan. The Taylor sisters became virtual strangers. Now, more than fifteen years later, their lives are drastically different--and Chloe is married to Adam. When he's murdered by an intruder at the couple's East Hampton beach house, Chloe reluctantly allows her teenaged stepson's biological mother--her estranged sister, Nicky--back into her life. But when the police begin to treat Ethan as a suspect in his father's death, the two sisters are forced to unite. and to confront the truth behind family secrets they have tried to bury in the past"--

It's 1927 and eighteen-year-old Mary Engle is hired to work as a secretary at a remote but scenic institution for mentally disabled women called the Nettleton State Village for Feebleminded Women of Childbearing Age. She's immediately in awe of her employer--brilliant, genteel Dr. Agnes Vogel. Dr. Vogel had been the only woman in her class in medical school. As a young psychiatrist she was an outspoken crusader for women's suffrage. Now, at age forty, Dr. Vogel runs one of the largest and most self-sufficient public asylums for women in the country. Mary deeply admires how dedicated the doctor is to the poor and vulnerable women under her care. Soon after she's hired, Mary learns that a girl from her childhood orphanage is one of the inmates. Mary remembers Lillian as a beautiful free spirit with a sometimes-tempestuous side. Could she be mentally disabled? When Lillian begs Mary to help her escape, alleging the asylum is not what it seems, Mary is faced with a terrible choice. Should she trust her troubled friend with whom she shares a dark childhood secret? Mary's decision triggers a hair-raising sequence of events with life-altering consequences for all.

At twenty-six, Dahlia Lighthouse has a lot to learn when it comes to the real world. Raised in a secluded island mansion deep in the woods and kept isolated by her true crime-obsessed parents, she spent the last several years living on her own, but unable to move beyond her past-especially the disappearance of her twin brother Andy when they were sixteen. With her father's death, Dahlia returns to the house she has avoided for years. But the rest of the Lighthouse family arrives for the memorial, a gruesome discovery is made: buried in the reserved plot is another body-Andy's, his skill split open with an ax. Each member of the family handles the revelation in unusual ways. Her brother Charlie pours his energy into creating a family memorial museum, highlighting their research into the lives of famous murder victims; her sister Tate forges ahead with her popular dioramas portraying crime scenes; and their mother affects a cheerfully domestic facade, becoming unrecognizable as the woman who performed murder reenactments for her children. As Dahlia grapples with her own grief and horror, she realizes that her eccentric family, and the mansion itself, may hold the answers to what happened to her twin.

Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised--the place that Fabienne helped Agnès escape ten years ago. Now, Agnès is free to tell her story. As children in a war-ravaged, backwater town, they'd built a private world, invisible to everyone but themselves--until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.

Relationships are awful. They'll kill you, right up to the point where they start saving your life. Paul and Alice's half-sister Eloise is getting married! In London! There will be fancy hotels, dinners at "it" restaurants and a reception at a country estate complete with tea lights and embroidered cloth napkins. They couldn't hate it more. The People We Hate at the Wedding is the story of a less than perfect family. Donna, the clan's mother, is now a widow living in the Chicago suburbs with a penchant for the occasional joint and more than one glass of wine with her best friend while watching House Hunters International. Alice is in her thirties, single, smart, beautiful, stuck in a dead-end job where she is mired in a rather predictable, though enjoyable, affair with her married boss. Her brother Paul lives in Philadelphia with his older, handsomer, tenured track professor boyfriend who's recently been saying things like "monogamy is an oppressive heteronormative construct," while eyeing undergrads. And then there's Eloise. Perfect, gorgeous, cultured Eloise. The product of Donna's first marriage to a dashing Frenchman, Eloise has spent her school years at the best private boarding schools, her winter holidays in St. John and a post-college life cushioned by a fat, endless trust fund. To top it off, she's infuriatingly kind and decent. As this estranged clan gathers together, and Eloise's walk down the aisle approaches, Grant Ginder brings to vivid, hilarious life the power of family, and the complicated ways we hate the ones we love the most in the most bitingly funny, slyly witty and surprisingly tender novel you'll read this year.

Logan Gray is the stereotypical bad boy of Hollywood--a talented but troubled actor who the public loves to hate. Mattie Cole is an up and coming golden boy, adored by all but plagued by insecurities. When Mattie is cast as the love interest in Logan's newest film, the two are persuaded into a fake dating scheme to bring positive publicity to the project. But as the two actors get to know their new characters, real feelings start to develop. And while both need the movie to be a success for their own reasons, neither thought opposites would really attract. But as the public scrutiny intensifies and old wounds resurface, will they have the courage to chase their own happily ever after?

Jane has fallen in love with Duncan, a man who has slept with most of the women in town. He's so agreeable that he still mows his ex-wife's lawn and allows his co-worker Jimmy free access to his apartment. When Duncan is injured in a serious car crash, Jane has to figure out how to find happiness.

Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid. The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah's white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek's father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy. Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys.

Teenage Ellie has always had romantic ideas about drug addicts, those tragic artistic souls drawn to needles and pills have been an obsession since the death of her junkie mother ten years ago. But when Ellie lands in an upscale rehab clinic where nothing is what it appears to be she'll find another more dangerous romance, and find out how easily drugs and murder go hand-in-hand.

When seventy-year-old Charlotte Perkins submits a sexy essay to the "Become a Jetsetter" contest, she dreams of reuniting her estranged children: Lee, an almost-famous actress; Cord, a handsome Manhattan venture capitalist who can't seem to find a bride; and Regan, a harried mother who took it all wrong when Charlotte bought her a Weight Watchers gift certificate for her birthday. Charlotte yearns for the years when her children were young and she was a single mother who meant everything to them. When she wins the cruise, the family packs all their baggage - literal and figurative - and spends ten days traveling from sun-drenched Athens through glorious Rome to tapas-laden Barcelona on an over-the-top cruise ship, the Splendido Marveloso. As lovers new and old join the adventure, long-buried secrets are revealed, and the Perkins family is forced to confront the defining choices in their lives. Can four lost adults find the peace they've been seeking by reconciling their childhood aches and coming back to each other?

A family reunion in the Catskills brings hilarity and nostalgia when two clans convene for the summer at their beloved getaway. In its heyday, the Golden Hotel was the crown jewel of the hotter-than-hot Catskills vacation scene. For more than sixty years, the Goldman and Weingold families-best friends and business partners-have presided over this glamorous resort, which served as a second home for well-heeled guests and celebrities. But the Catskills are not what they used to be-and neither is the relationship between the Goldmans and the Weingolds. As the facilities and management begin to fall apart, a tempting offer to sell forces the two families together again to make a heart-wrenching decision. Can they save their beloved Golden, or is it too late? Long-buried secrets emerge, new dramas and financial scandal erupt, and everyone from the traditional grandparents to the millennial grandchildren wants a say in the hotel's future. But business and pleasure clash when the hotel owners rediscover the magic of a bygone era of nonstop fun, even as they grapple with what may be their last resort.

A seamstress in Gana, Afi Tekple is smart; she is pretty; and she has been convinced by her mother to marry a man she does not know. Elikem is a wealthy businessman whose mother has chosen Afi in the hopes that she will distract him from his relationship with a woman his family claims is inappropriate. But Afi is not prepared for the shift her life takes when she comes to live in Accra, Ghana's gleaming capital, where she has days of nothing to do but cook meals for a man who may or may not show up to eat them. She has agreed to this marriage in order to give her mother the financial security she desperately needs, and so she must see it through-- or does she?

From the moment Lucy met her husband's mother, she knew she wasn't the wife Diana had envisioned for her perfect son. Exquisitely polite, friendly, and always generous, Diana nonetheless kept Lucy at arm's length despite her desperate attempts to win her over. And as a pillar in the community, an advocate for female refugees, and a woman happily married for decades, no one had a bad word to say about Diana...except Lucy. That was five years ago. Now, Diana is dead, a suicide note found near her body claiming that she longer wanted to live because of the cancer wreaking havoc inside her body. But the autopsy finds no cancer. It does find traces of poison, and evidence of suffocation. Who could possibly want Diana dead? Why was her will changed at the eleventh hour to disinherit both of her children, and their spouses? And what does it mean that Lucy isn't exactly sad she's gone? Fractured relationships and deep family secrets grow more compelling with every page in this twisty, captivating new novel from Sally Hepworth.

"You'll never truly understand love until you've read Donal Ryan: a searing, jubilant story about four generations of women and the fierce devotion that binds them together The Aylward women of Nenagh, County Tipperary, Ireland, are mad about each other, but you wouldn't always think it. You'd have to know them to know that-in spite of what the neighbors might say about raised voices and dramatic scenes-their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It's a story of terrible betrayals and fierce loyalties, of isolation and togetherness, of transgression, forgiveness, desire, and love. Of all the things family can be and all the things it sometimes isn't. The Queen of Dirt Island is an uplifting celebration of fierce, loyal love and the powerful stories that bind generations together"--

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generatio

As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So when Chess suggests a girls trip to Italy, Emily jumps at the chance to reconnect with her best friend. Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce's girlfriend, Mari, and her stepsister, Lara. But he also sets in motion a chain of events that leads to Mari writing one of the greatest horror novels of all time, Lara composing a platinum album--and ends in Pierce's brutal murder. As Emily digs into the villa's complicated history, she begins to think there might be more to the story of that fateful summer in 1974. That perhaps Pierce's murder wasn't just a tale of sex, drugs, and rock & roll gone wrong, but that something more sinister might have occurred--and that there might be clues hidden in the now-iconic works that Mari and Lara left behind. Yet the closer that Emily gets to the truth, the more tension she feels developing between her and Chess. As secrets from the past come to light, equally dangerous betrayals from the present also emerge--and it begins to look like the villa will claim another victim before the summer ends.

Bron and Ray are a queer couple who enjoy their role as the fun weirdo aunties to Ray's niece, six-year-old Nessie. Their playdates are little oases of wildness, joy, and ease in all three of their lives, which ping-pong between familial tensions and deep-seeded personal stumbling blocks. As their emotional intimacy erodes, Ray and Bron isolate from each other and attempt to repair their broken family ties -- Ray with her overworked, resentful single-mother sister and Bron with her religious teenage sister who doesn't fully grasp the complexities of gender identity. Taking a leap of faith, each opens up and learns they have more in common with their siblings than they ever knew.

Payal is a girl on the verge--of living a life she's always dreamt of, becoming a rising star in fashion, and...of marriage?! When her parents insist she marry fellow Londoner and serial dater Ayaan Malhotra in order to save their company, Payal has a choice: stick it to her dysfunctional family but put her hard-earned fashion success on hold...or get engaged to save her family's fortune and rescue her own dream-come-true life