A wise and witty novel about what happens to the witnesses of a shooting. In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .45 from his pocket, and in front of everybody shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood's Italian mobsters, and Sportcoat himself. As the story deepens, it becomes clear that the lives of the characters--caught in the tumultuous swirl of 1960s New York--overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion. Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.

Set in a Native community in Maine, this riveting debut collection explores what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy. In twelve striking, luminescent stories, Talty breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family's unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer's projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs. A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fiction.

A deeply evocative story of a boy born to an impoverished single mother. In this self-styled, modern adaptation of Dickens’s David Copperfield, Demon Copperhead, 11, is the quick-witted son and budding cartoonist of a troubled young mother and a stepfather in southern Appalachia’s Lee County, Virginia. Eventually, his mother’s opioid addiction places Demon in various foster homes, where he is forced to earn his keep through work (even though his guardians are paid) and is always hungry from lack of food. After a guardian steals his money, Demon hitchhikes to Tennessee in search of his paternal grandmother. She is welcoming, but will not raise him, and sends him back to live with the town’s celebrated high school football coach as his new guardian, a widower who lives in a castle-like home with his boyish daughter, Angus. Demon’s teen years settle briefly with fame on the football field and a girlfriend, Dori. But stability is short-lived after a football injury and as he and Dori become addicted to opioids (“We were storybook orphans on drugs”). Kingsolver’s account of the opioid epidemic and its impact on the social fabric of Appalachia is drawn to heartbreaking effect. This is a powerful story, both brilliant in its many social messages regarding foster care, child hunger, and rural struggles, and breathless in its delivery.

An award-winning writer of absorbing, sophisticated fiction delivers a stylish and propulsive novel rooted in early 20th century New York, about wealth and talent, trust and intimacy, truth and perception. In glamorous 1920s New York City, two characters of sophisticated taste come together. One is a legendary Wall Street tycoon; the other, the brilliant daughter of penniless aristocrats. Steeped in affluence and grandeur, their marriage excites gossip and allows a continued ascent -- all at a moment when the country is undergoing a great transformation. This is the story at the center of Harold Vanner's novel Bonds, which everyone in 1938 New York seems to have read. But it isn't the only version. Provocative and repeatedly surprising, Trust puts the story of these characters into conversation with the "the truth"--and in tension with the life and perspective of an outsider immersed in the mystery of a competing account. The result is an overarching novel that becomes more exhilarating and profound with each new layer and revelation, engaging the reader in a treasure hunt for the truth that confronts the reality-warping gravitational pull of money, and how power often manipulates facts.

Erdrich returns to North Dakota’s Turtle Mountain Reservation for this stirring tale of a young Chippewa woman and her uncle’s effort to halt the Termination Act of 1953. Pixie Paranteau takes a leave of absence from her job at the Jewel Bearing Plant to search for her sister, Vera, who was last seen in Minneapolis. Though she fails to find Vera, sparks fly between Pixie and a promising young boxer named Wood Mountain. Pixie then travels with her uncle Thomas, chairman of the Turtle Mountain Advisory Committee, to Washington, D.C., where he testifies at a congressional hearing on a bill abrogating treaties with Indians and abolishing Indian tribes. Also accompanying them are graduate student Millie Cloud and the ghost of Thomas’s boyhood friend Roderick. Erdrich captures the Chippewa community’s durable network of families, friends, and neighbors, alive or dead, including Pixie’s alcoholic father and wise mother, who live in poverty. The heartbreaking conclusion to Vera’s story resonates with the pervasive crisis of missing Native American women, while Thomas, Wood Mountain, and his trainer rally to put together a match to raise funds for Thomas’s efforts to keep their land. Erdrich’s inspired portrait of her own tribe’s resilient heritage masterfully encompasses an array of characters and historical events. Erdrich remains an essential voice.

From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken--with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity--is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, a first-generation Taiwanese American who has a 'zine and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them. But despite his first impressions, Hua and Ken become best friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of his best friend--his memories--Hua turned to writing. Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

The automobile industry has abandoned Vacca Vale, Indiana, leaving the residents behind, too. In a run-down apartment building on the edge of town, commonly known as the Rabbit Hutch, a number of people now reside quietly, looking for ways to live in a dying city. Apartment C2 is lonely and detached. C6 is aging and stuck. C8 harbors an extraordinary fear. But C4 is of particular interest. Here live four teenagers who have recently aged out of the state foster-care system: three boys and one girl, Blandine, who The Rabbit Hutch centers around. Hauntingly beautiful and unnervingly bright, Blandine is plagued by the structures, people, and places that not only failed her but actively harmed her. Now all Blandine wants is an escape, a true bodily escape like the mystics describe in the books she reads. Set across one week and culminating in a shocking act of violence, The Rabbit Hutch chronicles a town on the brink, desperate for rebirth. How far will its residents--especially Blandine--go to achieve it? Does one person's gain always come at another's expense?

One autumn afternoon in Mexico City, seventeen-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking--recklessness, impulse, independence. Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa's surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will "promise, no matter what, to remain a mystery." It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the "Beach of the Dead."

The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every animal is enclosed within its own unique sensory bubble, perceiving but a tiny sliver of an immense world. This book welcomes us into a previously unfathomable dimension--the world as it is truly perceived by other animals. We encounter beetles that are drawn to fires (and fireworks), songbirds that can see the Earth's magnetic fields, and brainless jellyfish that nonetheless have complex eyes. We discover that a crocodile's scaly face is as sensitive as a lover's fingertips, that the eyes of a giant squid evolved to see sparkling whales, and that even fingernail-sized spiders can make out the craters of the moon. We meet people with unusual senses, from women who can make out extra colors to blind individuals who can navigate using reflected echoes like bats. Yong tells the stories of pivotal discoveries in the field, and also looks ahead at the many mysteries which lie unsolved.

Enamored of police reality shows, nine-year-old Jai decides to become a detective himself when a classmate goes missing from his impoverished urban Indian settlement. Hoping to solve the case, he enlists the aid of his two best friends, Faiz and Pari. Their mettle is tested when other children begin disappearing, and the corrupt local police ignore the situation. Faiz, a Muslim, is convinced that an evil djinn is responsible, while Pari pooh-poohs that notion and Jai equivocates. But if not a djinn, then who or what? Clearly something evil is at work as more and more children disappear; finally, even Jai’s older sister becomes a victim. Jai bitterly decides he’s not a detective after all, and even the solution of the mystery fails to bring him closure. The author has done an excellent job of telling her sometimes sad story in Jai’s credible nine-year-old voice, and her treatment of her setting, with its ingrained social inequities, is a model of verisimilitude. Best, however, is her characterization, especially that of Jai, who comes to life on the page to live on in readers’ memories.

Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants' displacement, as well as her own constraints in helping them.

Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house-a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known. For readers of Neil Gaiman's The Ocean at the End of the Lane and fans of Madeline Miller's Circe, Piranesi introduces an astonishing new world, an infinite labyrinth, full of startling images and surreal beauty, haunted by the tides and the clouds.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare's colleagues and closest friends is found dead, with a line from R. M. Holland's most famous story, "The Stranger," left by her body, Clare is horrified to see her life collide with the storylines of her favorite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo Clare. You don't know me." Clare becomes more certain than ever that "The Stranger" has come to terrifying life.

Thirty years ago, a teenage Vincent King was sent to prison. But now, he's served his sentence and is returning to his hometown. The hometown where his childhood best friend, Walk, is now the chief of police. The town where his childhood sweetheart, Star Radley, still lives. The same Star Radley whose sister he killed. Duchess, Star's daughter, is a self-proclaimed outlaw. She needs to be. Who else is going to take care of her and her five-year-old brother? Star is still dazzling, still beautiful, but she hasn't shined as bright since Vincent was sent away. Too often it's Duchess and Walk who are the ones taking care of her. But when Duchess exacts her own vigilante revenge, she will set into motion a series of events that threatens not only her own family, but everyone she grows close to. A crime thriller that will break your heart and a literary novel with a mystery at its core, We Begin at the End unforgettably examines how the choices we make can nudge us into the dangerous ground between good and evil.

This inventive, multigenerational epic is both rollicking entertainment and scathing commentary. Willis Wu is an (Asian) actor, which means he’s easily disposable, utterly indistinguishable. Never mind that he’s American-by-birth, he’s still expected to be fluent in accented English and “do the face of Great Shame on command.” He’s currently on set at Black and White (which stars a “black dude cop” and “white lady cop”), relegated to playing variations of the generic Asian man. Meanwhile, his parents’ careers as mostly old Asian woman and old Asian man remain stuck in a loop of stifling casting. The struggles continue as Willis falls in love, marries, and becomes a father, all the while holding on to that someday dream of finally becoming the Kung Fu guy. Resembling a script, complete with a classic typewriter font, Yu's tale ingeniously draws on real-life Hollywood dead ends for Asian American actors, including, quite possibly, Kelvin Yu, the author's younger brother. As preposterous as many scenes may seem, their sobering reality will resonate with savvy readers.

This first cultural history of Method acting is an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his "system" remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. Long after its midcentury heyday, the Method lives on as one of the most influential-and misunderstood-ideas in American culture. Studded with marquee names--from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman--The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film.

During a time of political instability in the highest echelons of the imperial court, Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident--or that Mahit might be next to die. Now Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion--all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret--one that might spell the end of her Station and her way of life--or rescue it from annihilation.

"A brilliantly inventive new novel about loss, growing up, and our relationship with things. After the tragic death his beloved musician father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house--a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world, where "things happen." He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many. And he meets his very own Book--a talking thing--who narrates Benny's life and teaches him to listen to the things that truly matter. With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki--bold, wise, poignant, playful, humane, and heartbreaking.

This triumphant debut collection follows a series of Southern black women as they struggle for self-determination. In “Eula,” 40-year-old Caroletta meets her childhood friend and fellow church member Eula in a motel room to celebrate New Year’s Eve. Both single ladies have yet to find what they need from men, and one still considers herself a virgin despite the two of them having had trysts for decades. That night, they preserve a semblance of respectability (“You outdid yourself,” Eula tells Caroletta, about a potato salad she’d made), while licking sparkling wine from one another. In “Peach Cobbler,” Olivia recounts her mother’s affair with a pastor who would come to the house when Olivia was five and whom she equated with God (“God was an old fat man, like a Black Santa, and I imagined my mother’s peach cobbler contributing to his girth”). While Philyaw occasionally gets ahead of herself, as in “Jael,” about a teenage girl who takes revenge on a 35-year-old sexual predator (the slim story loses power from its multiple point-of-view shifts), for the most part she soars, notably in “How to Make Love to a Physicist,” about a woman’s liberation from generations of body hatred. Philyaw’s stories inform and build on one another, turning her characters’ private struggles into a beautiful chorus.

Ansel Packer is scheduled to die in twelve hours. He knows what he's done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn't want to die -- he wants to be celebrated, understood. Through a kaleidoscope of women -- a mother, a sister, a homicide detective -- we learn the story of Ansel's life. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake.

This isn't a fairytale where the princess marries a prince. It's one where she kills him. From Hugo, Nebula, and Locus award-winning author T. Kingfisher comes an original and subversive new fantasy adventure. After years of seeing her sisters suffer at the hands of an abusive prince, Marra-the shy, convent-raised, third-born daughter--has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince--if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last. "Nettle & Bone is the kind of book that immediately feels like an old friend. Fairytale mythic resonance meets homey pragmatism in this utterly delightful, creepy, funny, and heartfelt story.

The son of Chinese immigrants and orphaned young, Ming Tsu is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed him, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming fights his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale. Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man's quest for redemption in the face of a distinctly American brutality.

Two adolescent girls, Agnes and Fabienne, share an unusual friendship in a rural French village in the years following World War II. Spurred on by family trauma and Fabienne's dark imagination, the girls, with the assistance of a widowed postmaster, write a book of morbid tales. For reasons she doesn't explain, Fabienne wants Agnes to be the "face" of the book , which they manage to publish. Agnes briefly becomes a sensation, is declared a prodigy, and is whisked away to a British boarding school led by Mrs. Townsend, who has motives of her own. Thematically, Li's novel shares similarities with Elena Ferrante's "Neapolitan Novels," depicting an intense friendship between intelligent, impoverished girls and what happens when one has opportunities to broaden her scope. However, this latest from MacArthur fellow Li (Must I Go) is more tightly focused, and the nature of the relationship between the two girls differs in some striking ways from Ferrante's work. Li's understated prose belies the intensity of the emotions being depicted, and the story takes many unpredictable turns.

In the wake of a tragic death and a kidnapping, a dysfunctional family at the center of Georgia high society discovers painful truths in the shadows just beyond Savannah’s historic gas lamps and gazebos. When ruthless land developer Archibald Guzman is arrested for the arson death of a local drunk, he attempts to buy the support of the Musgrove family, a crumbling yet still influential cornerstone of the Savannah elite. Morgana, the headstrong matriarch and, now that her husband is dead, proprietor of the investigation agency that is one of the family's businesses, accepts the controversial case in return for the promise of a windfall she hopes will slow their eroding finances. She knows the accompanying scandal will further strain her already embattled family, and soon they are all working at cross purposes. Ransom, her rebellious vagabond-by-choice son, sees Guzman as an enemy of the homeless, and Jaq, her aspiring filmmaker granddaughter, wants social justice for her immolated friend. The rest of the family is pulled along reluctantly, steeling themselves for the impending social fallout. Anonymous threats evolve into acts of actual violence as the amateur sleuths get closer to uncovering ugly truths about Savannah’s racially charged present and past, some far too close to home. The family must decide whether to band together against their desperate adversaries or agree to dangerous compromises that could tear them apart. In his first novel in more than a decade, Edgar Award winner Green delivers a gripping and expertly researched Southern literary thriller that is anything but cozy. Most powerful is the novel’s exploration of contemporary social issues like homelessness, privilege, and familial legacies built from slavery. Through masterful storytelling, Green turns the quaint and eclectic tourist town of Savannah into a character as conflicted and complex as the rest of the novel’s ensemble.Green’s novels may not come around often, but when they do, they hit hard and stay with you long after the end.

Jones expertly mixes the frightening and the funny in this no-holds-barred homage to classic horror tropes written under the heady influence of splatter films. Its outsider heroine is Jade Daniels, an affectionately cheeky 17-year-old high schooler of Blackfoot descent, who finds escape from her dead-end life in rural Proofrock, Idaho, by gorging on a steady diet of slasher flicks. When a spate of bizarre deaths targeting the wealthy residents of Proofrock’s newly developed Terra Nova community rocks the town, Jade recognizes all of the elements of her favorite films’ formulae at play. Certain that the deaths presage a bloody slaughter, she tries—with little credulity from authorities—to warn the town of what is coming. Jones weaves an astonishing amount of slasher film lore into his novel, punctuating the text with short term papers written by Jade on the history and functions of the genre. Meanwhile, the tension builds to a graphic finale perfectly appropriate for the novel’s cinematic scope. Horror fans won’t need to have seen all of the films referenced to be blown away by this audacious extravaganza.

The swimmers are unknown to one another except through their private routines (slow lane, medium lane, fast lane) and the solace each takes in their morning or afternoon laps. But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief. One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese American incarceration camp in which she spent the war. Otsuka's spare, dreamlike writing offers readers a deeply touching exploration of the impact on Alice's Japanese American family (particularly her daughter) of caring for a loved one with dementia.

n Kim’s stand-out, twisty debut, Young and Pak Yoo live in Miracle Creek , a small town in Virginia, with their daughter, Mary. After immigrating to Virginia from Seoul, they start the business that operates in the barn behind their home: hyperbaric oxygen therapy (HBOT) sessions in a chamber designed like a submarine. But then the fatal explosion that kicks off this winning novel happens, leaving two people dead, Pak in a wheelchair, and Mary permanently scarred. One year later, the Yoos must testify in court against Elizabeth Ward, who’s been accused of orchestrating the incident to kill her son, Henry, a child who’d been undergoing HBOT to treat his autism, and who died in the explosion. As the trial progresses, each person who’d been present that night must reckon with what really happened. There’s a rich cast, among them Matt, a doctor who’d been using HBOT for his infertility and who’d had a not-completely innocent relationship with Mary, and Young, whose desperation to be a good wife and mother leaves her wanting as both. Kim, a former lawyer, clearly knows her stuff, and though the level of procedural detail is sometimes unwieldy, nonetheless what emerges is a masterfully plotted novel about the joys and pains of motherhood, the trick mirror nature of truth, and the unforgiving nature of justice.

A short, piercing, deeply moving novel about the death of Shakespeare's 11-year-old son Hamnet--a name interchangeable with Hamlet in 15th century Britain--and the years leading up to the production of his great play. England, 1580. A young Latin tutor--penniless, bullied by a violent father--falls in love with an extraordinary, eccentric young woman--a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer. Agnes understands plants and potions better than she does people, but once she settles with her husband on Henley Street in Stratford she becomes a fiercely protective mother and a steadfast, centrifugal force in the life of her young husband, whose gifts as a writer are just beginning to awaken when his beloved young son succumbs to bubonic plague. A luminous portrait of a marriage, a shattering evocation of a family ravaged by grief and loss, and a hypnotic recreation of the story that inspired one of the greatest masterpieces of all time, Hamnet is mesmerizing, seductive, impossible to put down--a magnificent departure from one of our most gifted novelists.

When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations ... Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny.

Eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. These are rich themes, and the author explores them with the logic of dreams. Haunting and artful.

An urgent project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. With sharp insight, humor, and heart, Abdurraqib examines how black performance happens in specific moments in time and space--midcentury Paris, the moon, or a cramped living room in Columbus, Ohio. At the outset of this project, Abdurraqib became fascinated with clips of black minstrel entertainers like William Henry Lane, better known as Master Juba. Knowing there was something more complicated and deep-seated in the history and legacy of minstrelsy, Abdurraqib uncovered questions and tensions that help to reveal how black performance pervades all areas of American society. Abdurraqib's prose is entrancing and fluid as he leads us along the links in his remarkable trains of thought. A Little Devil in America considers, critiques, and praises performance in music, sports, writing, comedy, grief, games, and love.

After a messy public breakup leaves her face splashed across the tabloids, soap opera darling Jasmine Lin Rodriguez returns to New York City to film the starring role in a bilingual romantic comedy for the number one streaming service in the country. A casting shake-up pairs her with telenovela hunk Ashton Suárez, who is worried about his career after his last telenovela character was killed off. A disastrous first impression smothers the embers of whatever sexual heat they might have had, so Jasmine and Ashton agree to rehearse in private. Rehearsal leads to kissing, kissing leads to a behind-the-scenes romance worthy of a soap opera. Will the media spotlight on Jasmine destroy her new image and expose Ashton's most closely guarded secret?