One blustery night in 1928, a whale washes up on the shores of the English Channel. By law, all whales belong to the King, but twelve-year-old Cristabel Seagrave has other plans. She and the rest of the household and their guests--her sister, Flossie (known affectionately as "The Veg"); her brother Digby, the long-awaited heir to Chilcombe manor; Maudie Kitkat, maidservant; Taras, a hot-tempered visiting artist--build a theatre within the whale's skeleton. Cristabel is an orphan, mostly ignored by her feckless step-parents and brisk governesses. But within the Whalebone Theatre, she is fully at home and in charge, and her imagination comes to life. As Cristabel grows into a headstrong young woman, chafing against expectations, World War II rears its head. She and Digby become British secret agents working undercover in Nazi-Occupied France on separate missions--a more dangerous kind of play-acting, it turns out, and one that threatens to tear the family apart.

Darley, the eldest daughter in the Stockton family, has never worried about money. The product of generational wealth and capitalist success, Darley renounced her inheritance when she married Malcolm, a first generation Korean American with a lucrative job in banking. Sasha, Darley's new sister-in-law, has come from more humble origins, and her hesitancy about signing a pre-nup has everyone worried about her intentions. Georgiana, newly graduated from Brown and proud to think of herself as a "do-gooder," has enough money from her trust that she's able to work for a pittance at a not-for-profit, where she has started a secret love affair with a senior colleague. But when a scandal derails Malcolm's career, leaving Darley financially in the lurch, when Sasha glimpses the less-than-attractive attributes beneath the Stockton brood's carefully-guarded façade, and when Georgiana discovers her boyfriend is married and still in love with his wife, they must all come to terms with what money can't buy--the bonds of love that can make and unmake a family.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

When Ann Tran gets the call that her fiercely beloved grandmother Minh has passed away, her life is already at a crossroads. In the years since she's last seen Minh, Ann has built a seemingly perfect life ... but it all crumbles with one positive pregnancy test. With both her relationship and her carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Hương. Back in Florida, Hương is simultaneously mourning her mother and resenting her for having the relationship with Ann that she never did. Then Ann and Hương learn that Minh has left both of them the Banyan House, a deteriorating old manor that was Ann's childhood home ... Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past and their uncertain future, while trying to rebuild their relationship without the one person who's always held them together. Running parallel to this is Minh's story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life for her children. And when Ann makes a shocking discovery in the Banyan House's attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life--and beyond.

In the near future, a civil servant is offered the salary of her dreams to work on a top secret project. A recently established government ministry is gathering 'expats' from across history to establish whether time-travel is feasible--for the human body, but also for the fabric of space-time. She is tasked with working as a 'bridge': living with, assisting, and monitoring the expat known as '1847' or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin's doomed 1845 expedition to the Arctic, so he's a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as 'washing machines,' 'Spotify,' and 'the collapse of the British Empire.' But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts. Over the next year, what begins as an excruciatingly uncomfortable housemate dynamic evolves into something much deeper. By the time the true shape of the Ministry's project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with whether what she does next can change the future.

When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos. Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of suspicion and secrets, turning her against colleagues, students, and even fellow Sisters along the way. And to piece together the clues of this high-stakes mystery, she must at last reckon with the sins of her own past.

It is the eve of Earth's environmental collapse. A single ship carries humanity's last hope: eighty elite graduates of a competitive program who will give birth to a generation of children in deep space. But halfway to a distant but livable planet, a lethal bomb kills three of the crew and knocks The Phoenix off course. Asuka, the only surviving witness, is an immediate suspect. Asuka already felt like an impostor before the explosion. She was the last picked for the mission, she struggled during training back on Earth, and she was chosen to represent Japan, a country she only partly knows as a half-Japanese girl raised in America. But estranged from her mother back home, The Phoenix is all she has left. With the crew turning on each other, Asuka is determined to find the culprit before they all lose faith in the mission--or worse, the bomber strikes again.

When Miami residents are ordered to evacuate before a hurricane, everyone in Luciana's family complies, except for her beloved yet batty grandmother, Abue. But it turns out the storm isn't the real crisis: Abue, normally glamorous and full of energy, is given a devastating medical diagnosis once danger passes. Luciana, and the rest of the family, are heartbroken, but Abue is about as interested in getting treatment as she was in evacuating. She'd rather charm the hospital staff, and then turn around and torture her family by threatening suicide if they let any more relatives come see her. Soon, Abue moves into Luciana's bedroom to recuperate, and though their approaches to life couldn't be more different, their complicated bond intensifies. Luciana would rather be roller skating, getting high, or sneaking out to Ladies Night to meet girls, but her grandmother's wild stories and unpredictable antics are a welcome distraction from her mother's conservative beliefs and obsession with appearances, or her sister Mari pulling away from the family in favor of a wealthier, whiter collegiate social circle. Forced to step into the role of caretaker, translator, and keeper of the generational secrets Abue starts to share, Luciana finds herself reluctantly facing down adulthood and rising to the occasion in her own unique way.

Saba is just a child when he flees the fighting in the former Soviet Republic of Georgia with his older brother, Sandro, and father, Irakli, for asylum in England. Two decades later, all three men are struggling to make peace with the past, haunted by the places and people they left behind. When Irakli decides to return to Georgia, pulled back by memories of a lost wife and a decaying but still beautiful homeland, Saba and Sandro wait eagerly for news. But within weeks of his arrival, Irakli disappears, and the final message they receive from him causes a mystery to unfold before them: 'I left a trail I can't erase. Do not follow it.' In a journey that will lead him to the very heart of a conflict that has marred generations and fractured his own family, Saba must retrace his father's footsteps to discover what remains of their homeland and its people.

High-powered businesswoman Lana Rubicon has a lot to be proud of: her keen intelligence, impeccable taste, and the LA real estate empire she's built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy coastal town with her adult daughter Beth, and teenage granddaughter, Jack, Lana is stuck counting otters instead of square footage--and hoping that boredom won't kill her before the cancer does. Then Jack--tiny in stature but fiercely independent--stumbles upon a dead body while kayaking near their bungalow. Jack quickly becomes a suspect in the homicide investigation, and the Rubicon women are thrown into chaos. Beth thinks Lana should focus on recovery, but Lana has a better idea. She'll pull on her wig, find the true murderer, protect her family, and prove she still has power. With Jack and Beth's help, Lana uncovers a web of lies, family vendettas, and land disputes lurking beneath the surface of a community populated by folksy conservationists and wealthy ranchers. But as their amateur snooping advances into ever-more dangerous territory, the headstrong Rubicon women must do the one thing they've never tried: trust one another.

A hilarious and insightful collection of essays exploring imposter syndrome, from the inside and out, by the most successful fraud in comedy. Aparna Nancherla is a superstar comedian on the rise-a darling of Netflix and Comedy Central's comedy special lineups, a headliner at comedy shows and music festivals, a frequenter of late night television and the subject of numerous profiles, all while co-hosting a regularly sold-out comedy show. She's also a successful actor who has written a barrage of thoughtful essays published by the likes of the New York Times. If you ask her, though, she's a total fraud. She'd hate to admit it, but no one does imposter syndrome quite like Aparna Nancherla.

Set in Syracuse, Sicily, during the Peloponnesian War but told in contemporary Irish dialect, Glorious Exploits follows Lampo and Gelon, best friends since childhood. Thrilled to have survived the Athenians' recent invasion and as shocked by the Syracusan victory as everyone else, these unemployed potters are in a mood to celebrate. Of course, they hate the Athenians. Still, that doesn't mean you can't love the theatre of their great playwright Euripides, does it? Realizing that if the Athenians are as doomed as everyone says, this might be their last chance to hear Euripides's poetry, they go down to the quarry where the Athenian prisoners are being held and offer extra rations to any prisoner who can recite his work, a decision that sets into motion an extraordinary series of events. A novel that asks big questions about war and its aftermath, Glorious Exploits is a story as hopeful and playful as it is tragic.

Kiara Johnson and her brother Marcus are barely scraping by in a squalid East Oakland apartment complex that calls itself, optimistically, the Royal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent--which has now more than doubled--and to keep the 9-year-old boy next door, abandoned by his mother, safe and fed. What begins as a drunken misunderstanding with a stranger one night soon becomes the job Kiara never wanted but now desperately needs: nightcrawling. And her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland police department.

At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne's legendary LA launch party for Tom Wolfe's The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan's Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin's twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne's career as a crime reporter for Vanity Fair and a victims' rights activist. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters--its author most of all.

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she's lost lately: her wildness, her independence, and--most heartbreaking of all--her sister, Julie, who died a few years ago. When she returns home to the Dallas suburbs, Kit tries to settle into her routine--long afternoons spent caring for her irrepressible daughter, going on therapist-advised dates with her concerned husband, and reluctantly taking her mother's phone calls. But in the secret recesses of Kit's mind, she's reminiscing about the band she used to be in--and how they'd go out to the desert after shows and drop acid. She's imagining an impossible threesome with her kid's pretty gymnastics teacher and the cool playground mom. Keyed into everything that might distract from her surfacing pain, Kit spirals. As her already thin boundaries between reality and fantasy blur, she begins to wonder: Is Julie really gone?

Summer, 1999. Felicia "Fe Fe" Stevens lives with her mother and older teenaged brother in building 4950 of Chicago's Robert Taylor Homes. The high-rise is next in line to be torn down by the Chicago Housing Authority, and the neighborhood is beginning to fall down around them. Fe Fe is friends with Precious and Stacia, but when Fe Fe welcomes Tonya into their fold, the dynamics shift. Their friendships fray, as do the structures of the four girls' families. Fe Fe must make the painful decision of whom she can trust and whom she must let go. Decades later, remembering that fateful summer, Fe Fe tries to make sense of the grief and fraught bonds that still haunt her and attempts to reclaim the love that never left.

Set in a Native community in Maine, Night of the Living Rez is a debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy. In twelve ... stories, author Morgan Talty ... breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family's unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer's projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs.

Philadelphia, 1837. When nineteen-year-old Charlotte escaped from the deteriorating White Oaks plantation four years ago, she'd expected freedom to look completely different from her former life as an enslaved housemaid. Instead, she's locked away playing servant to her white-passing father, hiding their past and identities to protect themselves from slavecatchers who would destroy their new lives. Charlotte longs to break away, but outside the walls of their townhouse, the City of Brotherly Love is up in arms. Pennsylvania is a free state, yet abolitionists are struggling to establish a permanent home for the anti-slavery movement, as southern sympathizers incite violence against free Black people and white vigilantes stalk the streets. Undeterred, Charlotte sneaks out and forges an unlikely friendship with Nell, a member of one of Philadelphia's wealthiest Black families. Nell is under so much pressure from her parents to settle down and marry Alex, a close family friend, that the two pretend to get engaged, just to take the heat off. Meanwhile Nell and Charlotte grow close over their mutual commitment to abolition, so when Evie, Charlotte's enslaved friend from White Oaks, shows up in the city, they conspire to help her flee North. Charlotte and her father's freedom is threatened as she and Nell navigate the abolitionist world's racial and class politics and ever-present dangers, struggling to forge a plan to free Evie from slavery before it's too late. Inspired by the untold history of Pennsylvania Hall, one of Philadelphia's landmarks lost to violence, All We Were Promised is the story of three young Black women--the rebel, the socialite, and the fugitive--fighting for each other in an American city straining to live up to its loftiest ideals.

Ji-won's life tumbles into disarray in the wake of her appa's extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshmen grades, failing. Her dreams, horrifying... yet enticing. In them, Ji-won walks through bloody rooms full of eyes ... Eyes the same shape and shade as George's, who is Umma's obnoxious new boyfriend. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescendingly toward Ji-won and her sister, as if he deserves all of Umma's fawning adoration. George doesn't deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won's hunger and her rage deserve to be sated.

Valdin is still in love with his ex-boyfriend Xabi, who used to drive around Auckland in a ute but now drives around Buenos Aires in one. Greta is in love with her fellow English tutor Holly, who doesn't know how to pronounce Greta's surname, Vladislavljevic, properly. From their Auckland apartment, brother and sister must navigate the intricate paths of modern romance as well as weather the small storms of their eccentric Māori-Russian-Catalonian family.

Isaiah was Samuel's and Samuel was Isaiah's. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. When an older fellow slave seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony.

Growing up in the 1960s in the suburbs of Chicago, Meg Kissinger's family seemed to live a charmed life. With eight kids and two loving parents, the Kissingers radiated a warm, boisterous energy. Whether they were spending summer days on the shores of Lake Michigan, barreling down the ski slopes, or navigating the trials of their Catholic school, the Kissingers always knew how to live large and play hard. But behind closed doors, a harsher reality was unfolding--a heavily-medicated mother hospitalized for anxiety and depression, a manic father prone to violence, and children in the throes of bipolar disorder and depression, two of whom would take their own lives. Through it all, the Kissingers faced the world with their signature dark humor and the unspoken family rule: never talk about it. While You Were Out begins as the personal story of one family's struggles then opens outward, as Kissinger details how childhood tragedy catalyzed a journalism career focused on exposing our country's flawed mental health care. Combining the intimacy of memoir with the rigor of investigative reporting, this book explores the consequences of shame, the havoc of botched public policy, and the hope offered by new treatment strategies. This is a story of one family's love and devotion in the face of relentless struggle.

The master of the Providence plantation in Barbados gathers his slaves and announces the king has decreed an end to slavery. As of the following day, the Emancipation Act of 1834 will come into effect. The cries of joy fall silent when he announces that they are no longer his slaves; they are now his apprentices. No one can leave. They must work for him for another six years. Freedom is just another name for the life they have always lived. So Rachel runs. Away from Providence, she begins a desperate search to find her children--the five who survived birth and were sold. Are any of them still alive? Rachel has to know. The grueling, dangerous journey takes her from Barbados then, by river, deep into the forest of British Guiana and finally across the sea to Trinidad. She is driven on by the certainty that a mother cannot be truly free without knowing what has become of her children, even if the answer is more than she can bear. These are the stories of Mary Grace, Micah, Thomas Augustus, Cherry Jane and Mercy. But above all this is the story of Rachel and the extraordinary lengths to which a mother will go to find her children... and her freedom.

Ember Lee Cardinal has not always been a liar, not for anything that counted. But when her résumé is rejected thirty-seven times, she takes matters into her own hands. She gets creative listing her work experience and answers the ethnicity question on all job applications with a lie. No one wanted Native American Ember, but Caucasian Ember landed her dream accounting job on Park Avenue (Oklahoma). Accountant Ember thrives in corporate life--and her love life seems to be looking up, too: She starts to secretly date the IT guy and fellow Native, Danuwoa. But when they're caught in a compromising position on a work trip, a scheming mid-level executive threatens to expose them unless Ember manipulates the company's accounting books for him. Unwilling to allow Danuwoa to get fired and lose the financial support he needs for his sister, Ember agrees. As the blackmail continues to grow, so do Ember's lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.

At a Halloween party in 1999, a writer slept with the devil. She sees him again and again throughout her life and she writes stories for him about things that are both impossible and true. Lima lures readers into surreal pockets of the United States and Brazil where they'll find bite-size Americans in vending machines and the ghosts of people who are not dead. Once there, she speaks to modern Brazilian-American immigrant experiences--of ambition, fear, longing, and belonging--and reveals the porousness of storytelling and of the places we call home.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he's now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn't even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house. Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it. When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell's astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

Meet Yinka: a 30-something, Oxford educated, British Nigerian woman with a well-paid job, good friends, and a mother whose constant refrain is "Yinka, where is your huzband?" Yinka's Nigerian aunties frequently pray for her delivery from singledom, her girlfriends think she's too traditional (she's saving herself for marriage!), her sister thinks she needs to get over her ex already, and the men in her life... well, that's a whole other story. But Yinka herself has always believed that true love will find her when the time is right. Still, when her cousin gets engaged, Yinka commences Operation Find A Date for Rachel's Wedding. Aided by a spreadsheet and her best friend, Yinka is determined to succeed. Will Yinka find herself a husband? And what if the thing she really needs to find is herself?

While on a drive in Los Angeles, on a seemingly average afternoon, Kerry Washington received a text message that would send her on a life-changing journey of self-discovery. In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question. In Thicker than Water, Washington gives readers an intimate view into both her public and private worlds--as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career, and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it, a deeper sense of belonging.

When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and each other. Both aspire to capture the world around them: Leah through her writing, Bernie through her photography. After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs. What ensues is a journey into the heart of the nation, bringing the housemates into conversation with people from all walks of life ... as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to chase their own ideas and dreams, and to embrace what they are capable of both romantically and artistically.

In an alternate 2009, the United States has been a second-rate power for a quarter of a century, ever since Argentina's victory in the Falkland's War thanks to their development of "psychopigments." Created as weapons, these colorful chemicals can produce almost any human emotion upon contact, and they have been embraced in the US as both pharmaceutical cure-alls and popular recreational drugs. Black market traders illegally sell everything from Blackberry Purple (which causes terror) to Sunshine Yellow (which delivers happiness). Psychopigment Enforcement Agent Kay Curtida works a beat in Daly City, just outside the ruins of San Francisco, chasing down smalltime crooks. But when an old friend shows up with a tantalizing lead on a career-making case, Curtida's humdrum existence suddenly gets a boost. Little does she know that this case will send her down a tangled path of conspiracy and lead to an overdue reckoning with her family and with the truth of her own emotions.

Babur “Bobby” Singh, single parent and owner of fledging Uber business “Move with Bobby,” remains ever hopeful about ascending the ladder of American success. He lives in an affluent suburb of New York with his daughter Angie, an introverted teenager who is uncomfortable in her own skin unless she’s swimming. During summer break, Angie is walking home after training at the high school pool when she finds Henry McCleary, a classmate from a wealthy, prominent family, stabbed and bleeding on the football field. The police immediately focus their investigation on Chiara Thompkins, a runaway Black girl who disappears after the stabbing and-it’s later discovered-wasn’t properly enrolled in the public high school. The incident sends shock waves through the community and reveals jarring truths about the lengths to which families will go to protect themselves. As the town fractures, Angie must navigate conflicting narratives and wrestle with her own moral culpability. Meanwhile, Babur’s painstaking efforts to shield Angie and protect his hard-earned efforts to assimilate overshadow his ability to see right from wrong.

When Bonnie and Mansour meet in New York in 1968--his piercing gaze in a downtown jazz club threatening to carry her away--their connection is undeniable. Both from fractured homes, with childhoods spent crossing the Atlantic, they quickly find peace with each other. And as Mansour's soaring Senegalese melodies continue to break new ground, keeping time with the sound of revolution and taking him and Bonnie from Paris to Rio and Switzerland, it seems as though happiness might finally be around the corner for them both. Then Mansour goes missing. His Spanish tour was only meant to last three weeks, but three months later, he and his band have not returned. In his absence, Bonnie reckons with her memories of him, and comes to understand that the hopes of so many women--her mother and grandmother; his mother, aunt, childhood friend--rest on her perseverance. Stirred by the life growing inside her, Bonnie puts a plan in action to find him.

It's 2017, and Olga and her brother, Pedro "Prieto" Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan's power brokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets. Olga and Prieto's mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Xochitl Gonzalez's Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream--all while asking what it really means to weather a storm.