Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories — literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma’s characters unspool their secrets. Among them: Bienvenida, the abandoned wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States. The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.

It was supposed to be the highlight of her career, the pinnacle for which she’d worked all her life. And as Hattie McDaniel took the stage in 1940 to claim an honor that would make her the first African-American woman to win an Academy Award, she tearfully took her place in history. Between personal triumphs and tragedies, heartbreaking losses, and severe setbacks, this historic night of winning best supporting actress for her role as the sassy Mammy in the controversial movie Gone With the Wind was going to be life-changing.

Or so she thought.

Months after winning the award, not only did the Oscar curse set in where Hattie couldn’t find work, but she found herself thrust in the middle of two worlds—Black and White—and not being welcomed in either. Whites only saw her as Mammy and Blacks detested the demeaning portrayal.

As the NAACP waged an all-out war against Hattie and actors like her, the emotionally conflicted actor found herself struggling daily. Through it all, Hattie continued her fight to pave a path for other Negro actors, while focusing on war efforts, fighting housing discrimination, and navigating four failed marriages. Luckily, she had a core group of friends to help her out—from Clark Gable to Louise Beavers to Ruby Berkley Goodwin and Dorothy Dandridge.

When Tara Connelly is released from prison after serving eighteen months on a drug charge, she knows rebuilding her life at thirty years old won’t be easy. With no money and no prospects, she returns home to live with her siblings, who are both busy with their own problems. Her brother, a single dad, struggles with the ongoing effects of a brain injury he sustained years ago, and her sister’s fragile facade of calm and order is cracking under the burden of big secrets. Life becomes even more complicated when the cop who put her in prison keeps showing up unannounced, leaving Tara to wonder what he wants from her now.

While she works to build a new career and hold her family together, Tara finds a chance at love in a most unlikely place. But when the Connellys’ secrets start to unravel and threaten her future, they all must face their worst fears and come clean, or risk losing each other forever.

If you could open a door to anywhere, where would you go?

In New York City, bookseller Cassie Andrews is living an unassuming life when she is given a gift by a favourite customer. It’s a book – an unusual book, full of strange writing and mysterious drawings. And at the very front there is a handwritten message to Cassie, telling her that this is the Book of Doors, and that any door is every door .

What Cassie is about to discover is that the Book of Doors is a special book that bestows an extraordinary powers on whoever possesses it, and soon she and her best friend Izzy are exploring all that the Book of Doors can do, swept away from their quiet lives by the possibilities of travelling to anywhere they want.

But the Book of Doors is not the only magical book in the world. There are other books that can do wondrous and dreadful things when wielded by dangerous and ruthless individuals – individuals who crave what Cassie now possesses.

Suddenly Cassie and Izzy are confronted by violence and danger, and the only person who can help them is, it seems, Drummond Fox. He is a man fleeing his own demons – a man with his own secret library of magical books that he has hidden away in the shadows for safekeeping. Because there is a nameless evil out there that is hunting them all . . .

Because some doors should never be opened.

A woman with no past. A man who seems to know her. And a monstrous garden that could be the border between their worlds…Italy, 1948 Julia Lombardi is a mystery even to herself. The beautiful model can’t remember where she’s from, where she’s been or how she came to live in Rome. When she receives an offer to accompany celebrated eccentric artist Salvador Dalí to the Sacro Bosco—Italy’s Garden of Monsters—as his muse, she’s strangely compelled to accept. It could be a chance to unlock the truth about her past… Shrouded in shadow, the garden full of giant statues that sometimes seem alive is far from welcoming. Still, from the moment of their arrival at the palazzo, Julia is inexplicably drawn to their darkly enigmatic host, Ignazio. He’s alluring yet terrifying—and he seems to know her. Posing for Dalí as the goddess Persephone, Julia finds the work to be perplexing, particularly as Dalí descends deeper into his fanaticism. To him, she is Persephone, and he insists she must eat pomegranate seeds to rejoin her king. Between Dalí’s fevered persistence, Ignazio’s uncanny familiarity and the agonizing whispered warnings that echo through the garden, Julia is soon on the verge of unraveling. And she begins to wonder if she’s truly the mythical queen of the Underworld.

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting.So when her mum returns from her latest trip, Maddie seizes the chance to move out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts”: She finds a flat share, says yes to after-work drinks, pushes for more recognition in her career, and throws herself into the bewildering world of internet dating. But when tragedy strikes, Maddie is forced to face the true nature of her unconventional family, and the perils–and rewards–of putting her heart on the line.