Set in a not-too-distant America, I Cheerfully Refuse is the tale of Rainy, an aspiring musician setting sail on Lake Superior in search of his departed, deeply beloved, bookselling wife. An endearing bear of an Orphean narrator, he seeks refuge in the harbors, fogs, and remote islands of the inland sea. After encountering lunatic storms and rising corpses from the warming depths, he eventually lands to find an increasingly desperate and illiterate people, a malignant billionaire ruling class, a crumbled infrastructure, and a lawless society. As his guileless nature begins to make an inadvertent rebel of him, Rainy’s private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his wake.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Enter SCAFFOLD. Purported to enhance empathy, this cutting-edge technology could allow Enka to inhabit Mathilde’s mind and access her memories, artistic inspirations, and deep-seated trauma. Undergoing this procedure would link Enka and Mathilde forever. But at what cost?

Blisteringly smart, thought-provoking, and shocking, Immaculate Conception offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

Vera is a survivor of a global catastrophe known as the Low Probability Event, but she definitely isn’t thriving. Once a passionate professor of statistics, she no longer finds meaning in anything at all.

But when problematic government agent Layne knocks on her door, she’s the only one who can help him uncover the connection between deadly spates of absurdity and an improbably lucky casino. What’s happening in Vegas isn’t staying there, and the world is at risk of another disaster.

It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy is a year out from a suicide attempt only Jules knows about, and as she searches for work and meaning in Brooklyn, Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen.

Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother—a newly devout Messianic Jew—starts falling for the same deep-state conspiracy theories as Jules’s online mommies. A trip home to Florida ends in disaster. Amy Klobuchar may or may not have rabies. And Jules struggles halfheartedly to scrape her way to the source of her ennui, slowly and cruelly coming to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. As the year shambles on and a new decade looms near, Jules and Poppy—comrades, competitors, permanent fixtures in each other’s lives—must ask themselves what they want their futures to look like, and whether they’ll spend them together or apart.