Reuniting the director and screenwriter of the classic The Third Man, Our Man in Havana is the missing link in Alec Guinness’ career between the light comedies he made as a young actor for Ealing Studios and his later turn as spymaster George Smiley—an understated espionage romp with surprisingly dark undertones.
Check It Out Category: Picks by John
Rumor has it that The Time’s eponymous debut album is effectively a Prince solo side project: written, produced and performed by the legendarily prolific artist, with Morris Day’s vocals the only other contribution. True or false, this slice of outstanding pop-funk can easily stand alongside the Purple One’s Dirty Mind/Controversy-era peak.
Greg Sestero’s memoir The Disaster Artist details his time as a reluctant star of the modern cult classic movie The Room, exploring his awkward friendship with the film’s bizarre writer-director-star Tommy Wiseau. Sestero’s narration of the audiobook allows him to show off his uncanny Wiseau impression across a series of hilarious anecdotes.
Peter Jackson’s Dead Alive reigns undisputed as the messiest zombie movie ever made. In Jackson’s gleefully over-the-top, relentlessly gory, black comedy, Lionel’s overbearing mother receives a bite of an evil Sumatran “rat monkey”. Soon she’s snacking on the neighbors, who rapidly zombify – and then things escalate (watch for the lawnmower).
The documentary Jodorowsky’s Dune chronicles the cult filmmaker Alejandro Jodorowsky’s mid-70’s attempt to mount an adaptation of Frank Herbert’s classic SF novel Dune. Jodorowsky is a magnetic raconteur, detailing plans (A score by Pink Floyd! Designs by Moebius! Casting Salvador Dali and Mick Jagger in roles!) that suggest a fascinating divergence from the eventual 1984 David Lynch film.