Robert Altman’s pastel-noir subversion of the hard-boiled detective genre, The Long Goodbye, replaces Bogart’s iconic version of Philip Marlowe with a mumbling, likably disheveled portrayal by Elliott Gould. The film’s labyrinthine plot duels a loose, improvisational tone against a backdrop of playful details – until things suddenly get less playful…
Check It Out Category: Picks by John
There are 8 more days until the end of Summer Reading! Every day during our countdown we will be featuring slices of library life, books, and topics designed to help you out as you work through 2017 Summer Reading at Mount Prospect. Read more about how you can join in on this celebration of reading and enter to win prizes!
Sonny Liew’s intricately invented graphic history traces the career of fictional comic artist Chan Hock Chye, with the sociopolitical history of Singapore cleverly mirroring the evolution of the comics medium as depicted via a dazzling series of pastiches. Spanning eight decades, The Art of Charlie Chan Hock Chye finds bittersweet parallels between artistic ambition and political idealism.
Read this for Summer Reading!
For the DIY Designers…
This book may be counted as a graphic novel, one everyone is talking about (it won the Eisner award), a book with a person of color as author, or a book under 150 pages.
For the Master Class Designers…
This may count as a book with a person of color as author or as a book highlighted on the MPPL website.
Possibly one of the most gorgeous motion pictures ever made (and a major inspiration for La La Land), Jacques Demy’s The Young Girls of Rochefort takes the conventional musical off the studio set and envigorates it with colorful sunlit location shooting. Vibrant, occasionally silly, and about as charming a film as you’re ever likely to see, this picture seems to capture the very essence of springtime.
Like any number of films “based on a true story,” the docu-comedy 24 Hour Party People frequently exaggerates, distorts, fabricates and otherwise obfuscates the historical truth of its subject matter (in this case, the Manchester music scene of the 80s and 90s). The difference is, this picture does so openly, amusingly, and with a cheerful wink to its audience.
Reuniting the director and screenwriter of the classic The Third Man, Our Man in Havana is the missing link in Alec Guinness’ career between the light comedies he made as a young actor for Ealing Studios and his later turn as spymaster George Smiley—an understated espionage romp with surprisingly dark undertones.
Rumor has it that The Time’s eponymous debut album is effectively a Prince solo side project: written, produced and performed by the legendarily prolific artist, with Morris Day’s vocals the only other contribution. True or false, this slice of outstanding pop-funk can easily stand alongside the Purple One’s Dirty Mind/Controversy-era peak.
Greg Sestero’s memoir The Disaster Artist details his time as a reluctant star of the modern cult classic movie The Room, exploring his awkward friendship with the film’s bizarre writer-director-star Tommy Wiseau. Sestero’s narration of the audiobook allows him to show off his uncanny Wiseau impression across a series of hilarious anecdotes.
Peter Jackson’s Dead Alive reigns undisputed as the messiest zombie movie ever made. In Jackson’s gleefully over-the-top, relentlessly gory, black comedy, Lionel’s overbearing mother receives a bite of an evil Sumatran “rat monkey”. Soon she’s snacking on the neighbors, who rapidly zombify – and then things escalate (watch for the lawnmower).
The documentary Jodorowsky’s Dune chronicles the cult filmmaker Alejandro Jodorowsky’s mid-70’s attempt to mount an adaptation of Frank Herbert’s classic SF novel Dune. Jodorowsky is a magnetic raconteur, detailing plans (A score by Pink Floyd! Designs by Moebius! Casting Salvador Dali and Mick Jagger in roles!) that suggest a fascinating divergence from the eventual 1984 David Lynch film.
Richard McGuire’s inventive graphic novel Here is set in a single location for its entire duration: the corner of a room in a house. However, each double-page image depicts this fixed space at a different moment throughout time, ranging the complete span of human history and beyond. Grand changes play out over the years, juxtaposed against mundane still moments in the lives the home’s various inhabitants. Events echo throughout time, such as when a window into the décor of 2014 is used to resonate with a scene from 1775. Styles change, children grow older, and lives unfold in unexpectedly affecting fragments. Here demonstrates that both the beautiful and ordinary qualities of life alike can remain strangely similar in any era.
For more formally complex graphic novels, try…