For a long time, bad guys were introduced primarily to add conflict for our heroes, but somewhere along the way, they grew on us. Those of you caught up in the final season of Breaking Bad know what we mean. Especially in the last decade, television has embraced a specific type of antihero, the “unhappy, morally compromised, complicated, deeply human characters who stir both our sympathy and our revulsion.” In Difficult Men: Behind the Scenes of a Creative Revolution, author Brett Martin explores not only signature characters of landmark series but also the show runners – the brilliant and often damaged men driving the programs through the casting, the writing, and the directing. What does the success of these shows have to say about those who craft them? And what does it say about those of us who watch?