Brassaï moved to Paris in 1924. He slept all day and roamed the streets at night, photographing the moonlit Montparnasse quarter and beyond. Street toughs grinned broadly for him, prostitutes coyly raised thinly-lined eyebrows, and young couples necking on benches ignored the photographer entirely. Brassaï may have been called boring by his friend (and famed writer) Henry Miller, but his work is everything and anything but dull. There are no grittier, livelier images of Depression-era, European nightlife than what Brassaï captured. If you like black and white gangster movies, unflinching photography, or just want a conversation-starter of a coffee table book, try Brassaï: Paris Nocturne.