Red lips. Red nails. It’s not makeup. It’s armor. When you’re a girl from the wrong side of town, when you’re a girl being bullied by your former friends, when you’re a girl raped by the sheriff’s son… you need armor. Romy is merely trying to survive daily life, but the tension in her life triples when an ex-friend from school goes missing. Courtney Summer’s fifth novel, All the Rage, is the raw exploration of the strength of a high school girl, the failings of a small town, the responsibilities people have to one another, and the frail strings holding one person together.
Month: April 2015
Medieval historian-turned-mortician Caitlin Doughty brings a unique blend of historical perspective, practical training, and newbie experiences to her exploration of modern death in the U.S. The essays in Smoke Gets in Your Eyes include some gory details, but also honest accounts of a new mortician sometimes fumbling her way in the space after death.
Diane of Fiction/AV/Teen services suggests Now, Voyager…
Hollywood cranked out women’s pictures, or weepies, with excessive emotional fervor from the 1930s to 1950s. For many historians, 1942’s Now, Voyager starring Bette Davis, Paul Henreid, and Claude Rains, is the definitive weepie. Davis portrays Charlotte Vale, a dowdy Boston spinster, oppressed and driven to a nervous breakdown by a domineering mother. She recovers with the help of a kindly psychiatrist, played by Claude Rains, who runs a mental health sanitarium. After leaving the doctor’s care, Charlotte takes an ocean voyage where she finds self-confidence and love through a romance with an unhappily-married man, played by Paul Henreid, and ends up taking his emotionally troubled daughter under her wing.
For more movies featuring Bette Davis as the headstrong lead try…
Every other Friday the Library will bring you short lists of buzz-worthy books. Take a look below to check out some of the newest historical fiction titles that have arrived at the Library.
The Effects of War
The Creative Life
For these and other fresh reads, stop by the second floor Fiction/AV/Teen desk or email us at email@example.com to talk to a Readers’ Advisor about new and old titles tailored to your taste.
It is four hundred years after the nuclear apocalypse. All humans are born as twins: the flawless, superior Alpha at the top of society and the deformed, mutated Omega shunned to the bottom. Cass is an Omega with a rare mutation: the ability to see into the future. Zach, her other half, is the Alpha, and as he rapidly rises in rank he puts Cass in more danger, for if one twin dies the other twin dies too. Francesca Haig has crafted a well-thought out world to deliver The Fire Sermon, an action-packed story of hatred, betrayal, and one girl unknowingly on her way to change the world.
Title: Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune
Author: Bill Dedman and Paul Clark Newell, JR.
Page Count: 456 pages
Genre: Nonfiction, Biographies
Tone: Suspenseful, Extravagant
When Pulitzer Prize-winning journalist Bill Dedman noticed a property listing for a grand estate that had been unoccupied for nearly sixty years, he stumbled into one of the most surprising American stories of the nineteenth and twentieth centuries. Empty Mansions is a rich tale of wealth and loss, complete with copper barons, Gilded Age opulence, and backdoor politics. At its heart is a reclusive 104-year-old heiress named Huguette Clark. Dedman has collaborated with Huguette’s cousin, Paul Clark Newell, Jr., one of the few relatives to have had frequent conversations with her, to tell a fairy tale in reverse: the bright, talented daughter who is born into an almost royal family of amazing wealth and privilege, yet who secrets herself away from the outside world. Empty Mansions reveals a complete picture of the enigmatic Huguette Clark, heiress to one of the greatest fortunes in American history, a woman who had not been photographed in public since the 1920s.
These book discussion questions are highly detailed and will ruin plot points if you have not read the book.
Questions composed by MPPL Staff
1. Is it difficult to understand why Huguette chose not to live in any of her beautiful homes for the last 20 years of her life?
2. Huguette preferred solitude for so much of her life, and then apparently enjoyed the hustle & bustle of the hospital environment. Does this make sense to you? Does it help explain her decision to spend so many years in the hospital? What other factors might have contributed to her choice?
3. Is there a “right” way to spend or give money? Do you believe this depends on if you’ve earned the money yourself or if you’ve received it through an inheritance?
4. Why did Huguette prefer giving to individuals versus institutions?
5. Why do we care how wealthy people spend their money?
6. Consider Andrew Carnegie’s theory (pg. 113) of the three stages of life – education, making money, and giving all the money away. What are your thoughts on this when applied to W.A. Clark and Huguette?
7. How important was control to Huguette (with her environment and in her relationships for example)?
8. Her wealth aside, was there anything unusual about Huguette?
9. What traits of Huguette are to be admired? What traits of hers were not so admirable? What were some of her gifts? How about her limitations?
10. What makes her a challenging biographical subject? Does her limited circle of contacts make her more or less interesting to read about? What makes her a good biographical subject?
11. Do you believe Huguette suffered from mental illness? What is the authors’ stance on this?
12. What lingering mysteries about Huguette remain? Does this book answer questions or raise additional questions?
13. Huguette is reported to have said “we are all a little peculiar” — do you agree? What does the term “eccentric” mean to you? Do you believe the term has an association with wealth or not necessarily?
14. The authors point out at the end (pg. 354) that Huguette was not necessarily as isolated as we might think – she had regular visitors, had nurse Hadassah, was pen pal to many, etc. What are your thoughts on this?
15. Here we have a book written about someone who intensely guarded her private life and went to great lengths to avoid the spotlight (for example, avoiding selling items out of fear of attention it might draw). Are there any ethical issues to consider with this book?
16. Consider the title — Do you find empty houses troubling or wasteful? If so, does the size or value of the house affect your level of concern? (Fancy vs. plain, huge vs. modest, unique vs. ordinary)
17. Do you believe the title was a good choice? Does it reflect the content of the book? Would you describe Huguette’s life as mysterious? Is it fair to single out Huguette’s “spending of a great American fortune” when she wasn’t his only heir and her share of W.A.’s estate was just one-fifth?
18. What was your response to the detail of gifts and donations – fascinated? Disgusted? Puzzled? Wonder? Why do you think the authors included such detail? (examples: page 247, 261, 264-5)
19. Why did the authors devote a large portion of the book to W. A. Clark?
20. In what ways did Huguette differ from her father? What character traits did she have that resembled his?
21. Do you like how the book was structured? It is not always chronological; did you like this or not?
22. How did the “Conversations with Huguette” sections affect your reading experience?
23. What did the authors hope to achieve by writing this book? Do you think they succeeded? What do they want us to know about Huguette?
24. Are the authors objective and balanced in their portrayal of Huguette? Do you think other authors might have presented a more sensational account of her life?
If you liked Empty Mansions, try…
This poetic gem translated from Italian is weighted with sorrow. Written in flashbacks spanning three generations, a girl shares the story of her Sardinian grandmother who has been in search for perfect love and declared mad as a result. Milena Agus’ From the Land of the Moon is a study of unreliable narrators, misunderstanding, and the reaches of the heart.
Genealogists are, by definition, detectives. They start with one or more clues, apply patience and a great deal of detail work, and follow the threads wherever they lead, hoping for a satisfying conclusion. Nathan Dylan Goodwin’s Hiding the Past plays those similarities to great effect by creating an original genealogical mystery novel. A British man with no family history calls on expert Morton Farrier to trace his roots but is dead by apparent suicide the day after they meet. As Farrier doggedly investigates, others are determined to keep past events from seeing the light of the present, including a possible WWII conspiracy. However, even mounting danger won’t keep a dedicated researcher from his answers, and his adventures are worth scaling this particular family tree.
Every Friday the Library will bring you short lists of buzz-worthy books in a rotating series of popular genres.
For these and other fresh reads, stop by the second floor Fiction/AV/Teen desk. While there, talk to a Readers’ Advisor about new and old titles tailored to your taste.
New: Fiction Books
New: Nonfiction Books
Paul Hornschemeier vibrantly paints the picture of a 26-year-old who feels stuck. Dragged down by the repetition of working in retail and terrible relationships, Amy Beir turns to phone conversations with a friend who moved to San Francisco and the cartoon Mr. Dangerous to keep her sanity. Hornschemeier uses colorful simplistic drawings to slice out the anxieties of daily life, from being gifted pink unicorn sweatshirts by her mother to the pressure of leaving voice mails. Laced with humor and touches of the surreal Life With Mr. Dangerous captures the struggle of growing up when you’re supposed to be a grown up already.