The late-60s/early-70s cycle of existential road movies yielded a number of interesting films, but perhaps the most overlooked is Monte Hellman’s minimalist masterpiece, Two-Lane Blacktop. “The Driver” and “The Mechanic” have simplified their lives to exist almost solely as extensions of the ‘55 Chevy they race from town to town.
John’s Pick: Two-Lane Blacktop
Leave a Reply
You must be logged in to post a comment.