In their second full album, Talking is Hard, Walk the Moon has created a conglomeration of electropop and contemporary indie rock. While mimicking the same positivity and dance beats evident in their self-titled first album, the band of four explores the spectrum of their sound, allowing some tracks to lean further toward the rock genre while others, such as “Aquaman,” to fall into a smooth 1980’s sound. The twelve tracks are distinctly different from one another, but they work cohesively, sharing catchy choruses, sharp lyrics, and a similar fast-paced energy. This lively CD is for the listener looking for something to brighten his or her day.
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Van Duren came out of the same 70’s Memphis music scene as the cultishly adored band Big Star, so it isn’t too surprising that his 1977 debut album Are You Serious? draws heavily from shared influences like Badfinger and Todd Rundgren. Melodic almost to a fault, Are You Serious? is an overlooked gem of 70’s power-pop.
“For me, singing sad songs often has a way of healing a situation. It gets the hurt out in the open into the light, out of the darkness.” -Reba McEntire
Every once in a while nothing can feel better than listening to a really sad song. This week, Entertainment Weekly‘s staff shared their favorite sad songs in the article “Research Shows Sad Songs Can Make You Less Sad, So Here’s a Playlist.” This got Mount Prospect Public Library’s Fiction/AV/Teen Services thinking about some of their own favorites. Check them out below:
As always, feel free to stop by the Fiction/AV/Teen Services desk on the second floor where we can help you find sad songs, happy songs, and everything in between!
‘Tis the time when the days shorten and the nights chill, when trees put on their autumn costumes and each step crackles like bonfire. Whether or not you are one to celebrate All Hallows Eve, the change in season calls for a little mood music, and Camille Saint-Saens’ classic “Danse Macabre” will spook your imagination. Featured on the recording Favorite French Spectaculars, with Leonard Bernstein conducting the New York Philharmonic, the piece was inspired by folk legends about the revels of the dead. The sharp summons of a solo violin is answered with a swirling symphonic waltz, and the two themes ebb and flow in playful, haunting harmony punctuated by clattering xylophone. Lilting winds give way to frantic dance, and you’ll find yourself bewitched by a fantastical music experience.
Best listened to outside or going on adventures, world class musicians Yo-Yo Ma (cello), Chris Thile (mandolin), Stuart Duncan (fiddle), Edgar Meyer (bass), and guest vocalist Aoife O’Donovan blend genres to create The Goat Rodeo Sessions. With its fresh sweeping strings, this bluegrass/classical quartet will make any room feel expansive. The album is as diverse as its musicians, featuring upbeat tracks like “Quarter Chicken Dark,” haunting melodies in “Franz and the Eagle,” and quick intricate pieces showing off the individuals’ technical abilities, such as in “Where’s My Bow.” While the artists come alive in the album a one-night-only live concert, The Goat Rodeo Sessions Live, is also available to check out.
Even if you don’t know the name T Bone Burnett, you’ve probably experienced his cinematic compositions. From the music-as-character sounds of True Detective to the award-winning soundtrack of O Brother Where Art Thou?, Burnett’s earthy soulfulness is a testament to Americana in all its moods. This is an artist who played with Bob Dylan, produced Alison Krauss, and co-wrote “The Weary Kind” which collected a Golden Globe, a Grammy, and an Academy Award. Evoking a back-porch gritty ease similar to the worlds of William Faulkner or Carson McCullers, Twenty Twenty: The Essential T Bone Burnett (2006) is roots music that speaks eloquently to the human condition. By turns rousing, mellow, witty, and earnest, it’s a collection ideal for an end-of-summer jamboree.
Step onstage with the newest Tony Award winners, and take your pick of musical comedy, rock opera, and jukebox hits. The spotlight shines on these original Broadway cast recordings — all of which are available in the Library collection.
Best Musical: A Gentleman’s Guide to Love and Murder
** also winner for Best Direction, Best Book, and Best Costume Design
Best Revival of a Musical: Hedwig and the Angry Inch
** also winner of Best Performance by an Actor in a Leading Role (Neil Patrick Harris), Best Performance by an Actress in a Featured Role (Lena Hall), and Best Lighting Design
Best Sound Design of a Musical: Beautiful — The Carole King Musical
** also winner of Best Performance by an Actress in a Leading Role (Jessie Mueller)
Best Original Score Written for the Theatre: Bridges of Madison County
** also winner of Best Orchestrations
Kathleen Hanna, mother of the riot grrrl scene of the 1990s, is the titular subject of this biographical documentary that blends archival concert footage and old and new interviews. The Punk Singer is an engaging and provocative portrait of the artist. Hanna’s rise from feminist spoken word poet to leader of one of the decade’s most explosive and important bands is bumpy, exciting, and often inspiring. You’ll hear about her friendship with icons like Sonic Youth’s Kim Gordon and the late Kurt Cobain of Nirvana, as well as her marriage to Beastie Boys‘ Adam Horowitz. But most compelling is her harrowing account of being diagnosed with Lyme Disease—an illness that threatened to end her career.
If the seemingly interminable polar vortex and belated start of spring has you pining for sunshine and summer tunes, check out The Only Place, the second album by neo-surf rock duo Best Coast. The entire thing is a love song to California, to beaches and babes, and to the beauty of young love and heartache. Sing along with Beth Cosentino as she declares “we wake up with the sun in our eyes…” to help jump start your own magical summer.
Songs of longing, songs for the socially active mind, songs of joy – Michael Franti and Spearhead bring them all on their latest album, All People. Franti began his music career as an angry punk, but through the years, the anger has turned to even deeper attention to lyrical detail, giving hope against – rather than only railing at – the wrongs of the world. Is it reggae? Is it rap? Is it pop? Whatever it is, All People’s celebratory, optimistic songs want to make you smile. Most people know Michael Franti and Spearhead through their last album’s smash hit “Say Hey (I Love You)”, but there is much, much more to explore in this upbeat, empowering band.