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MPPL's staff blog about books, movies, music and the talent behind them.

Movies and TV: British Literature Adaptations

Looking to immerse yourself in the world of British literature turned television? Genevieve Valentine over at The AV Club shares “10 Period Pieces to Cheat English 205: British Literature on TV“. She notes what specific value the adaption brings and how each title plays an important role in the larger canon. Below check out some of her top ten as well as her bonus extra credit titles:

 

Cover of Alice In Wonderland (1966) Cover of Middlemarch (1994) Cover of Persuasion (1995)

 

 

 

 

 

 

 

 

 

Alice in Wonderland (1966)
Middlemarch (1994)
Persuasion (1995)

Cover of Return To Cranford (2009)Cover of The Way We Live Now (2001) Cover of Pride And Prejudice (1995)

 

 

 

 

 

 

 

 

 

Return to Cranford (2008)
The Way We Live Now (2001)
Pride and Prejudice (1995)

Cover of Wives And Daughters (1999)Cover of The Mayor Of Casterbridge (2003) Cover of North And South (2004)

 

 

 

 

 

 

 

 

 

Wives and Daughters (1999)
The Mayor of Casterbridge (2003)
North and South (2004)

Cover of The Tenant Of Wildfell Hall (1996) Cover of Bleak House (2005) Cover of The Woman In White (1997)

 

 

 

 

 

 

 

 

 

The Tenant of Wildfell Hall (1996)
Bleak House (2005)
The Woman In White (1997)

Staff Pick: The Hundred-Year House by Rebecca Makkai

Cover of The Hundred Year HouseNancy of Fiction/AV/Teen Services suggests The Hundred-Year House by Rebecca Makkai

Laurelfield, a grand old estate north of Chicago, is the centerpiece of Rebecca Makkai’s clever novel. The book begins in 1999 with descendants of the well-heeled Devohr family. Zee Devohr and her husband Doug, both academics, are living temporarily in the coach house. Doug hopes to do research on an obscure poet who lived at Laurelfield when it was an artists’ colony in the 1920s, but Zee’s mother is surprisingly protective of whatever files and artifacts might be in the attic. The narrative travels backward in time, leaping to 1955, 1929, and 1900, revealing Laurelfield’s complicated past and its eccentric occupants. In this reverse chronological order, echoes from the past – and future – are well crafted, and the engaged reader will be rewarded. With its rich detail, fine prose, and dark humor, The Hundred Year House is a unique and satisfying read.

 

For more eccentric characters in grand settings, try…

Cover of The Last Summer of the Camperdowns
The Last Summer of the Camperdowns by Elizabeth Kelly is the rollicking novel about a 12-year-old girl’s eventful summer of 1972 on her dysfunctional family’s Cape Cod compound.

Cover of Rooms
In Lauren Oliver’s suspenseful novel Rooms, a troubled family arrives at the mansion of their estranged, recently deceased patriarch, but find there are ghosts too.

 

 

 

 

 

 

 

 

 

 

 

Cover of Bellweather Rhapsody
In the witty Bellweather Rhapsody by Kate Racculia, talented high school musicians and their chaperones descend upon a huge, once-grand hotel in the Catskills for a music festival on the anniversary of a shocking crime.

Cover of A Sudden Light
Set in a haunted mansion in the Pacific Northwest, A Sudden Light by Garth Stein is an atmospheric novel narrated by a 14-year-old boy who embarks on a quest to learn more about the house and his family’s secrets.

Cover of An Evening of Long Goodbyes
An Evening of Long Goodbyes by Paul Murray features colorful characters at a crumbling seaside estate near Dublin, where the cozy existence of 24-year-old Charles is about to be given a serious shake-up.

Book Discussion Questions: Half the Sky by Nicholas Kristof and Sheryl WuDunn

Cover of Half the SkyTitle: Half the Sky
Author: Nicholas D. Kristof and Sheryl WuDunn
Page Count: 294 pages
Genre: Nonfiction, Social Issues
Tone: Inspirational

Summary from publisher:

With Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn as our guides, we undertake an odyssey through Africa and Asia to meet the extraordinary women struggling there, among them a Cambodian teenager sold into sex slavery and an Ethiopian woman who suffered devastating injuries in childbirth. Drawing on the breadth of their combined reporting experience, Kristof and WuDunn depict our world with anger, sadness, clarity, and, ultimately, hope. They show how a little help can transform the lives of women and girls abroad.

 

SPOILER WARNING:
These book discussion questions are highly detailed and will ruin plot points if you have not read the book.

1. Half the Sky is not the first book to raise worldwide social issues. What about this work makes it stand out? Why do you think it has taken hold, even sparked a movement?

 2. Would you describe Half the Sky as a difficult book to read? A worthwhile one? Believable? Tragic? Overhyped?

3. From the introduction: “Many of the stories in this book are wrenching, but keep in mind this central truth: ‘Women aren’t the problem, but the solution. The plight of girls is no more a tragedy than an opportunity.’” Do they make their case?

4. How did you read this book? In large chunks? Small sections? Audio? How do you think that impacted your experience?

5. Have any of you seen the documentary before or after reading Half the Sky? Before or after? How did that complement your experience? Any significant differences?

6. How did you respond to the writing style and the book structure? Would you say these choices are what makes it accessible?

7. Gender politics and issues can be tricky. Do the authors succeed in moving this beyond a “women’s issue” to a “human rights issue”? Would the case have been more difficult to make if two women were writing about the issues?

8. “Frankly, we hesitate to pile on the data, since even when numbers are persuasive, they are not galvanizing. A growing collection of psychological studies show that statistics have a dulling effect, while it is individual stories that move people to act. In one experiment…”

Is this a fair representation? Do we rise to stories but nod-and-pass too easily with statistics? Is it true across the board or do you think it differs according to individual? Were there numbers that shocked you?

9. The authors do rely on stories to bring the issues to life. Which ones stood out? Even if you don’t recall names — which situations, images, atrocities have stayed with you? What proposed solutions excited you or seemed most promising?

 10. Did it surprise you at all that so many were willing to share such painful stories with a male American journalist? In what ways does owning and telling the story empower the individual?

11. “Rescuing girls is the easy part…the challenge is keeping them from returning.” How could this be true?

12. How does a book like this affect how you view the world?

13. Were you surprised by the extent to which women were involved in oppression or abuse of other women? Why or why not?

14. Did you find the book balanced in revealing what doesn’t necessarily work/unintended consequences without cherry-picking results?

15. Some raise the concern that journalism of this type can be sensationalistic, voyeuristic, or even endanger the subjects. In what ways are these valid? Does the good outweigh the bad?

16. Did you sense any political agenda or bias in the writing?

17. Even though the book focuses on Africa and Asia, many of the problems addressed occur in Europe and the U.S. as well. How are these issues similar across regions, and how do they differ?

18. The writers address the idea of cultural imperialism: “If we believe firmly in certain values, such as the equality of all human beings regardless of color or gender, then we should not be afraid to stand up for them; it would be feckless to defer to slavery, food-binding, honor killings, or genital cutting just because we believe in respecting other faiths or cultures.” How do you respond? How do we walk a tightrope in terms of telling another culture what they believe is right or wrong?

19. From the documentary: “Sometimes people want to do too much, so they do nothing. They say, ‘I cannot help.’ Everyone can help. Everyone can do one thing.” Is there truth in this? How do we overcome those mental obstacles?

20. The book was first published in 2009. Do you think anything has change? Have you heard of the “movement” before reading Half the Sky?

21. When we feel convicted or inspired by a work such as Half the Sky, how do we keep that active? How do we keep ourselves from forgetting or sinking back into complacency?

Other Resources

 Half the Sky Movement webpage
Lit Lovers Discussion Questions
Videos produced by Half the Sky Movement
Discussion facilitation guide for Half the Sky
Video interview with Kristof and WuDunn
Extended interview with Kristof and WuDunn
Article: What’s So Scary About Smart Girls?

If you liked Half the Sky, try…

Cover of Paradise Beneath Her FeetCover of A Call to Action Cover of The Blue Sweater

 

 

 

 

 

 

 

 

 

Paradise Beneath Her Feet by Isobel Coleman
A Call to Action by Jimmy Carter
The Blue Sweater by Jacqueline Novogratz

Staff Pick: Elizabeth and Hazel by David Margolick

Picture of LarryDavid Margolick describes the lives of two girls in the famous photograph from Little Rock Central High School’s desegregation in 1957: a stoic African-American girl walking on the first day of school followed by a white girl, her face distorted as she screams racial epithets. Elizabeth and Hazel is a thought provoking and memorable exploration of how this experience affected their lives in attempts to reconcile the painful, traumatic experience within themselves and with each other.

Fiction: Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris by Leanne Shapton

Important Artifacts book coverThe mementos we save reveal much of ourselves: what gives us pleasure, what we consider important, and what we most want to remember. In other words, they tell a story, and that is exactly what author Leanne Shapton demonstrates in her unconventional work, Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris, Including Books, Street Fashion, and Jewelry. This is narrative by way of auction catalog, and each entry provides a glimpse into the relationship of a metropolitan couple. Lenore and Hal’s story is literally illustrated with depictions of the souvenirs of their lives, most of which has little monetary value. However, viewed as a collection, the pieces take on a fresh and fascinating significance, first for the couple and then for the reader.

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